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Stocks Collection

Background imageStocks Collection: A Moral Entertainment, Boston, 1938. Creator: Unknown

A Moral Entertainment, Boston, 1938. Creator: Unknown
A Moral Entertainment, Boston, 1938. Copley Theatre..."A Moral Entertainment" by Richard Maibaum - An Excursion into the Early American Theatre'

Background imageStocks Collection: A Moral Entertainment, Boston, 1938. Creator: Unknown

A Moral Entertainment, Boston, 1938. Creator: Unknown
A Moral Entertainment, Boston, 1938. Copley Theatre..."A Moral Entertainment" by Richard Maibaum - An excursion into the early American Theatre'

Background imageStocks Collection: Twentieth-century civilization; ['Causes and Cures of Crime', Mosby], 1916. Creator: Unknown

Twentieth-century civilization; ["Causes and Cures of Crime", Mosby], 1916. Creator: Unknown
Twentieth-century civilization; ["Causes and Cures of Crime", Mosby], 1916

Background imageStocks Collection: 'The Fox o'One Tree Hill, part three, 1890. Creator: John Charles Dollman

'The Fox o'One Tree Hill, part three, 1890. Creator: John Charles Dollman
'The Fox o'One Tree Hill, part three, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890

Background imageStocks Collection: Pillory and Stocks of the Middle Ages, c1934

Pillory and Stocks of the Middle Ages, c1934. Illustration showing medieval punishment. The accompanying text explains that ridicule was regarded as a great remedy against minor offences

Background imageStocks Collection: Hope (Spes) from the series The Virtues, 1559-60. Creator: Philip Galle

Hope (Spes) from the series The Virtues, 1559-60. Creator: Philip Galle
Hope (Spes) from the series The Virtues, 1559-60

Background imageStocks Collection: J. W. Stocks in Napier at Athy during 1903 Gordon Bennett race. Creator: Unknown

J. W. Stocks in Napier at Athy during 1903 Gordon Bennett race. Creator: Unknown
J.W. Stocks in Napier at Athy during 1903 Gordon Bennett race

Background imageStocks Collection: Motherless, c1883, (c1902). Creator: Unknown

Motherless, c1883, (c1902). Creator: Unknown
Motherless, c1883, (c1902). After a painting in the Walker Art Gallery, Liverpool. Victorian graveyard scene: a recently widowed father tends his dead wifes grave while tenderly holding their child

Background imageStocks Collection: Whipping Post, 1935 / 1942. Creator: Edward L Loper

Whipping Post, 1935 / 1942. Creator: Edward L Loper
Whipping Post, 1935/1942

Background imageStocks Collection: Hudibras Triumphant (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 4)

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 4), 1725-68

Background imageStocks Collection: Hudibras Triumphant (Plate 4: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Hudibras Triumphant (Plate 4: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Background imageStocks Collection: The Times, Plate 2, May 29, 1790. Creator: William Hogarth

The Times, Plate 2, May 29, 1790. Creator: William Hogarth
The Times, Plate 2, May 29, 1790

Background imageStocks Collection: Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butlers Hudibr

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butlers Hudibras, Plate 6), February 1725-26

Background imageStocks Collection: Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butlers Hudibras, no

Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butlers Hudibras, no. 7), 1721-26

Background imageStocks Collection: The Prison, 1550-1600. Creator: Unknown

The Prison, 1550-1600. Creator: Unknown
The Prison, 1550-1600. Formerly attributed to Giorgio Ghisi. After Giulio Romano

Background imageStocks Collection: The Prison. n. d. Creator: Unknown

The Prison. n. d. Creator: Unknown
The Prison.n.d

Background imageStocks Collection: The Prison; a group of men in a dungeon bound in chains and shackles

The Prison; a group of men in a dungeon bound in chains and shackles; to the right a figure hanging from his arms, tied to a boulder.n.d. Formerly attributed to Giorgio Ghisi, After Giulio Romano

Background imageStocks Collection: Lock on the Understanding, Heavy Wet, etc. 1832. Creator: David Claypoole Johnston

Lock on the Understanding, Heavy Wet, etc. 1832. Creator: David Claypoole Johnston
Lock on the Understanding, Heavy Wet, etc. 1832

