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Swiss Collection (page 23)

Background imageSwiss Collection: Punishment of Prostitutes in Switzerland, c18th century

Punishment of Prostitutes in Switzerland, c18th century. Dragging the Scavengers Cart. Women shovel manure into a cart

Background imageSwiss Collection: Types of soldiers from the end of the 19th century, 1900. Artist: Richard Knotel

Types of soldiers from the end of the 19th century, 1900. Artist: Richard Knotel
Types of soldiers from the end of the 19th century, 1900. Illustrations of uniforms from various different countries

Background imageSwiss Collection: Emil Jannings, Swiss actor, 1933

Emil Jannings, Swiss actor, 1933. Jannings (1884-1950) was the first winner of the Academy Award for Best Actor, which he won for his performances in The Way of All Flesh and the Last Command (1928)

Background imageSwiss Collection: Swiss barracks, Rue de Babylone, Paris, 29th July 1830, (1831). Artist: Fenner, Sears & Co

Swiss barracks, Rue de Babylone, Paris, 29th July 1830, (1831). Artist: Fenner, Sears & Co
Swiss barracks, Rue de Babylone, Paris, 29th July 1830, (1831)

Background imageSwiss Collection: Swiss woman, c1825. Artist: Edouard Pingret

Swiss woman, c1825. Artist: Edouard Pingret
Swiss woman, c1825. A peasant woman of the valley of Lenk in the Canton of Valais

Background imageSwiss Collection: Suvorov crossing the Panix Pass, 1860. Artist: Kotzebue, Alexander von (1815-1889)

Suvorov crossing the Panix Pass, 1860. Artist: Kotzebue, Alexander von (1815-1889)
Suvorov crossing the Panix Pass, 1860. Found in the collection of State Hermitage, St. Petersburg

Background imageSwiss Collection: A Turkish Woman, 1773. Artist: Angelica Kauffman

A Turkish Woman, 1773. Artist: Angelica Kauffman
A Turkish Woman, 1773. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: View of Constantinople and the Golden Horn, 1835. Artist: Johann Jakob Wolfensberger

View of Constantinople and the Golden Horn, 1835. Artist: Johann Jakob Wolfensberger
View of Constantinople and the Golden Horn, 1835. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: A Street in Constantinople, 1835. Artist: Johann Jakob Wolfensberger

A Street in Constantinople, 1835. Artist: Johann Jakob Wolfensberger
A Street in Constantinople, 1835. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: Portrait of Prince Henry of Prussia, 18th century. Artist: Anton Graff

Portrait of Prince Henry of Prussia, 18th century. Artist: Anton Graff
Portrait of Prince Henry of Prussia, 18th century. Prince Henry of Prussia (1726-1802) was the younger brother of Frederick the Great

Background imageSwiss Collection: The Arrival of the Harvesters in the Pontine Marshes, 1833. Artist: Louis Leopold Robert

The Arrival of the Harvesters in the Pontine Marshes, 1833. Artist: Louis Leopold Robert
The Arrival of the Harvesters in the Pontine Marshes, 1833. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: Portrait of the Mathematican Leonhard Euler, (1707-1783), German painting of 18th century

Portrait of the Mathematican Leonhard Euler, (1707-1783), German painting of 18th century. Darbes, Joseph Friedrich August (1747-1810). Found in the collection of the State Tretyakov Gallery, Moscow

Background imageSwiss Collection: View of the Goetheanum and Heating House, Dornach, Switzerland, 1914-1916

View of the Goetheanum and Heating House, Dornach, Switzerland, 1914-1916. The Goetheanum was built between 1913 and 1919 by the Austrian philosopher

Background imageSwiss Collection: Landscape, Oaks at Stockhorn, 1898. Artist: Ferdinand Hodler

Landscape, Oaks at Stockhorn, 1898. Artist: Ferdinand Hodler
Landscape, Oaks at Stockhorn, 1898. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: Spring, 1876. Artist: Arnold Bocklin

Spring, 1876. Artist: Arnold Bocklin
Spring, 1876. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSwiss Collection: Le Petit Sou, socialist magazine by Theophile Steinlen, 1900. Artist: Theophile Alexandre Steinlen

Le Petit Sou, socialist magazine by Theophile Steinlen, 1900. Artist: Theophile Alexandre Steinlen
Le Petit Sou, socialist magazine by Theophile Steinlen, 1900. Theophile Alexandre Steinlen, frequently referred to as just Steinlen (1859-1923)

Background imageSwiss Collection: Avalanche at Mont Saint-Bernard, Switzerland, 1897. Artist: Henri Meyer

Avalanche at Mont Saint-Bernard, Switzerland, 1897. Artist: Henri Meyer
Avalanche at Mont Saint-Bernard, Switzerland, 1897. An illustration from Le Petit Journal, 21st March 1897. Monks digging through the snow and debris

