Sketches Collection (page 71)

Queen Bess at Tilbury Fort, c1884. Artist: Thomas Strong Seccombe
Queen Bess at Tilbury Fort, c1884. Queen Elizabeth I (1533-1603) visited Tilbury Fort on 8 August 1588 and rode in procession to the nearby army camp

The Introduction of Artillery, c1884. Artist: Thomas Strong Seccombe
The Introduction of Artillery, c1884. From Comic Sketches from English History for Children of Various Ages with Descriptive Rhymes by Lieut.-Colonel T. S. Secombe. [W. H. Allen & Co. London, c1884]

Richmond at Sea, c1884. Artist: Thomas Strong Seccombe
Richmond at Sea, c1884. From Comic Sketches from English History for Children of Various Ages with Descriptive Rhymes by Lieut.-Colonel T. S. Secombe. [W. H. Allen & Co. London, c1884]

A Tournament in the Middle Ages, c1884. Artist: Thomas Strong Seccombe
A Tournament in the Middle Ages, c1884. From Comic Sketches from English History for Children of Various Ages with Descriptive Rhymes by Lieut.-Colonel T. S. Secombe. [W. H. Allen & Co. London, c1884]

The Landing of William the Conqueror, c1884. Artist: Thomas Strong Seccombe
The Landing of William the Conqueror, c1884. William the Conqueror, 11th century Duke of Normandy and King of England. William (1027-1087)

King Richard I in Palestine, c1884. Artist: Thomas Strong Seccombe
King Richard I in Palestine, c1884. Richard I the Lionheart (1157-1199) was the eldest son of Henry II and Eleanor of Aquitaine, and second Angevin (Plantagenet) king of England, (1189-1199)

Canute and his Courtiers, c1884. Artist: Thomas Strong Seccombe
Canute and his Courtiers, c1884. Canute was King of England, Denmark and Norway from 1016-1035. Here, sycophantic courtiers try to convince him he is so powerful he can command the sea

The Romans in Britain, c1884. Artist: Thomas Strong Seccombe
The Romans in Britain, c1884. Julius Caesar commanded the first Roman landings in Britain in 55 and 54 BC. From Comic Sketches from English History for Children of Various Ages with Descriptive

King Alfred in the Danish Camp, c1884. Artist: Thomas Strong Seccombe
King Alfred in the Danish Camp, c1884. Alfred was king of the southern Anglo-Saxon kingdom of Wessex from 871-899 AD. Here, Alfred, in disguise, sings in the camp of Guthrum the Danish king

Comic Sketches from English History front cover, c1884. Artist: Thomas Strong Seccombe
Comic Sketches from English History front cover, c1884. From Comic Sketches from English History for Children of Various Ages with Descriptive Rhymes by Lieut.-Colonel T. S. Secombe. [W. H

Drawing of a Flying Machine, c1480 (1945). Artist: Leonardo da Vinci
Drawing of a Flying Machine, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing of a Decorative Screen and Other Sketches, c1480 (1945). Artist: Leonardo da Vinci
Drawing of a Decorative Screen and Other Sketches, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch Design for a Stable, c1480 (1945). Artist: Leonardo da Vinci
Sketch Design for a Stable, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Chariots Armed with Scythes and Flails and Horseman with Three Lances, c1480, (1945). Artist: Leonardo da Vinci
Sketches of Chariots Armed with Scythes and Flails, of a Horseman with Three Lances and of a Machine for Hurling Stones for Battlements, c1480 (1945). From The Drawings of Leonardo da Vinci

Sketch of a Plant, c1480 (1945). Artist: Leonardo da Vinci
Sketch of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

An Allegory of Statecraft, c1480 (1945). Artist: Leonardo da Vinci
An Allegory of Statecraft, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of Fame Attacking Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegory of Fame Attacking Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch Of A Woman c1885, (1896). Artist: James Abbott McNeill Whistler
Sketch Of A Woman c1885, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Mid-day at Puebla, c1895, (1896). Artist: Mortimer Luddington Menpes
Mid-day at Puebla, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Sketch of A Girl, c1885, (1896). Artist: Sir Lawrence Alma-Tadema
Sketch of A Girl, c1885, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Portrait Sketch, c1895, (1896). Artist: Alfred Hartley
Portrait Sketch, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Head Sketch, c1895, (1896). Artist: George Frederick Watts
Head Sketch, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

