Soul Collection (page 3)

The Rich Man in Hell and the Poor Lazarus in Abrahams Lap, from Das Plenarium, 1517

Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi, 1507

The Triumphant Christ, ca. 1530-36. Creator: Daniel Hopfer
The Triumphant Christ, ca. 1530-36

Frontispiece for Angelique des excellences de l ame, 1626

Christ in Limbo, after Raphael, 1541. 1541. Creator: Nicolas Beatrizet
Christ in Limbo, after Raphael, 1541

Michelangelos Last Judgment, 1562. 1562. Creator: Nicolas Beatrizet
Michelangelos Last Judgment, 1562

The Virgin and Saints Interceding before Christ for the Souls of the Lost, 1771 or before

Trumpeting Angels and Damned Souls Being Pulled Down by Devils (lower center and right section of the Last Judgment), 1548

Title Page of the Gospel of John, 1300-1310. Creator: Sargis Pidsak
Title Page of the Gospel of John, 1300-1310

Saint Teresa of Avila Interceding for Souls in Purgatory. Creator: Workshop of
Saint Teresa of Avila Interceding for Souls in Purgatory. (1630 to 1633)

Ten Kings of Hell, before 1195. Creator: Jin Chushi
Ten Kings of Hell, before 1195

The Last Judgment, ca. 1520-25. Creator: Joos van Cleve
The Last Judgment, ca. 1520-25

The Meditation on the Passion, ca. 1490. Creator: Vittore Carpaccio
The Meditation on the Passion, ca. 1490

Manuel de confession, ca 1487-1488. Creator: Anonymous
Manuel de confession, ca 1487-1488. Found in the Collection of Bibliotheque Mazarine, Paris

Ars moriendi (The Art of Dying), 1496. Creator: Anonymous
Ars moriendi (The Art of Dying), 1496. Found in the Collection of Bibliotheque Sainte-Genevieve, Paris

That is the ancient soul of wretched Myrrha, c1890. Creator: Gustave Doré
" That is the ancient soul of wretched Myrrha", he replied, " who burn d with most unholy flame for her own sire, and a false shape assuming, so perform d the deed of sin", c1890

That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890. The alchemist Capocchio is attacked by Gianni Schicchi de Cavalcanti

The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré
The crust came drawn from underneath in flakes, like scales scraped from the bream, or fish of broader mail, c1890. Dante

He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré
He, soon as there I stood at the tombs foot, ey d me a space, then in disdainful mood address d me: " Say, what ancestors were thine?", c1890. Dante and the Roman poet Virgil

That pierced spirit... was he who gave the Pharisees council, c1890. Creator
" That pierced spirit, whom intent thou view st, was he who gave the Pharisees council, that it were fitting for one man to suffer for the people", c1890

Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré
" Sir! Brunetto! And are ye here?", c1890. Dante and the Roman poet Virgil meet Dantes tutor and guardian, Brunetto Buanaccorso Latini, in a firestorm

Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator
Love brought us to one death: Caina waits the soul, who split our life, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator
By the hair it bore the sever d member, lantern-wise pendant in hand, which look d at us and said, " Woes me!", c1890

all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré
Then my sight was livelier to explore the depth, wherein the minister of the most mighty Lord, all-searching Justice, dooms to punishment the forgers noted on her dread record, c1890

Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?
But Virgil roused me: " What yet gazest on? Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?", c1890

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890
The other two look d on, exclaiming, " Ah! How dost thou change, Agnello!", c1890. The Florentine thief Agnello Brunelleschi and Cianfa Donati the serpent merging into a single body

Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890. The damned, handcuffed with snakes: With serpents were their hands behind them bound

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890

Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré
Ah! How they made them bound at the first stripe!, c1890. Naked sinners are lashed by demons. Illustration from " The Vision of Hell" (Inferno)

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré
Not all the gold, that is beneath the moon or ever hath been, of these toil-worn souls Might purchase rest for one, c1890. The damned struggling to push heavy weights uphill

Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré
Thy city heap d with envy to the brim, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré
I through compassion fainting, seem d not far from death, and like a corpse fell to the ground, c1890. Illustration from " The Vision of Hell" (Inferno)

The stormy blast of hell with restless fury drives the spirits on, c1890. Creator
The stormy blast of hell with restless fury drives the spirits on, c1890. Dante and the Roman poet Virgil, watching souls in torment

Only so far afflicted, that we live desiring without hope, c1890. Creator: Gustave Doré
Only so far afflicted, that we live desiring without hope, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

E en in like manner Adams evil brood, c1890. Creator: Gustave Doré
E en in like manner Adams evil brood, cast themselves one by one down from the shore, c1890. The dead crossing the river Styx to Hell

The Soul and Evil, late 19th-early 20th century, (1914). Creator: James Clark
The Soul and Evil, late 19th-early 20th century, (1914). Spiritus Adversus Carnem, allegorical scene depicting a winged soul or spirit being grappled with by the personification of Evil or the flesh

An Allegory, c1820-1825, (1922). Creator: William Blake
An Allegory, c1820-1825, (1922). Epitome of James Herveys " Meditations among the Tombs", watercolour dealing with death and grief, inspired by the work of James Hervey (1714-1758)

Souls condemned to Hell, second half of the 15th century, (1849). Creator: Kellerhoven
Souls condemned to Hell, second half of the 15th century, (1849). The dead are brought naked in chains, before being cooked in a fire by devils. Below is Satan on his throne

The Descent of Christ into Limbo and the Liberation of Souls in Purgatory. Found in the Collection of Duomo di Castelfranco Veneto

The Ba-bird pectoral, c1935. From Our Wonderful World, Volume II, edited by J.A. Hammerton. [The Amalgamated Press, Ltd. London]

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