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Birds, Trees, and Flowers, late 1500s. Creator: Kano Shoei (Japanese, 1519-1592), attributed toBirds, Trees, and Flowers, late 1500s. Unhurried contemplation of these screens ( byobu ) reveals that their appearance differs slightly. Notice the shapes of the rocks and pine trunks
Tiger, early to mid-1600s. Creator: Soga Nichokuan (Japanese), attributed toTiger, early to mid-1600s
Tiger and Leopard, 1668. Creator: Sekkei Yamaguchi (Japanese, 1644-1732)Tiger and Leopard, 1668. Sekkei lived and studied painting in Kyoto at the Kano school studio, the center of traditional painting activity in Japan since 1500
The Four Accomplishments, late 1500s. Creator: Kano Shoei (Japanese, 1519-1592), attributed toThe Four Accomplishments, late 1500s. At first this scene appears a bit strange, if not bizarre: men, young and old, sit in a vast wilderness playing a board game or executing an ink painting
The Four Seasons, 1668. Creator: Kano Tan?y? (Japanese, 1602-1674)The Four Seasons, 1668
Tartars Hunting in a Mountain Landscape, first half of 1600s. Creator: UnknownTartars Hunting in a Mountain Landscape, first half of 1600s
Summer Night, 1784. Creator: Maruyama Okyo (Japanese, 1733-1795)Summer Night, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyotos most important painting teacher and accomplished artist, he had studied Western painting techniques
Summer and Winter Landscapes (one of a pair), 1600s. Creator: Kano Naonobu (Japanese, 1607-1650)Summer and Winter Landscapes (one of a pair), 1600s. This sparse composition depicts a summer scene on the right and a winter scene on the left
Spring and Autumn Farming (Spring), 1700s. Creator: Ko Sukoku (Japanese, 1730-1804)Spring and Autumn Farming (Spring), 1700s
Scenes from Essays in Idleness, late 1700s-early 1800s. Creator: Matsumura GoshunScenes from " Essays in Idleness", late 1700s-early 1800s
Spring and Autumn Farming (Autumn), 1700s. Creator: Ko Sukoku (Japanese, 1730-1804)Spring and Autumn Farming (Autumn), 1700s
Landscape, 1500s. Creator: UnknownLandscape, 1500s. This screen by an Unkoku school artist is from a separated pair depicting the Eight Views of Xiao and Xiang Rivers
Moonlit Landscape (one of a pair), late 1500s. Creator: UnknownMoonlit Landscape (one of a pair), late 1500s. This unsigned and unsealed composition includes imagery from the Eight Views of the Xiao and Xiang Rivers
Literary Gathering in the Orchid Pavilion, late 1700s. Creator: Maruyama Okyo (JapaneseLiterary Gathering in the Orchid Pavilion, late 1700s. A cheerful gathering of poets was one the most popular themes of East Asian literati paintings
Lions, 1668. Creator: Sekkei Yamaguchi (Japanese, 1644-1732)Lions, 1668. Sekkei lived and studied painting in Kyoto at the Kano school studio, the center of traditional painting activity in Japan since 1500
Winter Day, 1784. Creator: Maruyama Okyo (Japanese, 1733-1795)Winter Day, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyotos most important painting teacher and accomplished artist, he had studied Western painting techniques
God of Thunder (Raijin), mid-1600s. Creator: Tawaraya S?tatsu (Japanese, died c. 1640)God of Thunder (Raijin), mid-1600s. Such depictions of the God of Thunder originated in Buddhist art. Here, the image was painted on paper covered with gold dust
The Eight Immortals of the Wine Cup, later 1700s. Creator: Soga Shohaku (Japanese, 1730-1781)The Eight Immortals of the Wine Cup, later 1700s. Responding to the desires of the middle class ( chonin ), some Japanese painters of the late Edo period moved away from the seriousness associated
Dragon, early to mid-1600s. Creator: Soga Nichokuan (Japanese), attributed toDragon, early to mid-1600s
Ivy Lane, 1700s. Creator: Fukae Roshu (Japanese, 1699-1757)Ivy Lane, 1700s. Infrequently Japanese painters chose a single byobu instead of the normal format of paired six-fold screens
Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. CreatorBirds and Flowers in a Landscape of the Four Seasons, second half of the 1500s
Eight Views of the Xiao and Xiang Rivers, 1700s. Creator: Watanabe Shik? (Japanese, 1683-1755)Eight Views of the Xiao and Xiang Rivers, 1700s. Watanabe Shiko enjoyed a versatile and successful career, as well as a privileged upbringing, in Kyoto
Arrival of the Southern Barbarians, c. 1600. Creator: UnknownArrival of the " Southern Barbarians", c. 1600