Background imageStocks Collection: Lumb Stocks, 1860s. Creator: John & Charles Watkins

Lumb Stocks, 1860s. Creator: John & Charles Watkins
Lumb Stocks, 1860s

Background imageStocks Collection: Plate 4, Outlines of Figures, Landscapes and Cattle... for the Use of Learners, Ma

Plate 4, Outlines of Figures, Landscapes and Cattle... for the Use of Learners, Ma
Plate 4, Outlines of Figures, Landscapes and Cattle...for the Use of Learners, March 8, 1790

Background imageStocks Collection: Titus Oates in the Pillory, 1685, (1890). Creator: Unknown

Titus Oates in the Pillory, 1685, (1890). Creator: Unknown
Titus Oates in the Pillory, 1685, (1890). Titus Oates (1649-1705) English perjurer who fabricated the " Popish Plot", a Catholic conspiracy to kill King Charles II

Background imageStocks Collection: Condamne Condamne Marchant Au Supplice, ( The Condemned Walking in Punishment), 1900

Condamne Condamne Marchant Au Supplice, ( The Condemned Walking in Punishment), 1900
Condamne Marchant Au Supplice, ( The Condemned Walking in Punishment), 1900. From " Autour du Monde - Fascicule VI". [L. Boulanger, Paris, 1900]

Background imageStocks Collection: Flogging at the Old Bailey, 1809, (1925). Creator: Unknown

Flogging at the Old Bailey, 1809, (1925). Creator: Unknown
Flogging at the Old Bailey, 1809, (1925). From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageStocks Collection: Perkin Warbeck Reading his Confession, 1897. Creator: John Leech

Perkin Warbeck Reading his Confession, 1897. Creator: John Leech
Perkin Warbeck Reading his Confession, 1897. Pretender to the English throne Perkin Warbeck is ridiculed as he sits in the stocks

Background imageStocks Collection: The new and elegant St Giless Cage... 1802. Artist: Williams

The new and elegant St Giless Cage... 1802. Artist: Williams
The new and elegant St Giless Cage... 1802. A lady and gentleman in theatrical costume in the stocks, which are decorated with painted garlands

Background imageStocks Collection: Hudibras in the Stocks, 1850. Artist: Sir John Gilbert

Hudibras in the Stocks, 1850. Artist: Sir John Gilbert
Hudibras in the Stocks, 1850. A scene taken from the three-part mock-heroic satire Sir Hudibras by Samuel Butler. Sir Hudibras, a Presbyterian knight

Background imageStocks Collection: A corporate body under the operation of the Royal Commission, c1835

A corporate body under the operation of the Royal Commission, c1835. A fat Lord Mayor sits in the stocks. On the right Lord John Russell attacks him

Background imageStocks Collection: The village barber, 1772. Artist: James Bretherton

The village barber, 1772. Artist: James Bretherton
The village barber, 1772. View of a barber, holding a lancet in one hand, a razor in the other and carrying a shaving dish under one arm

Background imageStocks Collection: Taming a Shrew or Petruchios Patent Family Bedstead, Gag & Thumscrews, 1815

Taming a Shrew or Petruchios Patent Family Bedstead, Gag & Thumscrews, 1815
Taming a Shrew or Petruchios Patent Family Bedstead, Gag & Thumscrews, pub. London 1815 (hand coloured engraving)

Background imageStocks Collection: An Unthankful Fellow, 1829. Artist: George Cruikshank

An Unthankful Fellow, 1829. Artist: George Cruikshank
An Unthankful Fellow, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]

Background imageStocks Collection: The second British woman pilot: Mrs. de Beauvoir Stocks in her Farman biplane, 1911 (1933)

The second British woman pilot: Mrs. de Beauvoir Stocks in her Farman biplane, 1911 (1933). Artist: Flight Photo
The second British woman pilot: Mrs. de Beauvoir Stocks in her Farman biplane, 1911 (1933). Cheridah de Beauvoir Stocks (1887-1971)

Background imageStocks Collection: The Times, plate II, c1762 (1895)

The Times, plate II, c1762 (1895). Scene representing the aftermath of the Seven Years war, with a statue of King George III at the centre

Background imageStocks Collection: The pillory in Japan before the revolution, 1895. Artist: Hildibrand

