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The Vale of Aylesbury, 1933. Artist: Rex WhistlerThe Vale of Aylesbury, 1933. This painting was used by Shell in the 1930s for an advertsing campaign. Painting housed at Upton House. From The Studio Volume 108
Madonna and Child, c1918. Artist: Jeanne LabrousseMadonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]
Martinique Landscape, 1887. Artist: Paul GauguinMartinique Landscape, 1887. Painting held in the Scottish National Gallery. From The Studio Volume 103. [London Offices of the Studio, London, 1932]
The Old Fisherman, 1903. Artist: Joseph Edward SouthallThe Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]
The Song of the Mad Prince, c1917. Artist: Harry ClarkeThe Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name
Christchurch, Oxford, 1916. Artist: Edmund Hort NewChristchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]
A First Rate Taking in Stores, 1818. Artist: JMW TurnerA First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]
Port Vendres, La Ville, c1925. Artist: Charles Rennie MackintoshPort Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]
Isolde, c1895, (1896). Artist: Aubrey BeardsleyIsolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW TurnerShoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa
Morella, c1920. Artist: Harry ClarkeMorella, c1920. An illustration for Tales of Mystery & Imagination by Edgar Allan Poe (1809-1849). From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]
Landing at Greenwich, c1780. Artist: Thomas RowlandsonLanding at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
The Charmer, 1911. Artist: John William WaterhouseThe Charmer, 1911. From The Studio Volume 71. [London Offices of the Studio, London, 1917]
Pinks, c1920. Artist: Charles Rennie MackintoshPinks, c1920. From The Studio Volume 86. [London Offices of the Studio, London, 1923]
Portrait of Jane Seymour by Holbein, 1536, (1936). Creator: Hans Holbein the YoungerJane Seymour, 1936. Jane Seymour (c1508- 1537). Queen of England 1536-1537, third wife of King Henry VIII. She died two weeks after birth of a son who would become King Edward VI
An Italian Garden, c1903. Artist: George Samuel ElgoodAn Italian Garden, c1903. From The Studio Volume 32. [London Offices of the Studio, London, 1904]
Trinity College, Oxford, 1905. Artist: Edmund Hort NewTrinity College, Oxford, 1905. From The Studio Volume 64. [London Offices of the Studio, London, 1915]
Orpheus, 1896. Artist: John MacAllan SwanOrpheus, 1896. Painting held at the Lady Lever Art Gallery, Liverpool. From The Studio Volume 73. [London Offices of the Studio, London, 1918]
A Ground Swell, Carradale, Argyll, c1883. Artist: William McTaggartA Ground Swell, Carradale, Argyll, c1883. Painting held by Aberdeen Art Gallery & Museums, Aberdeen. From The Studio Volume 47. [London Offices of the Studio, London, 1909]
Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold GilmanMrs Mounter at the Breakfast Table, 1916?7. Painting held in the Tate, London. From The Studio Volume 99. [London Offices of the Studio, London, 1930]
The Old Farm Garden, 1871. Artist: Fred WalkerThe Old Farm Garden, 1871. Painting held in the Courtauld Gallery, London. From The Studio Volume 85. [London Offices of the Studio, London, 1923]
Seated Nude: The Black Hat, c1900. Artist: Philip Wilson SteerSeated Nude: The Black Hat, c1900. Painting housed at the Tate Britain, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]
Cricket at Gads Hill Place, Rochester, c1868. Charles Dickens Bowling the first ball at a charity match at the back of Gads Hill Place near Rochester, September 16th 1868. From The Studio Volume 108
Windsor Castle, 1922. (1924). Artist: Dorothy HuttonWindsor Castle, 1922. From The Studio Volume 88 [London Offices of the Studio, London, 1924.]
Pembroke Castle, Wales, c1829. Artist: JMW TurnerPembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]
The Helmsman, 1925, (1926). Artist: Arthur BriscoeThe Helmsman, 1925, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]
Reading by Lamplight (Twilight: Interior), 1909. Artist: George ClausenReading by Lamplight (Twilight: Interior), 1909. Painting housed at Lotherton Hall, Leeds. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]
The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel RossettiThe Wedding of St George and Princess Sabra, 1857. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]
Embouchure De La Seine A Honfleur, c1865. Artist: Claude MonetEmbouchure De La Seine A Honfleur, c1865. From The Studio Volume 65. [London Offices of the Studio, London, 1915]
A striking bow view of the giant Cunard liner, Queen Mary, at Clydebank, Glasgow, 1934A striking bow view of the giant Cunard liner, Queen Mary, under construction at Clydebank, Glasgow, 1934. Queen Mary was the flagship of the Cunard Line from May 1936 until October 1946 when she was
Grenoble Bridge, 1824. Artist: JMW TurnerGrenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]
House at Troon, Ayrshire, c1910. Artist: Arnold MitchellHouse at Troon, Ayrshire, c1910. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]
The Climax, c1893. Artist: Aubrey BeardsleyThe Climax, c1893. An illustration for Oscar Wildes Salome. From The Studio Volume 1 [London Offices of the Studio, London, 1893]
The Polar Star, 1920. Artist: William ShackletonThe Polar Star, 1920. Painting held Bradford Museums and Galleries, Bradford. From The Studio Volume 83. [London Offices of the Studio, London, 1922]
Across Mounts Bay, c1880. Artist: Elizabeth Adela ForbesAcross Mounts Bay, c1880. Painting held in the Victoria and Albert Museum, London. From The Studio Volume 47. [London Offices of the Studio, London, 1909]
The Proverbs, 1939. Artist: Tom ChadwickThe Proverbs, 1939. From The Studio Volume 119. [The Studio Ltd, London & New York, 1940]
Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne, 1920. Artist: Philip A de LaszloHenry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne, 1920. Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845-1927)
Street in Lahore, the capital of the Panjab, c1942. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
Dancing Sailors, Brittany by Christopher Woods, 1930, (1936). Creator: Christopher WoodDancing Sailors, Brittany, 1930, (1936). Village square with men and girls in Breton costume dancing by English painter John Christopher Wood (1901-1930)
The Yellow Skirt, 1914. Artist: Derwent LeesThe Yellow Skirt, 1914. Painting held at Carrick Hill, Adelaide. From The Studio Volume 126. [London Offices of the Studio, London, 1943]
Faust Illustration, 1925. Artist: Harry ClarkeFaust Illustration, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]
Rosehearty, c1909. Artist: Robert Weir AllanRosehearty, c1909. From The Studio Volume 46. [London Offices of the Studio, London, 1909]
Sunset near Colliure, c20th century. Artist: Derwent LeesSunset near Colliure, c20th century. From The Studio Volume 108. [The Offices of the Studio, London, 1934]
The Thames near Walton Bridges, 1805, (1938). Artist: JMW TurnerThe Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London
Panel in Gesso and Mother-O -Pearl, c1901. Artist: Frederick MarriottPanel in Gesso and Mother-O -Pearl, c1901. From The Studio Volume 32. [London Offices of the Studio, London, 1904]
He Is Coming, 1874. Artist: Matthijs MarisHe Is Coming, 1874. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]
Boy Reading, c1900. Artist: Warwick ReynoldsBoy Reading, c1900. From The Studio Volume 93. [London Offices of the Studio, London, 1927]
At the Festival, 1911. Artist: Joza UprkaAt the Festival, 1911. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]
