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Slave Collection (page 7)

Background imageSlave Collection: Mammon, c1884, (1912). Artist: George Frederick Watts

Mammon, c1884, (1912). Artist: George Frederick Watts
Mammon, c1884, (1912). Painting held at the Tate, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageSlave Collection: Slave labour on a cotton plantation in the southern states of America, 1860

Slave labour on a cotton plantation in the southern states of America, 1860. Putting cotton bolls through a whipping press before putting the cotton through a saw gin

Background imageSlave Collection: Slave Gang Crossing The African Desert, c1881-85

Slave Gang Crossing The African Desert, c1881-85. Episode of the Mahdist War, (1881-1899). From British Battles on Land and Sea, Vol. IV, by James Grant

Background imageSlave Collection: Une Esclave Dansante, 1922, (1923). Artist: Leon Bakst

Une Esclave Dansante, 1922, (1923). Artist: Leon Bakst
Une Esclave Dansante, 1922, (1923). From International Studio, March 1923. [International Studio, Inc. New York, 1923]

Background imageSlave Collection: Prince Et Esclave Revant, 1922, (1923). Artist: Leon Bakst

Prince Et Esclave Revant, 1922, (1923). Artist: Leon Bakst
Prince Et Esclave Revant, 1922, (1923). From International Studio, March 1923. [International Studio, Inc. New York, 1923]

Background imageSlave Collection: Cotton Picking, Augusta, Georgia, c1900

Cotton Picking, Augusta, Georgia, c1900. Cultivation of cotton using slaves brought huge profits to the owners of large plantations, making them some of the wealthiest men in the U.S

Background imageSlave Collection: Greetings from Augusta, Georgia: A Busy day in the Cotton Field, 1943

Greetings from Augusta, Georgia: A Busy day in the Cotton Field, 1943
Cultivation of cotton using slaves brought huge profits to the owners of large plantations, making them some of the wealthiest men in the U.S. prior to the Civil War

Background imageSlave Collection: Roman Lady and Slaves, c1910

Roman Lady and Slaves, c1910. Slavery in ancient Rome played an important role in Roman society and economy. Slaves performed many domestic services

Background imageSlave Collection: Ex-slaves parading with liberation manifestos, American Civil War, 1861-1865 (1951)

Ex-slaves parading with liberation manifestos, American Civil War, 1861-1865 (1951). A print from 100 Years in Pictures, A panorama of History in the Making, text by DC Somervell

Background imageSlave Collection: The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee

The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee
The Miracle of St Mark Freeing the Slave, 1548 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageSlave Collection: Loading a cotton steamer, USA, c1880

Loading a cotton steamer, USA, c1880. A print from Cassells History of the United States, by Edmund Ollier, Volume III, Cassell Petter and Galpin, London, c1880

Background imageSlave Collection: A slave hunt, USA, mid 19th century (c1880)

A slave hunt, USA, mid 19th century (c1880). An escaped negro slave being pursued by men on horseback with dogs. A print from Cassells History of the United States, by Edmund Ollier, Volume III

Background imageSlave Collection: A plan of the interior of a slave ship, 1808 (1965)

A plan of the interior of a slave ship, 1808 (1965). A plan of a slave ship prepared by the Wilberforce Committee to give the spectator an idea of the sufferings of the Africans in the middle

Background imageSlave Collection: Scene from slave life, 1965

Scene from slave life, 1965. A print from The Slave Trade and its Abolition, edited by John Langdon-Davies, Jonathan Cape, London, 1965

Background imageSlave Collection: The selling and branding of slaves before being put aboard a ship, 1965

The selling and branding of slaves before being put aboard a ship, 1965. A print from The Slave Trade and its Abolition, edited by John Langdon-Davies, Jonathan Cape, London, 1965

Background imageSlave Collection: Chained and yoked slaves on the march to the trading station, 1965

Chained and yoked slaves on the march to the trading station, 1965. A print from The Slave Trade and its Abolition, edited by John Langdon-Davies, Jonathan Cape, London, 1965

Background imageSlave Collection: The emancipation of slaves on a West Indian plantation, early 19th century (c1895)

The emancipation of slaves on a West Indian plantation, early 19th century (c1895). From Cassells Illustrated History of England, volume VII (c1895)

