Sheep Collection (#26)

Bury Hill and Village with a View of the North Downs, c1879-1919. Artist: Jose Weiss
Bury Hill and Village with a View of the North Downs, c1879-1919. View on the North Downs in West Sussex with a shepherd and his sheepdog watching a flock

Old Park, Clapham, London, c1830. Artist: Frederick Mackenzie
Old Park, Clapham, London, c1830. View of the residence of James Coles

View of the old Pied Bull Inn, Islington, London, c1840. The Old Pied Bull Inn was once the home of Sir Walter Raleigh

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

The Pet Lamb, c1813. Artist: William Collins
The Pet Lamb, c1813. A family outside a house, with two of the children feeding the lamb

Canterbury Meadows, 19th century. Artist: Thomas Sidney
Canterbury Meadows, 19th century. Scene showing a cow, sheep and lambs in the foreground

A gentlemans seat on Stockwell Common, Lambeth, London, 1792. View with sheep grazing on the right

Romford, Essex, 1817. Artist: Daniel Havell
Romford, Essex, 1817. Romford is now in the London borough of Havering

Cold Bath Fields Prison, Finsbury, London, 1814. Exterior view of the prison with sheep grazing in the foreground

Childs Hill, Hampstead Heath, London, 1786. Artist: John Peltro
Childs Hill, Hampstead Heath, London, 1786. View with a shepherd and a woman in the foreground

Smithfield Market, City of London, 1810. Artist
Smithfield Market, City of London, 1810

View of Smithfield Market with figures and animals, City of London, 1824

Smithfield Market, City of London, 1855. Artist
Smithfield Market, City of London, 1855. View of old Smithfield Market with livestock in pens

Church of St Vedast Foster Lane, City of London, 1814. View of the church, with figures, cows, sheep and a dog in the street

Leadenhall Market, City of London, 1814. Artist
Leadenhall Market, City of London, 1814. View of Leadenhall Market, with carcasses hung from hooks on the left, figures on the street and at windows and sheep on the right

Wisdom, 1794. Artist: Benjamin Smith
Wisdom, 1794. Allegorical image of Wisdom, showing the seated figure of Wisdom surrounded by attributes, putti, a lamb, owl and cockerel

Landscape and Cattle, c1823-1902. Artist: Thomas Sidney Cooper
Landscape and Cattle, c1823-1902

Chingford, Waltham Forest, London, 1815. Artist: William Lewis
View of a farm house at Chingford, Waltham Forest, London, 1815. Chingford was formerly in Essex

Innocence, 1794. Artist: Thomas Burke
Innocence, 1794. Four putti around a woman with attributes of innocence. One of four paintings

A drover and his dog, Provincial Characters, 1813
A drover leaning on a fence, with his dog sitting next to him. From Provincial Characters, 1813

Moorland Scene, 1878. Artist: Thomas Collier
Moorland Scene, 1878; a path through the moors with heather and sheep

St Mary, Islington, London, 1834
View of St Mary, Islington, London, 1834; from Felix Terrace with sheep and figures in the foreground

Islington Green, London, c1840. Artist: Frederick Napoleon Shepherd
Islington Green, London, c1840; view of the Old Fox Inn on the corner of Islington Green. In the foreground a figure is driving a flock of sheep

Dulwich College, Camberwell, London, 1790. Artist: Taylor
Dulwich College, Camberwell, London, London, 1790; view of Dulwich College with figures and sheep in the foreground. In the middle distance a pair of figures play with a bat and ball

Brockwell Hall, Herne Hill, Lambeth, London, 1820. Artist: Bartholomew Howlett
View of Brockwell Hall, Herne Hill, Lambeth, London, 1820; with a man, horse and sheep in the foreground

Cold Bath Fields, Finsbury, London, 1819. Artist: Thomas Ranson
Cold Bath Fields, Finsbury, London, 1819; an interior view of Cold Bath Fields Prison, in which Thomas Ranson was unlawfully confined by the Bank of England for holding an alleged forged one pound

