Studio Volume 68 Collection

True Appreciation, overheard at the Theatre, 1904. Artist: Frederick Henry Townsend
True Appreciation (overheard at the Theatre), 1904. This illustration was featured in Punch magazine, 1904. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Persian Vase, c1916. Artist: George Sheringham
The Persian Vase, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Flowered Shaw, c1916. Artist: George Sheringham
The Flowered Shaw, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

A Landscape Time Sketch, c1916. Artist: George Sheringham
A Landscape Time Sketch, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Study of Line by Herbert Draper, c1903. Artist: Herbert James Draper
Study of Line by Herbert Draper, c1903. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Study for a Decoration, The Evening Hours, c1916. Artist: Herbert James Draper
Study for a Decoration, The Evening Hours, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Vicar, 1909. Artist: Charles Edmund Brock
The Vicar, 1909. The illustration was featured in Punch magazine, 1909. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Portrait of Washington Irving, c1820. Artist: William Foy
Portrait of Washington Irving, c1820. Washington Irving (1783-1859), American author, essayist, biographer, historian, and diplomat of the early 19th century. From The Studio Volume 68

The Crown Princess Margaret of Sweden, 1914. Artist: Anders Leonard Zorn
The Crown Princess Margaret of Sweden, 1914. Crown Princess Margaret of Sweden (1882-1920). From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Promenade, Tokyo, c1894. Artist: George Henry
The Promenade, Tokyo, c1894. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

At The Window, c1916. Artist: George Henry
At The Window, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Nut Gatherers, c1902. Artist: Charles Hodge Mackie
The Nut Gatherers, c1902. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Unrest in the Near East, 1912. Artist: Frederick Henry Townsend
Unrest in the Near East, 1912. This illustration was featured in Punch magazine, 1912. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Non-Stop, 1919. Artist: Frederick Henry Townsend
Non-Stop, 1919. This illustration was featured in Punch magazine, 1919. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Illustration to Skeats Fables and Folk Tales from An Eastern Forest, 1901. Artist: Frederick Henry Townsend
Illustration to Skeats Fables and Folk Tales from An Eastern Forest, 1901. Fables and Folk Tales from An Eastern Forest was a book by Walter William Skeat (1835?1912), published in 1901

Our Evening Art Classes Have Commenced, 1905. Artist: Frederick Henry Townsend
Our Evening Art Classes Have Commenced, 1905. This illustration was featured in Punch magazine, 1905. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Self-Portrait, 1916. Artist: Anders Leonard Zorn
Self-Portrait, 1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

President Taft, 1911. Artist: Anders Leonard Zorn
President Taft, 1911. William Howard Taft (1857-1930), 27th President of the United States (1909-1913). From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Queens Bedchamber, c1916. Artist: George Sheringham
The Queens Bedchamber, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Artist Prisoners of War in their studio at Giessen, c1916. The Giessen camp was used for Allied Prisoners of War during World War I. It was near Frankfurt, Germany. From The Studio Volume 68

Portrait of Mrs. Elinor Glyn, 1912. Artist: Philip A de Laszlo
Portrait of Mrs. Elinor Glyn, 1912. Elinor Glyn (1864-1943), romantic novelist of the early 20th century. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

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