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Skin Collection (page 4)

Background imageSkin Collection: Petty Officer Evans Binding Up Dr. Atkinsons Hand, 5 July 1911, (1913). Artist

Petty Officer Evans Binding Up Dr. Atkinsons Hand, 5 July 1911, (1913). Artist
Petty Officer Evans Binding Up Dr. Atkinsons Hand. The marks on Atkinsons face are frost-bites, 5 July 1911, (1913). Edgar Evans (1876-1912)

Background imageSkin Collection: Leadenhall Market, London, 1809. Artist: Augustus Charles Pugin

Leadenhall Market, London, 1809. Artist: Augustus Charles Pugin
View of skin-market in Leadenhall Market, London, 1809; showing men lifting hides onto carts. In foreground are skins with horns still attached

Background imageSkin Collection: Leadenhall Market, London, 1825. Artist: Thomas Dale

Leadenhall Market, London, 1825. Artist: Thomas Dale
View of skin-market in Leadenhall, London, 1825; showing men lifting hides onto cart. In foreground are skins with horns still attached

Background imageSkin Collection: Maids any Cunny Skins, Cries of London, (c1688?)

Maids any Cunny Skins, Cries of London, (c1688?)
Maids any Cunny Skins, (c1688?). A coney or rabbit skin seller, holding several rabbit skins under either arm. From Cries of London, (c1688?)

Background imageSkin Collection: Making leather in the lime yard at Neckinger Mills, London, 20th century

Making leather in the lime yard at Neckinger Mills, London, 20th century. Goatskins being soaked in water in pits of about seven feet deep before being placed in limewater to remove the hair

Background imageSkin Collection: Marat assassine, (The Death of Marat), 1793, (1937). Artist: Jacques-Louis David

Marat assassine, (The Death of Marat), 1793, (1937). Artist: Jacques-Louis David
Marat assassine, 1793, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

Background imageSkin Collection: L Odalisque, 1825, (1937). Artist: Eugene Delacroix

L Odalisque, 1825, (1937). Artist: Eugene Delacroix
L Odalisque, 1825, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

Background imageSkin Collection: An elaborately tattooed Japanese man, 1902

An elaborately tattooed Japanese man, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co. London, 1902]

Background imageSkin Collection: Bundu girls, whitewashed, 1912. Artist: Cecil H Firmin

Bundu girls, whitewashed, 1912. Artist: Cecil H Firmin
Bundu girls, whitewashed, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageSkin Collection: A Rhinoceros, 1515, (1906). Artist: Albrecht Durer

A Rhinoceros, 1515, (1906). Artist: Albrecht Durer
A Rhinoceros, 1515, (1906). From The Engravings of Albert Durer, by Lionel Cust. [Seeley and Co. Limited, London, 1906]

Background imageSkin Collection: Profile of a Man to the Right, c1480 (1945). Artist: Leonardo da Vinci

Profile of a Man to the Right, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Man to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageSkin Collection: Study of a Woman, 1937. Artist: Aristide Maillol

Study of a Woman, 1937. Artist: Aristide Maillol
Study of a Woman, 1937. From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

Background imageSkin Collection: Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934)

Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso Cano
Cristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ

Background imageSkin Collection: The Persian Vase, c1916. Artist: George Sheringham

The Persian Vase, c1916. Artist: George Sheringham
The Persian Vase, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Background imageSkin Collection: The beginnings of commerce: primitive people bartering ivory tusks and bull hides, 1907

The beginnings of commerce: primitive people bartering ivory tusks and bull hides, 1907. From Harmsworth History of the World, Volume 1, by Arthur Mee, J.A. Hammerton, & A.D. Innes, M.A

Background imageSkin Collection: Dance Rhythm, c1920. Artist: Eric Harald Macbeth Robertson

Dance Rhythm, c1920. Artist: Eric Harald Macbeth Robertson
Dance Rhythm, c1920. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

Background imageSkin Collection: Study of a Head, c1899. Artist: John William Waterhouse

