Skeletal Collection

Soldats russes se préparant par le jeune... 19th century. Creator: Honore Daumier
Soldats russes se preparant par le jeune... 19th century. Russian soldiers preparing by the youth

J'ai eu beau le bercer... 19th century. Creator: Honore Daumier
J'ai eu beau le bercer... 19th century. I had the shepherd beautiful

Le Christ en croix, 1874. Creator: Leon Joseph Florentin Bonnat
Le Christ en croix, 1874

Left by slave traders to their fate, 1902. Creator: Unknown
Left by slave traders to their fate, 1902

Le Christ en croix, esquisse pour la salle d'audience de la Cour des Assises du Palais... c.1873
Le Christ en croix, esquisse pour la salle d'audience de la Cour des Assises du Palais de Justice de Paris, c.1873

Christ of Mercy, between 1480 and 1500. Creator: Nicholas Tzafouris
Christ of Mercy, between 1480 and 1500

The Scream, 1895. Creator: Edvard Munch
The Scream, 1895

Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Envy, from the Seven Deadly Sins, ca. 1550-55

Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Kohada Koheiji, from the series " One Hundred Ghost Tales (Hyaku monogatari)", Japan, c. 1831

A Follower of Broussais (plate 7), 1843. Creator: Charles Emile Jacque
A Follower of Broussais (plate 7), 1843

Contraband at the Hospital (plate 26), 1843. Creator: Charles Emile Jacque
Contraband at the Hospital (plate 26), 1843

Emaciated Horse (recto); Frontal View of a Horse (verso), n. d
Emaciated Horse (recto); Frontal View of a Horse (verso), n.d

Handle Spout Jug with Relief Depicting Skeletal Musicians Dancing, 100 B. C. / A. D. 500
Handle Spout Jug with Relief Depicting Skeletal Musicians Dancing, 100 B.C./A.D. 500

Spout Vessel with Skeletal, Tatooed Figure Attached to Handle, 100 B. C. / A. D. 500
Spout Vessel with Skeletal, Tatooed Figure Attached to Handle, 100 B.C./A.D. 500

Spout Vessel with Skeletal Figure Seated Attached to Handle, 100 B. C. / A. D. 500
Spout Vessel with Skeletal Figure Seated Attached to Handle, 100 B.C./A.D. 500

Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 B. C
Handle Spout Vessel in Form of a Female and Skeletal Figure in an Erotic Embrace, 100 B.C./A.D. 500

Handle Spout Vessel in the Form of a Skeletal Figure Holding a Child, 100 B. C. / A. D. 500
Handle Spout Vessel in the Form of a Skeletal Figure Holding a Child, 100 B.C./A.D. 500

Portrait Vessel of a Ruler with a Skeletal Face and Ornate Earings, 100 B. C. / A. D. 500
Portrait Vessel of a Ruler with a Skeletal Face and Ornate Earings, 100 B.C./A.D. 500

Spout Vessel Depicting Two Skeletal Figures in Erotic Scene Attached to Handle, 100 B. C
Spout Vessel Depicting Two Skeletal Figures in Erotic Scene Attached to Handle, 100 B.C./A.D. 500

Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Emaciated Horse and Rider, ca. 1625. Creator: Unknown
Emaciated Horse and Rider, ca. 1625

Reproduction of Etching from Set of Five Deaths, by Stefano della Bella, 1906
Reproduction of Etching from Set of " Five Deaths, " by Stefano della Bella, 1906. From " Chats on Old Prints", by Arthur Hayden. [T. Fisher Unwin, London, 1906]

The Famine in India: Natives Waiting for Relief at Bangalore, October 1877. Creator
The Famine in India: Natives Waiting for Relief at Bangalore, from Illustrated London News, October 1877 (engraving). The Famine in India: Natives Waiting for Relief at Bangalore

The Retreat from Moscow, 1911, (1918). Artist: Stephen Baghot De La Bere
The Retreat from Moscow, 1911, (1918). Painting held at the Lady Lever Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

The Dying Vagabond, 1875. Artist: Alphonse Legros
The Dying Vagabond, 1875. No. 89. From The Studio Volume 27. [London Offices of the Studio, London, 1902-3]

Chez les Passants, c1850-1898. Artist: Felicien Joseph Victor Rops
Chez les Passants, c1850-1898

Death in Barouche, c1850-1890. Artist: Stanislas Lepine
Death in Barouche, c1850-1890. Although generally not considered an Impressionist painter, Stanislas participated in the first Impressionist exhibition held in 1874

Roman mosaic of a skeleton, Pompeii, Italy

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