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Sir Edward John Collection

Background imageSir Edward John Collection: The Ides of March, 1883. Creator: Edward John Poynter

The Ides of March, 1883. Creator: Edward John Poynter
The Ides of March, 1883. The persistent warnings given to Julius Caesar by the augurs as to the fatefulness of " The Ides of March" for him

Background imageSir Edward John Collection: The Cave of the Storm Nymphs, 1903. Artist: Edward John Poynter

The Cave of the Storm Nymphs, 1903. Artist: Edward John Poynter
The Cave of the Storm Nymphs, 1903. From a private collection

Background imageSir Edward John Collection: Portrait of Sir Edward John Poynter, 1877. Creator: Alphonse Legros

Portrait of Sir Edward John Poynter, 1877. Creator: Alphonse Legros
Portrait of Sir Edward John Poynter, 1877

Background imageSir Edward John Collection: Edward John Poynter, 1860s. Creator: John & Charles Watkins

Edward John Poynter, 1860s. Creator: John & Charles Watkins
Edward John Poynter, 1860s

Background imageSir Edward John Collection: January, decorative wall tiles, c1860s, (1881). Creator: J M Benson

January, decorative wall tiles, c1860s, (1881). Creator: J M Benson
January, decorative wall tiles, c1860s, (1881). Detail of interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

Background imageSir Edward John Collection: Apelles: design for a mosaic, c1864, (1881). Creator: Bernard Collier

Apelles: design for a mosaic, c1864, (1881). Creator: Bernard Collier
Apelles: design for a mosaic, c1864, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)

Background imageSir Edward John Collection: East Dining or Grill Room, c1860s, (1881). Creator: John Watkins

East Dining or Grill Room, c1860s, (1881). Creator: John Watkins
East Dining or Grill Room, c1860s, (1881). View showing the interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

Background imageSir Edward John Collection: Israel in Egypt, 1867. Artist: Edward John Poynter

Israel in Egypt, 1867. Artist: Edward John Poynter
Israel in Egypt, 1867. Dramatic scene set in Ancient Egypt showing Israelite slaves pulling a giant statue of a lion during the construction of the cities of Phithom and Rameses

Background imageSir Edward John Collection: Psyche in the Temple of Love, 1882, (c1915). Artist: Edward John Poynter

Psyche in the Temple of Love, 1882, (c1915). Artist: Edward John Poynter
Psyche in the Temple of Love, 1882, (c1915). Held in the Walker Art Gallery, Liverpool. From Famous Pictures of the World, c1900

Background imageSir Edward John Collection: The Walls of Old England (Bude), c1886, (1914). Artist: Edward John Poynter

The Walls of Old England (Bude), c1886, (1914). Artist: Edward John Poynter
The Walls of Old England (Bude), c1886, (1914). From King Alberts Book. [The Daily Telegraph, London, 1914]

Background imageSir Edward John Collection: In the Sunshine, c1890. Artist: Edward John Poynter

In the Sunshine, c1890. Artist: Edward John Poynter
In the Sunshine, c1890. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]

Background imageSir Edward John Collection: Sir E Poynter, c1860-1910 (1924)Artist: Alphonse Legros

Sir E Poynter, c1860-1910 (1924)Artist: Alphonse Legros
Sir E Poynter, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageSir Edward John Collection: The Catapult, c1868

The Catapult, c1868. A Roman siege engine attacks the city of Carthage during the siege of 146 BC. Delenda est Carthago (Carthage must be destroyed) is carved into the wood. Hand-coloured later

Background imageSir Edward John Collection: Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher


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