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Symbolic Collection (page 5)

Background imageSymbolic Collection: Tsuru, from Momoyo-gusa (The World of Things) Vol II, pub

Tsuru, from Momoyo-gusa (The World of Things) Vol II, pub.1909 (colour block woodcut). Cranes;

Background imageSymbolic Collection: A Symbolical Cheque Design, 1917. Artist: London City & Midland Bank

A Symbolical Cheque Design, 1917. Artist: London City & Midland Bank
A Symbolical Cheque Design, 1917. Midland Bank Plc was one of the Big Four banking groups in the United Kingdom for most of the 20th century. It is now part of HSBC

Background imageSymbolic Collection: Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci

Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci
Allegory of the Lizard Symbolizing Truth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageSymbolic Collection: Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell

Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell
Sketch of The Seven Seas, c1922, (1923). 1923. Sketch design for The Mediterranean, one of the decorative panels of The Seven Seas in the British Pavilion at the Rio International Exhibition

Background imageSymbolic Collection: Cromwell on His Farm, 1874, (1918). Artist: Ford Madox Brown

Cromwell on His Farm, 1874, (1918). Artist: Ford Madox Brown
Cromwell on His Farm, 1874, (1918). Painting held at the Lady Lever Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageSymbolic Collection: The Embleme of Englands Distractions, 1658, (1899)

The Embleme of Englands Distractions, 1658, (1899)
The Embleme of Englands Distraction as also of her attained and further expected Freedom and Happines per H. M. 1658, (1899)

Background imageSymbolic Collection: The Turnstile, A Picturesque Simile, 19th century. Artist: John Doyle

The Turnstile, A Picturesque Simile, 19th century. Artist: John Doyle
The Turnstile, A Picturesque Simile, 19th century

Background imageSymbolic Collection: The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century

The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1)
The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1870). During the Middle Ages, the unicorn, attracted to the Virgin Mary

Background imageSymbolic Collection: 2nd Moroccan division bathes its flags in the Rhine, Huningue, Alsace, France, 21 November 1918

2nd Moroccan division bathes its flags in the Rhine, Huningue, Alsace, France, 21 November 1918
The 2nd Moroccan division bathes its flags in the Rhine, Huningue, Alsace, France, 21 November 1918

Background imageSymbolic Collection: How the Union Jack was made, 1905. Artist: As Forrest

How the Union Jack was made, 1905. Artist: As Forrest
How the Union Jack was made, 1905. The origins of the British flag, showing St Georges cross, (England); St Andrews cross, (Scotland); St Patricks cross

Background imageSymbolic Collection: Saint Agnes, c1520, (1843). Artist: Henry Shaw

Saint Agnes, c1520, (1843). Artist: Henry Shaw
Saint Agnes, c1520, (1843). From a picture by Lucas van Leyden of St Agnes (died 304-305 AD). The anniversary of her martyrdom, 21st January

Background imageSymbolic Collection: Crown of Thorns (Ecce Homo), 17th century. Artist: Peter Paul Rubens

Crown of Thorns (Ecce Homo), 17th century. Artist: Peter Paul Rubens
Crown of Thorns (Ecce Homo), 17th century. Rubens, Pieter Paul (1577-1640). Found in the collection of the State Hermitage, St. Petersburg

Background imageSymbolic Collection: The Uniting of Great Britain, c1632-1633. Artist: Peter Paul Rubens

The Uniting of Great Britain, c1632-1633. Artist: Peter Paul Rubens
The Uniting of Great Britain, c1632-1633. Rubens, Pieter Paul (1577-1640). Found in the collection of the State Hermitage, St. Petersburg

Background imageSymbolic Collection: Caricature of the Chamber of Deputies, Paris, 1898. Artist: Henri Meyer

Caricature of the Chamber of Deputies, Paris, 1898. Artist: Henri Meyer
Caricature of the Chamber of Deputies, Paris, 1898. An illustration from Le Petit Journal, 10th July 1898

Background imageSymbolic Collection: The Garden of Love, c1630. Artist: Peter Paul Rubens

The Garden of Love, c1630. Artist: Peter Paul Rubens
The Garden of Love, c1630. Museo del Prado, Madrid, Spain

Background imageSymbolic Collection: The Hours or Days, 1615. Artist: Leonard Gaultier

The Hours or Days, 1615. Artist: Leonard Gaultier
The Hours or Days, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageSymbolic Collection: Seven days of the week. Twilight, morning, dawn, the evening, 1757. Artist: Bernard de Montfaucon

Seven days of the week. Twilight, morning, dawn, the evening, 1757. Artist: Bernard de Montfaucon
Seven days of the week. Twilight of morning, dawn, the evening, 1757. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of December, 1757. Artist: Bernard de Montfaucon

A representation of December, 1757. Artist: Bernard de Montfaucon
A representation of December, 1757. A man, perhaps a slave. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of August, 1757. Artist: Bernard de Montfaucon

A representation of August, 1757. Artist: Bernard de Montfaucon
A representation of August, 1757. A naked man drinking from a large cup, symbolizing the heat. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757

Background imageSymbolic Collection: A representation of November, 1757. Artist: Bernard de Montfaucon

A representation of November, 1757. Artist: Bernard de Montfaucon
A representation of November, 1757. A priest of Isis. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of October, 1757. Artist: Bernard de Montfaucon

A representation of October, 1757. Artist: Bernard de Montfaucon
A representation of October, 1757. A naked man holding a hare and a basket. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of September, 1757. Artist: Bernard de Montfaucon

A representation of September, 1757. Artist: Bernard de Montfaucon
A representation of September, 1757. A naked man holding a lizard, and two tanks symbolize the grape harvest. A plate from Supplement au livre de L antiquite expliquee et representee en figures

