mail_outline sales@mediastorehouse.com
A Nobleman and Lady, 1926. Artist: Herbert NorrisA Nobleman and Lady, 1926. A Nobleman and Lady in the fashion of Edward IV (1442-1483). From Costume & Fashion, Volume Two, Senlac to Bosworth 1066-1485, by Herbert Norris. [J. M. Dent and Sons Ltd
Une Esclave Dansante, 1922, (1923). Artist: Leon BakstUne Esclave Dansante, 1922, (1923). From International Studio, March 1923. [International Studio, Inc. New York, 1923]
Muriel Evans, American film actress, c1938. Muriel Evans (1910-2000) appeared in numerous films in the 1930s and is best known for her roles in westerns
French fashion and hairstyle, early 19th century (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine, 1882-1884
Fashion of 1792, (1882-1884). Artist: TamisierFashion of 1792, (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine, 1882-1884
Dandy of c1729, court dress and town dress, (1882-1884). Artist: TamisierDandy of c1729, court dress and town dress, (1882-1884). After a print of the time. A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine
Young dandy in costume of the reign of Louis XVI, 18th century (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine, 1882-1884
The Carnation, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899
Girl Dressing, c20th century (1933). Artist: William RothensteinGirl Dressing, c20th century (1933). From The Studio Volume 106. [The Offices of the Studio, London, 1933]
How Happy They Will be in the Morning. Artist: Excelsior Stereoscopic ToursHow Happy They Will be in the Morning. Stereoscopic card detail
George III of the United Kingdom, (19th century). Artist: W RidgwayGeorge III of the United Kingdom, (19th century). Portrait of King George III, (Mad King George, 1738-1820), who ruled Britain from 1760 until his son (the future King George IV) became Regent in 1811
The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert DightonThe Macaroni Painter, or Billy Dimple sitting for his picture, 1770. The painter Richard Cosway paints a macaroni or dandy in this satire on exaggerated fashions of the day
Mr Woodward in the character of Mercutio, 1753. Actor Henry Woodward (1717-1777) in the part of Mercutio from Shakespeares Romeo and Juliet
Taste in High Life, 1746. Artist: William HogarthTaste in High Life, 1746. A satire on affected manners. A man holds a saucer and a woman daintily holds the teacup. Another woman tickles a black servant under the chin
Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan DavisTaste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Illustration from Social Caricature in the Eighteenth Century
Costume During The Time Of Louis XVI, (1885). Artist: DurinCostume During The Time Of Louis XVI, (1885). Louis XVI was king of France from 1774 until 1792 when he was beheaded by the revolutionary regime
Man in 18th-century French costume, (1885). Artist: Jean-Antoine WatteauMan in 18th-century French costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
Man In French Costume, (1885). Artist: Jean-Antoine WatteauMan In French Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
The Count In The Living Room, (1885). Artist: EisenThe Count In The Living Room, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
Ballet Costume, (1885). Artist: MartinBallet Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
Dauberval with Mlle Allard in Sylvie, 1766, (1885). Artist: Louis de CarmontelleDauberval with Mlle Allard in Sylvie, 1766, (1885). French ballet dancer and choreographer Jean Dauberval (1742-1806) is widely credited with the invention of comic ballet
The Lecture, (1885). Artist: CazotThe Lecture, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
The Costume Of Marriage, (1885). Artist: SchenauThe Costume Of Marriage, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)
Middle Class Family, (1885). Artist: DupinMiddle Class Family, (1885). Illustration of 18th-century dress, based on Dupins French Costumes drawing
A Young Louis XV, (1885). Artist: LarmessinA Young Louis XV, (1885). Louis (1710-1774) was king of France from 1715 until his death
Francois, Duke of Anjou and Alencon, in damascened armour, 16th century, (1870). Damascened work is steel inlaid with gold or other metals
The Macaronies, 1772, (1910). The Macaroni Club in London was founded in 1772 by young men of the fashionable world who had been on the Grand Tour in Italy, in opposition to the Beef-Steak Club
Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne, British Whig statesman, (1831). Artist: W HollThomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne, British Whig statesman, (1831). Pelham-Holles (1693-1768) held power with his brother, Henry Pelham, who was Prime Minister of Great Britain
Early Norman stockings and boots, (1910). Footwear dating from the Norman Conquest of Britain in 1066. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)
Exhibition Stare Case, 1811. Artist: Thomas RowlandsonExhibition Stare Case, 1811. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
A Smoker, 19th century. Artist: Jean Louis Ernest MeissonierA Smoker, 19th century. Found in the collection of the State Art Museum, Tula, Russia
Edward, Prince of Wales as a Knight of the Garter, early 20th centuryKing Edward VIII when Prince of Wales, wearing his robes as a Knight of the Garter, early 20th century. Illustration from George V and Edward VIII, A Royal Souvenir, by FGH Salusbury
Giuseppe da Porto and his Son, 16th century. Artist: Paolo VeroneseGiuseppe da Porto and his Son, 16th century
Rene Savary, Duke of Rovigo, early 19th century. Artist: Robert LefevreRene Savary, Duke of Rovigo. A general and diplomatist, Savary (1774-1883) distinguished himself in the Napoleonic Wars. From the Chateau de Versailles, France
Battista, costume design for a comedy by Carol Goldoni, 1917. Artist: Leon BakstBattista, costume design for a comedy by Carol Goldoni, 1917. From the Evergreen House Foundation, Baltimore, Maryland, USA
Women of the House, 1894. Artist: Henri de Toulouse-LautrecWomen of the House, or Woman Putting on her Stocking, 1894. From the collection of the Musee d Orsay, Paris, France
Stocking frame workshop, 1750. Women winding and reeling the yarn, and a man working the knitting frame. From The Universal Magazine, London, 1750
Geraud Duroc, Duke of Friuli, (1838). Creator: Charles GavardGeraud Duroc, Duke of Friuli, (1838). Portrait of French general Geraud Christophe Michel Duroc, 1st Duc de Frioul (1772-1813), Grand Marechal du Palais (Grand marshal of the palace)