St. Martin in Heaven, (1896). Artist: Ford Madox Brown
St. Martin in Heaven, 1897. A Sketch of the St Martin Window, in the Church of St Martin on the Hill, Scarborough, designed by Ford Maddox Brown, depicting St Martin in heaven

Mother and child, c1897, (1897). Artist: Maurice Greiffenhagen
Mother and child, c1897, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Female Study, c1897, (1897). Artist: Frederic Leighton
Female Study, c1897, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Study for Rizpah, c1870, (1897). Artist: Frederic Leighton
Study for Rizpah, c1870, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Studies for Wedded, 1882, (1897). Artist: Frederic Leighton
Studies for Wedded, 1882, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Female Study, c1895, (1897). Artist: Robert Fowler
Female Study, c1895, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Study for The Arts of Industry as Applied to War, c1870, (1897). Artist: Frederic Leighton
Study for The Arts of Industry as Applied to War, c1870, (1897). A study for the fresco, The Arts of Industry as Applied to War. From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Clown Sketch, c1893, (1894). Artist: Bernard Partridge
Clown Sketch, c1893, (1894). Pile ou Face ? Heads or Tails? From The Studio Volume 3. [London Offices of the Studio, London, 1894]

From Waterloo Bridge, 1873, (1894). Artist: Herbert Menzies Marshall
From Waterloo Bridge, 1873, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

The Embankment, Westminster, c1892, (1894). Artist: Herbert Menzies Marshall
The Embankment, Westminster, c1892, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

From Limehouse Pier, 1873, (1894). Artist: Herbert Menzies Marshall
From Limehouse Pier, 1873, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Etude, c1890, (1894). Artist: Paul Helleu
Etude, c1890, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell
Sketch of The Seven Seas, c1922, (1923). 1923. Sketch design for The Mediterranean, one of the decorative panels of The Seven Seas in the British Pavilion at the Rio International Exhibition

Costume Designs for Henry VIII (Theatre De L Opera, Paris, 1920), c1920, (1923). Artist: Maxime Dethomas
Costume Designs for Henry VIII (Theatre De L Opera, Paris, 1920), c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

La Complaisante Amie, c1920, (1923). Artist: Maxime Dethomas
La Complaisante Amie, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Le Joueur De Golf, c1920, (1923). Artist: Maxime Dethomas
Le Joueur De Golf, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Terrasse De Cafe, c1920, (1923). Artist: Maxime Dethomas
Terrasse De Cafe, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Harvesters Surprised by the Storm, c1900, (1923). Artist: Alphonse Legros
Harvesters Surprised by the Storm, c1900, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Death the Wooer, c1895, (1923). Artist: Alphonse Legros
Death the Wooer, c1895, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Sketch for Industry and Idleness - Plate VI, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate VI, 1747. The industrious prentice out of his time and married to his masters daughter

Sketch for Industry and Idleness - Plate X, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate X, 1747. The industrious prentice alderman of London, the idle one brought before him and impeach d by his accomplice, plate X of Industry and Idleness

Sketch for Industry and Idleness - Plate VIII, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate VIII, 1747. The industrious prentice grown rich and sheriff of London. The scene is old Fishmongers Hall

Rejected sketch for Industry and Idleness, 1747. Artist: William Hogarth
Rejected sketch for Industry and Idleness, 1747. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Sketch for Industry and Idleness - Plate III, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate III, 1747. The idle prentice at play in the church yard during divine service. The idle apprentice plays hustle-cap with some pickpockets

Sketch for plate XI of Industry and Idleness, 1747. Artist: William Hogarth
Sketch for plate XI of Industry and Idleness, 1747. The idle prentice executed at Tyburn. The crowds gather at Tyburn to watch Tom Idles execution

Sketch for Plate IV from Industry and Idleness, 1747. Artist: William Hogarth
Sketch for Plate IV from Industry and Idleness, 1747. The industrious apprentice stands with his master in the counting house. A porter enters, bearing rolls of cloth

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