Smithfield Market, London, 1811 Artist: J Bluck
Smithfield Market, London, 1811. Groups of men talk in groups and examine the livestock in pens

View of Smithfield Market, London, 1810. The busy livestock market with prospective buyers talking in groups, and examining the animals in pens

Smithfield Market, London, c1830. Artist: George Cooke
Smithfield Market, London, c1830. Busy street scene with cattle, sheep, dogs, carts and people. A little girl points to the sheep while her mother chats to a friend

Temple Bar, London, c1800
A view of Temple Bar looking east, London, c1800; showing a street cleaner and rabbit seller, and a man recapturing a stray sheep

Innocence, 1799. Artist: Benjamin Smith
Innocence, 1799. Allegorical image showing the seated figure of Innocence holding a lamb and surrounded by putti. One of four engravings made from frescos by JF Rigaud, R.A

Wisdom, 1799. Artist: JP Simon
Wisdom, 1799. Allegorical image of Wisdom, showing the seated figure of Wisdom surrounded by attributes including putti holding mirrors, a lamb, owl and cockerel

Fore Street, London, 1830. Artist: James Tingle
View of Fore Street and St Giles without Cripplegate, London, 1830. Also showing a flock of sheep moving along the street with pedestrians on the pavement

Second Stage of Cruelty, plate II from The Four Stages of Cruelty, 1751. Tom Nero, as a coachman, is beating his disabled horse savagely

The subsiding of the Nile, 1873. Artist: Frederick Goodall
The subsiding of the Nile, 1873. A woman fills a water-jug from the River Nile. Others lead sheep and cattle, while camels drink. The long shadows indicate that it is evening

Butchering a sheep on the Front Line, c. 1914-18 (b/w photo)

Noahs Ark, - Gen. VII 15, pub. 1865, Currier & Ives (Colour Lithograph)
Noahs Ark, And they went in unto Noah into the ark, two and two of all flesh, wherein is the breath of life - Gen. VII 15, pub. 1865, Currier & Ives (Colour Lithograph)

The Four Seasons of Life - Childhood, pub. 1868, The Season of Joy, Currier & Ives (Colour Lithograph)

American Country Life - May Morning, pub. 1855, Currier & Ives (Colour Lithograph)

American Farm Yard - Morning, pub. 1857, Currier & Ives (Colour Lithograph)

American Homestead - Spring, pub. 1869, Currier & Ives (Colour Lithograph)

Spring, 1570
Spring, engraved by Visscher, 1570 (engraving)

Entrance to the Tunnel at Watford, published 1837 (hand coloured engraving). From Collection of Six Coloured Views on the London and Birmingham Railway by Thomas Talbory Bury, published 1837

Fricka approaches in anger, 1910. Artist: Arthur Rackham
Fricka approaches in anger, 1910. Illustration from The Rhinegold and the Valkyrie. Fricka approaches Wotan, angry at the incestuous love of Wotans two children Siegmund and Sieglinde

Obelisk at Forres, Moray, Scotland, 1821. Artist: William Daniell
Obelisk at Forres, Moray, Scotland, 1821. Known as Suenos Stone, this 23 foot high carved standing stone is thought to have been erected sometime between c800 and 1000

Trains on the Liverpool and Manchester Railway, 1832-1833. Artist: SG Hughes
Trains on the Liverpool and Manchester Railway, 1832-1833. A train of wagons (top) and a train of cattle, sheep and pigs (bottom), on the worlds first intercity railway

Corfe Castle, Dorset, 1823. Artist: William Daniell
Corfe Castle, Dorset, 1813. View of the ruins of the hilltop castle, destroyed by Parliamentarian forces in 1646 after its resistance to their siege during the English Civil War

Aros Castle, Isle of Mull, Scotland, 1818. Artist: William Daniell
Aros Castle, Isle of Mull, Scotland, 1818. Hand-coloured engraving from A Voyage Around Great Britain Undertaken between the Years 1814 and 1825 by William Daniell

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