The pillory in Japan before the revolution, 1895. Artist: Hildibrand
The pillory in Japan before the revolution, 1895. From The Universal Geography with Illustrations and Maps, division XIV, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageStocks Collection: William Prynne (1600-1669) in the pillory, c1902

William Prynne (1600-1669) in the pillory, c1902. From Cassells Illustrated History of England, volume III (c1902)

Background imageStocks Collection: Prisoners in the Lollards Tower, 1550s, (c1920)

Prisoners in the Lollards Tower, 1550s, (c1920). The picture describing the straight handling of the cloase prisonners in Lollardes Tower, originally published in John Foxes Book of Martyrs, (1563)

Background imageStocks Collection: Hotel des Princes. (Table D Hote), c1843. Artist: Lumb Stocks

Hotel des Princes. (Table D Hote), c1843. Artist: Lumb Stocks
Hotel des Princes. (Table D Hote), c1843

Background imageStocks Collection: Cromwell and his Daughter, (19th century). Artist: Lumb Stocks

Cromwell and his Daughter, (19th century). Artist: Lumb Stocks
Cromwell and his Daughter, (19th century). Portrait of Oliver Cromwell (1599-1658), English military leader and politician, with one of his daughters

Background imageStocks Collection: Exaltation of Faros daughters, 1796

Exaltation of Faros daughters, 1796. Albinia, Countess of Buckinghamshire (left) and Lady Archer are ridiculed in the stocks, as the mob throw rotten vegetables at them

Background imageStocks Collection: Lumb Stocks, RA, British engraver, 1883. Artist: Lock & Whitfield

Lumb Stocks, RA, British engraver, 1883. Artist: Lock & Whitfield
Lumb Stocks, RA, British engraver, 1883. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art, the army, navy, law

Background imageStocks Collection: Children in the stocks, Hong Kong, 1908

Children in the stocks, Hong Kong, 1908. Postcard

Background imageStocks Collection: A coolie in the stocks, Hong Kong, 1908

A coolie in the stocks, Hong Kong, 1908. Postcard

Background imageStocks Collection: Heads of Rebels, 1881. Artist: Wilhelm Gentz

Heads of Rebels, 1881. Artist: Wilhelm Gentz
Heads of Rebels, 1881. Published in L Egypt by Gaston Maspero, 1881

Background imageStocks Collection: Scene of Recruitment under Mohammed-Ali, 1881. Artist: Wilhelm Gentz

Scene of Recruitment under Mohammed-Ali, 1881. Artist: Wilhelm Gentz
Scene of Recruitment under Mohammed-Ali, 1881. Published in L Egypt by Gaston Maspero, 1881

Background imageStocks Collection: Old cross and stocks in village market square, Ripley, Yorkshire, 20th century. Artist: CM Dixon

Old cross and stocks in village market square, Ripley, Yorkshire, 20th century. Artist: CM Dixon
Old cross and stocks in village market sqyare, Ripley, Yorkshire, 20th century. Stocks were devices used in medieval times as a form of physical punishment and public humiliation

Background imageStocks Collection: Stocks Outsde Martock (All Saints) Church, Somerset, 20th century. Artist: CM Dixon

Stocks Outsde Martock (All Saints) Church, Somerset, 20th century. Artist: CM Dixon
Stocks Outsde Martock (All Saints) Church, Somerset, 20th century. Dating from 13th century and designated as a Grade I listed building

Background imageStocks Collection: Sons of Freedom, Hear My Story, 1834

Sons of Freedom, Hear My Story, 1834. A man, looking as if he has been in a drunken brawl, serving his sentence in the village stocks

Background imageStocks Collection: A pillory, 1805. Artist: William Henry Pyne

A pillory, 1805. Artist: William Henry Pyne
A pillory, 1805. Four men being punished in the pillory, being pelted with rubbish and jeered at by a crowd. By this date among crimes punishable by pillory were embezzlement of state property

Background imageStocks Collection: Fenians In A Fix, 1865. Artist: John Tenniel

Fenians In A Fix, 1865. Artist: John Tenniel
Fenians In A Fix, 1865. His Riverance remarks; Ah, Thin, Mr Bull, if the Boys had Listened to Me, they d have been out of that Ontirely. Two mutinous Fenians are clamped in the stocks



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