Background imageSwiss Collection: The Kiss, c1879-1923. Artist: Theophile Alexandre Steinlen

The Kiss, c1879-1923. Artist: Theophile Alexandre Steinlen
The Kiss, 1879-1923

Background imageSwiss Collection: Inspiration, 1902. Artist: Carlos Schwabe

Inspiration, 1902. Artist: Carlos Schwabe
Inspiration, 1902

Background imageSwiss Collection: Spleen and Ideal, 1907. Artist: Carlos Schwabe

Spleen and Ideal, 1907. Artist: Carlos Schwabe
Spleen and Ideal, 1907

Background imageSwiss Collection: Conrad Gessner, Swiss naturalist, 1887

Conrad Gessner, Swiss naturalist, 1887. Gessner (1516-1565) wrote Historiae Animalium, regarded as the beginning of modern zoology, published in 1555-1558

Background imageSwiss Collection: Uniforms of a Swiss artillery regiment, 1823. Artist: Charles Etienne Pierre Motte

Uniforms of a Swiss artillery regiment, 1823. Artist: Charles Etienne Pierre Motte
Uniforms of a Swiss artillery regiment, 1823

Background imageSwiss Collection: Huldrych Zwingli, Swiss theologian, (1854)

Huldrych Zwingli, Swiss theologian, (1854). Huldrych (or Ulrich) Zwingli (1484-1531), was the leader of the Protestant Reformation in Switzerland

Background imageSwiss Collection: The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a melancholic person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a loafer, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a loafer, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a loafer, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a strict, intellegent person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a strict, intellegent person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a strict, intellegent person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a philosophical and profound person, 1808

The facial characteristics of a philosophical and profound person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a philosophical and profound person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a cheating, deceptive tempered person, 1808

The facial characteristics of a cheating, deceptive tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a cheating, deceptive tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a fiery, passionate tempered person, 1808

The facial characteristics of a fiery, passionate tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a fiery, passionate tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a quick tempered person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a quick tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a quick tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a jovial and kind person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a jovial and kind person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a jovial and kind person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: The facial characteristics of a miser, 1808. Artist: Athanasius Kircher

The facial characteristics of a miser, 1808. Artist: Athanasius Kircher
The facial characteristics of a miser, 1808. A print from Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

Background imageSwiss Collection: Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure X from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure XII from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure IX from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure XI from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure I from Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536, A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536

Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist: Theophrastus Bombastus von Hohenheim Paracelsus
Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageSwiss Collection: Saint Jerome in the Garden, c1510-1531. Artist: Hans Leu The Younger

Saint Jerome in the Garden, c1510-1531. Artist: Hans Leu The Younger
Saint Jerome in the Garden, c1510-1531. Located in the collection at, Musee de Beaux Arts, Budapest

Background imageSwiss Collection: Diane and Acteon, c1584-1609. Artist: Joseph Heintz the Elder

Diane and Acteon, c1584-1609. Artist: Joseph Heintz the Elder
Diane and Acteon, c1584-1609. In Roman mythology, Diana was the virgin goddess of the hunt, the equivalent of the Greek goddess Artemis, Private collection

Background imageSwiss Collection: Le Petit Sou Socialist Magazine, c1879-1923. Artist: Theophile Alexandre Steinlen

Le Petit Sou Socialist Magazine, c1879-1923. Artist: Theophile Alexandre Steinlen
Le Petit Sou Socialist Magazine, c1879-1923

Background imageSwiss Collection: Ouvriers du Batiment ( Construction Workers ), c1911. Artist: Theophile Alexandre Steinlen

Ouvriers du Batiment ( Construction Workers ), c1911. Artist: Theophile Alexandre Steinlen
Ouvriers du Batiment ( Construction Workers ), c1911. From the Musee d Orsay, Paris

Background imageSwiss Collection: Lady in a Hat, 1908. Artist: Felix Vallotton

Lady in a Hat, 1908. Artist: Felix Vallotton
Lady in a Hat, 1908

Background imageSwiss Collection: Portrait of Georg E. Hsen, 1913. Artist: Felix Vallotton

Portrait of Georg E. Hsen, 1913. Artist: Felix Vallotton
Portrait of Georg E. Hsen, 1913

Background imageSwiss Collection: Lady at the Piano, 1904. Artist: Felix Vallotton

Lady at the Piano, 1904. Artist: Felix Vallotton
Lady at the Piano, 1904

Background imageSwiss Collection: The Sleeper, 1908. Artist: Felix Vallotton

The Sleeper, 1908. Artist: Felix Vallotton
The Sleeper, 1908

Background imageSwiss Collection: Portrait of Mme Hsen, 1908. Artist: Felix Vallotton

Portrait of Mme Hsen, 1908. Artist: Felix Vallotton
Portrait of Mme Hsen, 1908



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