mail_outline sales@mediastorehouse.com
Here is the Pleasure, Sirs, Here is the Pleasure, c1860. Creator: Edouard de BeaumontHere is the Pleasure, Sirs, Here is the Pleasure, c1860. Beaumont reveals the antagonism among women of different social classes and generations
The Whitecross Street Prison for debtors, London, 1843. Two interior views of the refuge for the destitute at Whitecross Street Prison, showing the male and female wards
Leather Lane, London, c1830. Artist: J ShuryView of the old houses in Leather Lane, Holborn, London, c1830; with figures
Milton Street, London, c1804. Artist: C MatthewsView of a building which may have been the home of both Dick Whittington and Sir Thomas Gresham in Milton Street, London, c1804
The Temple of Vesta at Tivoli, Rome, 1831. Artist: Landelot-Theodore Turpin de CrisseThe Temple of Vesta at Tivoli, Rome, 1831. From the Musee des Beaux-Arts, Angers, France
The Interdict, 1875. Artist: Jean-Paul LaurensThe Interdict, 1875. From the Musee des Beaux Arts, Le Havre, France
The Irish Treason Shop, 1869. Artist: Joseph SwainThe Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill
Prevention Better Than Cure, 1869. Artist: John TennielPrevention Better Than Cure, 1869. The message implicit in this cartoon is that more bobbies on the beat will prevent crime
The Pig and The Peasant, 1863. Artist: John TennielThe Pig and The Peasant, 1863. Peasant says: Ah! I d Like To Be Cared Vor Half As Well As Thee As Thee Be! Here, Mr Punch highlights the problem by neatly contrasting the fat
The Strike, a Subject for the Consideration of the Real Working Man, 1859. Committee Man and General Talker says: What I say, my Boy, is-Hold out