Background imageSlave Collection: A slave woman from Abyssinia (Ethiopia), 1922

A slave woman from Abyssinia (Ethiopia), 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageSlave Collection: Sudanese Arabs and a female Shilluk slave, Sudan, 1895. Artist: Ivan Pranishnikoff

Sudanese Arabs and a female Shilluk slave, Sudan, 1895. Artist: Ivan Pranishnikoff
Sudanese Arabs and a female Shilluk slave, Sudan, 1895. From The Universal Geography with Illustrations and Maps, division XXII, written by Elisee Reclus and published by Virtue & Co

Background imageSlave Collection: The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847)

The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847). Artist: B Clayton
The Chinese people sold for slaves by the Tartars, after their conquest by Zinguis-Khan, (1847). Scene during the early 13th century when the Mongol leader Genghis Khan (1155-1227)

Background imageSlave Collection: The Choice Between a Female Slave or a Vase, 1902-1903

The Choice Between a Female Slave or a Vase, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8

Background imageSlave Collection: Be not amaz d dear Mother, it is indeed your daughter Anne, 1770

Be not amaz d dear Mother, it is indeed your daughter Anne, 1770. Illustration from Social Caricature in the Eighteenth Century

Background imageSlave Collection: Quadrille, le Quadrille, 1743. Artist: Truchy

Quadrille, le Quadrille, 1743. Artist: Truchy
Quadrille, le Quadrille, 1743. Quadrille was the name of a dance and also of a card game. Illustration from Social Caricature in the Eighteenth Century

Background imageSlave Collection: Taste in High Life, 1746. Artist: William Hogarth

Taste in High Life, 1746. Artist: William Hogarth
Taste in High Life, 1746. A satire on affected manners. A man holds a saucer and a woman daintily holds the teacup. Another woman tickles a black servant under the chin

Background imageSlave Collection: The Slave Market in Morocco, 1888. Artist: Richard Caton Woodville II

The Slave Market in Morocco, 1888. Artist: Richard Caton Woodville II
The Slave Market in Morocco, 1888. Illustration from the Illustrated London News, (18 February 1888)

Background imageSlave Collection: A Persian Prince, his slave bringing him sherbet, 19th century. Artist: H Robinson

A Persian Prince, his slave bringing him sherbet, 19th century. Artist: H Robinson
A Persian Prince, his slave bringing him sherbet, 19th century. Our word sherbet comes from the Arabic for to drink. Hand-coloured later

Background imageSlave Collection: Spanish troops fighting the people of Santo Domingo, in the pass of Monte Christi, 1864

Spanish troops fighting the people of Santo Domingo, in the pass of Monte Christi, 1864
Engagement between Spanish troops and people of the island of Santo Domingo, in the pass of Monte Christi, 1864. The Spanish annexed their former colonial territory on the island in 1861

Background imageSlave Collection: Sale of a Negro Slave, (1885). Artist: Eisen

Sale of a Negro Slave, (1885). Artist: Eisen
Sale of a Negro Slave, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageSlave Collection: Tobacco factory, 1780

Tobacco factory, 1780. 1) Negre qui ejambe le Tabac. 2) Negre qui torque le Tabac. 3) Negre qui le met en rolle. 4) Tabac a la pente

Background imageSlave Collection: Louie Freear in The Lady Slavey, c1902. Artist: Ellis & Walery

Louie Freear in The Lady Slavey, c1902. Artist: Ellis & Walery
Louie Freear in The Lady Slavey, c1902. Actress Louie Freear (1871-1939) as the Slavey, music by Gustave Kerker, libretto by George Dance

Background imageSlave Collection: Telemachus entreats Hazael to receive him as a Slave with Mentor, 1775. Artist: W Walker

Telemachus entreats Hazael to receive him as a Slave with Mentor, 1775. Artist: W Walker
Telemachus entreats Hazael to receive him as a Slave with Mentor, 1775. A plate from The Copper-Plate Magazine or A Monthly Treasure, London, 1775

Background imageSlave Collection: The Slave Market, 1836. Artist: Vernet, Horace (1789-1863)

The Slave Market, 1836. Artist: Vernet, Horace (1789-1863)
The Slave Market, 1836. Found in the collection of the Staatliche Museen, Berlin

Background imageSlave Collection: The Slave Market in Rome, c1883-c1884. Artist: Jean-Leon Gerome

The Slave Market in Rome, c1883-c1884. Artist: Jean-Leon Gerome
The Slave Market in Rome, c1883-c1884. Found in the collection of the State Hermitage, St Petersburg