Study of a Head, c1899. Artist: John William Waterhouse
Study of a Head, c1899. From The Studio Volume 18 by Ralph Nevill. [The Offices of the Studio, London, 1899-1900]

Background imageSkin Collection: The Duke of Cumberland, 1908. Artist: WD & HO Wills

The Duke of Cumberland, 1908. Artist: WD & HO Wills
The Duke of Cumberland, 1908. Portraits of European Royalty, Willss Cigarette Cards, Bristol & London

Background imageSkin Collection: Washing The Blackamoor, 1795. Artist: Isaac Cruikshank

Washing The Blackamoor, 1795. Artist: Isaac Cruikshank
Washing The Blackamoor, 1795. You may as well attempt to remove the Island of Jersey to the Hightest Mountain in Wales. Illustration from Social Caricature in the Eighteenth Century

Background imageSkin Collection: Beethams Glycerine and Cucumber Cream, 19th century

Beethams Glycerine and Cucumber Cream, 19th century. The queen of toilet preparations for winter use - ensures soft white skin - preserves the skin from the effects of Frost, Cold Winds

Background imageSkin Collection: Rabbit Skins!, 1737-1742. Artist: Bouchardon

Rabbit Skins!, 1737-1742. Artist: Bouchardon
Rabbit Skins!, 1737-1742. Part of a series called Paris Street Cries, by Bouchardon

Background imageSkin Collection: Indian Woman Dressing a Deer Skin, 1868. Artist: Seth Eastman

Indian Woman Dressing a Deer Skin, 1868. Artist: Seth Eastman
Indian Woman Dressing a Deer Skin, 1868

Background imageSkin Collection: Parisian Ladies in their Full Winter Dress for 1800, 1799. Artist: James Gillray

Parisian Ladies in their Full Winter Dress for 1800, 1799. Artist: James Gillray
Parisian Ladies in their Full Winter Dress for 1800, 1799. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageSkin Collection: Marsyas and Apollo, early 1650s. Artist: Luca Giordano

Marsyas and Apollo, early 1650s. Artist: Luca Giordano
Marsyas and Apollo, early 1650s. According to Greek Mythology, the satyr Marsyas challenged Apollo to a contest of music, losing his hide and his life as a result

Background imageSkin Collection: A representation of March, 1757. Artist: Bernard de Montfaucon

A representation of March, 1757. Artist: Bernard de Montfaucon
A representation of March, 1757. A man in the skin of a she-wolf, with a swallow and a goat symbolising the beginning of spring

Background imageSkin Collection: The Flaying of Sisamnes, (detail), 1498. Artist: Gerard David

The Flaying of Sisamnes, (detail), 1498. Artist: Gerard David
The Flaying of Sisamnes, (detail), 1498. Found in the collection of the Groeningemuseum, Bruges, Belgium

Background imageSkin Collection: Hichenou, 1828. Artist: Marlet et Cie

Hichenou, 1828. Artist: Marlet et Cie
Hichenou, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageSkin Collection: Roman Mosaic Wrestlers, c2nd-3rd century

Roman Mosaic Wrestlers, c2nd-3rd century. At Bardo Museum, Tunisia

Background imageSkin Collection: Wrestlers, Roman Mosaic from Gightis, late 2nd century AD

Wrestlers, Roman Mosaic from Gightis, late 2nd century AD. At Bardo Museum, Tunisia

Background imageSkin Collection: Moose skin by North American Shoshone Indian, showing Buffalo hunt, 20th century. Artist: Katsikodi

Moose skin by North American Shoshone Indian, showing Buffalo hunt, 20th century. Artist: Katsikodi
Painting on Moose skin by North American Shoshone Indian, 20th century, showing buffalo hunt. Centre: Shoshoni perform Sun Dance

Background imageSkin Collection: French Foreign legionnaire, 1908

French Foreign legionnaire, 1908. French postcard

Background imageSkin Collection: Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene

Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene
Pity The Poor Prisoners?, 1868. A satirical look at the state of the nations prisons in the mid-Victorian period. Here, a group of lower-class prisoners, probably enjoying, (in the view of Mr Punch)



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