Background imageSymbolic Collection: A representation of July, 1757. Artist: Bernard de Montfaucon

A representation of July, 1757. Artist: Bernard de Montfaucon
A representation of July, 1757. A naked man holding a money purse. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of June, 1757. Artist: Bernard de Montfaucon

A representation of June, 1757. Artist: Bernard de Montfaucon
A representation of June, 1757. A naked man with cabran solar, a sickle symbolizing the summer and the harvests. A plate from Supplement au livre de L antiquite expliquee et representee en figures

Background imageSymbolic Collection: A representation of May, 1757. Artist: Bernard de Montfaucon

A representation of May, 1757. Artist: Bernard de Montfaucon
A representation of May, 1757. A man carrying a basket of flowers, and a peacock. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageSymbolic Collection: A representation of February, 1757. Artist: Bernard de Montfaucon

A representation of February, 1757. Artist: Bernard de Montfaucon
A representation of February, 1757. A woman with a duck, a heron, a fish and a urn symbolizing the rain. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris

Background imageSymbolic Collection: A representation of April, 1757. Artist: Bernard de Montfaucon

A representation of April, 1757. Artist: Bernard de Montfaucon
A representation of April, 1757. A man dancing and playing music in front of a statue of Venus. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757

Background imageSymbolic Collection: A representation of March, 1757. Artist: Bernard de Montfaucon

A representation of March, 1757. Artist: Bernard de Montfaucon
A representation of March, 1757. A man in the skin of a she-wolf, with a swallow and a goat symbolising the beginning of spring

Background imageSymbolic Collection: Catholic worship returned to the French people by 1st Consul Bonaparte, 19th century

Catholic worship returned to the French people by 1st Consul Bonaparte, 19th century

Background imageSymbolic Collection: Chalice, 12th century

Chalice, 12th century. From the Museu Nacional de Machado de Castro, Portugal

Background imageSymbolic Collection: St Margaret, 15th century

St Margaret, 15th century. From the Hungarian National Gallery, Budapest

Background imageSymbolic Collection: Painting, unknown title, 17th century. Artist: Baldassare Franceschini

Painting, unknown title, 17th century. Artist: Baldassare Franceschini
Painting, unknown title, 17th century

Background imageSymbolic Collection: Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century

Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. Artist: Bernardo Strozzi
Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. From a private collection

Background imageSymbolic Collection: Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn

Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn
Jacob Fights the Angel, 1660. From the Gemaldegalerie, Staatliche Museen, Berlin

Background imageSymbolic Collection: Louis XIII, 17th century. Artist: Simon Vouet

Louis XIII, 17th century. Artist: Simon Vouet
Louis XIII, 17th century. Louis XIII, King of France from 1610-1643, depicted between two figures representing France and Navarre. From the Musee du Louvre, Paris

Background imageSymbolic Collection: Allegory of France and Navarre, 1740. Artist: Francois Boucher

Allegory of France and Navarre, 1740. Artist: Francois Boucher
Allegory of France and Navarre, 1740. Cartoon for a tapestry, Palais de Justice, Rouen, France

Background imageSymbolic Collection: Chinese Jade, Representation of Taoist Sacred Mountain with Hermits Hut, c1636-1912

Chinese Jade, Representation of Taoist Sacred Mountain with Hermits Hut, c1636-1912. Symbolised the retreat aspect of Taoism. Chi ing Dynasty

Background imageSymbolic Collection: Chinese Jade Lion, symbolises energy for Taoists

Chinese Jade Lion, symbolises energy for Taoists

Background imageSymbolic Collection: Early Christian Funerary Mosaic, (Roman), 4th century

Early Christian Funerary Mosaic, (Roman), 4th century. From the Catacomb of Hermes, Sousse, Tunisia. The fish and anchor are symbols of Christ and his faithful followers. At Sousse Museum, Tunisia

Background imageSymbolic Collection: Roman winged tutelary goddess of a city

Roman winged tutelary goddess of a city, holding a Patera and double Cornucopia. The seven busts over the wings represent the days of the week

Background imageSymbolic Collection: Venus and Cupid, 1509

Venus and Cupid, 1509. Cranach, Lucas, the Elder (1472-1553). Found in the collection of the State Hermitage, St. Petersburg

Background imageSymbolic Collection: Achaemenid cylinder-seal impression of a Royal hunt

Achaemenid cylinder-seal impression of a Royal hunt. The King holds a Gon and a man with a flail seizes a bull. It symbolises the the triumph of the King over his enemies

Background imageSymbolic Collection: The Sphinx and Pyramid of Khafre (Chephren), Giza, Egypt, 4th Dynasty, 26th century BC

The Sphinx and Pyramid of Khafre (Chephren), Giza, Egypt, 4th Dynasty, 26th century BC
The Sphinx and Pyramid of Khafre (Chephren) viewed from the left, Giza, Egypt, 4th Dynasty, 26th century BC

Background imageSymbolic Collection: Tibetan Buddhist mandala

Tibetan Buddhist mandala. A mandala is a symbolic diagram used in meditation and in sacred ceremonies. From the British Museum

Background imageSymbolic Collection: Baptism of Jesus by John the Baptist, c1890. Artist: James Tissot

Baptism of Jesus by John the Baptist, c1890. Artist: James Tissot
Baptism of Jesus by John the Baptist, c1890. Bible, New Testament. From The Life of our Saviour Jesus Christ by JJ Tissot, c1890

Background imageSymbolic Collection: Choice of Songs put into Music by M. de la Borde, ca. 1773

Choice of Songs put into Music by M. de la Borde, ca. 1773
Choice of Songs put into Music by M. de la Borde, ca.1773. C ette touchante yvresse / Ne dit rien a ton coeur

Background imageSymbolic Collection: Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily

Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664-79



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