Background imageSlave Collection: Toussaint Louverture, Haitian Revolutionary leader, (1873)

Toussaint Louverture, Haitian Revolutionary leader, (1873). Francois Dominique Toussaint Louverture led the Haitian independence movement during the French Revolution

Background imageSlave Collection: Death of Toussaint Louverture, Haitian Revolutionary leader, 27th April 1803

Death of Toussaint Louverture, Haitian Revolutionary leader, 27th April 1803. Francois Dominique Toussaint Louverture led the Haitian independence movement during the French Revolution

Background imageSlave Collection: Jean-Jacques Dessalines, Emperor of Haiti, 1806. Artist: Manuel Lopez

Jean-Jacques Dessalines, Emperor of Haiti, 1806. Artist: Manuel Lopez
Jean-Jacques Dessalines, Emperor of Haiti, 1806. Dessalines joined the 1791 slave uprising that began the Haitian Revolution, going on to become one of its leaders

Background imageSlave Collection: Jean Jacques Dessalines, a leader of the Haitian Revolution, 1806. Artist: Manuel Lopez

Jean Jacques Dessalines, a leader of the Haitian Revolution, 1806. Artist: Manuel Lopez
Jean Jacques Dessalines, a leader of the Haitian Revolution, 1806. After Haiti declared its independence from France, Dessalines became its first ruler

Background imageSlave Collection: Georges Biassou, early leader of the 1791 slave rising that began the Haitian Revolution, 1806

Georges Biassou, early leader of the 1791 slave rising that began the Haitian Revolution, 1806. Artist: Rea
Georges Biassou, early leader of the 1791 slave rising that began the Haitian Revolution, 1806. Biassou fought with the Spanish against the French colonial masters of Haiti

Background imageSlave Collection: Henri Christophe, King of Haiti, 1806. Artist: Rea

Henri Christophe, King of Haiti, 1806. Artist: Rea
Henri Christophe, King of Haiti, 1806. A former slave, Henri Christophe rose to the rank of General in the rebel army during the Haitian Revolution

Background imageSlave Collection: The Mode of training Blood Hounds in St Domingo and of exercising them by Chasseurs, 1805

The Mode of training Blood Hounds in St Domingo and of exercising them by Chasseurs, 1805. Artist: John Barlow
The Mode of training Blood Hounds in St Domingo and of exercising them by Chasseurs, 1805. A French soldier showing a negro slave to a pack of caged bloodhounds

Background imageSlave Collection: Sugar production, 1873

Sugar production, 1873. From Santo Domingo: past and present, with a glance at Hayti, by Samuel Hazard, 1873

Background imageSlave Collection: Jean Pierre Boyer, Haitian soldier and President of Haiti, 1873

Jean Pierre Boyer, Haitian soldier and President of Haiti, 1873. Boyer (1776-1850) became President of the Republic of Haiti in 1818

Background imageSlave Collection: Tobacco preparation, 1873

Tobacco preparation, 1873. From Santo Domingo: past and present, with a glance at Hayti, by Samuel Hazard, 1873

Background imageSlave Collection: Preparing indigo, Santo Domingo, 1873

Preparing indigo, Santo Domingo, 1873. From Santo Domingo: past and present, with a glance at Hayti, by Samuel Hazard, 1873

Background imageSlave Collection: A slave market in Martinique, early 19th century

A slave market in Martinique, early 19th century

Background imageSlave Collection: Punishment of Negroes, Santo Domingo, 1873

Punishment of Negroes, Santo Domingo, 1873
Punishment of Negroes, 1873. From Santo Domingo: past and present, with a glance at Hayti, by Samuel Hazard, 1873

Background imageSlave Collection: Blackville, 1878. Artist: Solomon Eytinge

Blackville, 1878. Artist: Solomon Eytinge
Blackville, 1878. Part of a series: a post-emancipation debate on Darwinism. African Americans are here caricatured in a racist fashion as illiterate and ape-like

Background imageSlave Collection: Sugar Plantation, New Orleans, 1870. Artist: A R Ward

Sugar Plantation, New Orleans, 1870. Artist: A R Ward
Sugar Plantation, New Orleans, 1870. Crushing the sap out of sugar cane. Illustration from Adventures of America, 1857-1900, by John A Kouwenhoven, published by Harper & Brothers, (New York, London)



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