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Gondolas by the Piazzetta, c1904, (1925). Creator: John Singer SargentGondolas by the Piazzetta, c1904, (1925). Boats on the canal by the Piazzetta di San Marco, Venice, Italy. Drawing in the Tate Gallery, London
View of the Dogana, 1702, (1925). Creator: Peter SchenkView of the Dogana, 1702, (1925). 18th century view of the Punta della Dogana, old customs building in Venice, Italy. On the right is the pillar with a winged lion, symbol of the city
Interior of St. Mark s, c1830, (1925). Creator: Samuel ProutInterior of St. Mark s, c1830, (1925). 19th century scene inside the Basilica of St Marks in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
The Riva (No. 1), 1879-1880, (1925). Creator: James Abbott McNeill WhistlerThe Riva (No. 1), 1879-1880, (1925). View of the Riva degli Schiavone, one of a series of etchings of Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A
Palazzo Mocenigo, 1830, (1925). Creator: Robert WallisPalazzo Mocenigo, 1830, (1925). View of the Mocenigo Palace on the Grand Canal in Venice, Italy. The English poet Lord Byron lived there from 1816 to 1819. Etching in the British Museum, London
The Rialto, c1830, (1925). Creator: Robert WallisThe Rialto, c1830, (1925). Crowded steps onto the famous Rialto Bridge spanning the Grand Canal in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A
The Arsenal, c1840, (1925). Creator: JMW TurnerThe Arsenal, c1840, (1925). Venice: An Imaginary View of the Arsenale, scene in Italy. The Venetian Arsenal was a complex of shipyards and armories, painting in the Tate Gallery, London
St. Marks in the XVIth Century, (1925). Creator: Joris HoefnagelSt. Marks in the XVIth Century, (1925). View of St Marks Square, the Basilica and Campanile in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
Venice-Canaletti Painting, c1833, (1925). Creator: JMW TurnerVenice-Canaletti Painting, c1833, (1925). Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting. 19th century view of Venice, Italy, painting in the Tate Gallery, London
The Burning of the Doges Palace, 1578, (1925). Creator: Joris HoefnagelThe Burning of the Doges Palace, 1578, (1925). Depiction of the devasting fire of 1577, which broke out during refurbishment works to the Doges Palace in Venice, Italy
Santa Maria Della Salute, 1780s, (1925). Creator: Francesco GuardiSanta Maria Della Salute, 1780s, (1925). Santa Maria della Salute and the Dogana in Venice, Italy. Church and customs building with gondolas and ships, painting in the Wallace Collection, London
Repairing the Campanile, 1746-1756, (1925). Creator: CanalettoRepairing the Campanile, 1746-1756, (1925). Repairs to the Campanile of St Marks Cathedral in Venice, Italy, drawing in the British Museum, London
Venice in the Early XVIIIth Century, (1925). Creator: Peter SchenkVenice in the Early XVIIIth Century, (1925). Sailing ships in the lagoon in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
Venice in 1493, (1925). Creator: UnknownVenice in 1493. Coloured Woodcut from the Nuremberg Chronicle, (1925). 15th century cityscape of Venice in Italy, with St Marks and the Campanile in the centre
Reception of the Grand Duke and Duchess of Russia, 1782, (1925). Creator: Antonio BarattaReception of the Grand Duke and Duchess of Russia, 1782, (1925). 18th century scene showing celebrations to honour the visit of the Grand Duke Paul (later Tsar Paul I of Russia)
The Rialto, c1900, (1925). Creator: David Young CameronThe Rialto, c1900, (1925). View of the Rialto Bridge spanning the Grand Canal in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
The Little Mast, c1880, (1925). Creator: James Abbott McNeill WhistlerThe Little Mast, c1898, (1925). A mast near the waterfront, one of a series of etchings of Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
Boat Building, Venice, 1905, (1925). Creator: Joseph PennellBoat Building, Venice, 1905, (1925). Boats being built on a canal in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
Plan of Venice, c. 1590, (1925). Creator: UnknownPlan of Venice, c. 1590, (1925). 16th century aerial view of the lagoon and city of Venice, Italy, showing the canals, islands and points of interest
Venice in 1502, (1925). Creator: UnknownVenice in 1502. German Woodcut, (1925). 16th century panorama of the city of Venice in Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
Calle Crosera, 1913, (1925). Creator: Sydney VacherCalle Crosera, 1913, (1925). Street scene in Venice, Italy. Etching in the Victoria & Albert Museum, London. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
Santa Maria Formosa, late 19th-early 20th century, (1925). Creator: Donald Shaw MacLaughlanSanta Maria Formosa, late 19th-early 20th century, (1925). Renaissance church in Venice, Italy, built in 1492. The name formosa refers to an alleged appearance of the Virgin Mary disguised as a
Facade of St. Mark s, late 19th-early 20th century, (1925). Creator: William MonkFac ade of St. Mark s, late 19th-early 20th century, (1925). St Marks Basilica in Venice, Italy, one of the best known examples of Italo-Byzantine architecture
Rio San Gregorio, 1906, (1925). Creator: Charles HolroydRio San Gregorio, 1906, (1925). A house in Venice, Italy. Etching in the British Museum, London. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
Tintorettos House, c1894, (1925). Creator: David Young CameronTintorettos House, c1894, (1925). Corner view of the Palazzo Cammello, in Venice, Italy, home of the Renaissance painter Jacopo Tintoretto (1518-1594). Etching in the British Museum, London
St. Marks, early 20th century, (1925). Creator: William WalcotSt.Marks, early 20th century, (1925). Exterior of the Hospital of St Mark, also known as the Scuola Grande di San Marco, in Venice, Italy
Santa Maria Della Salute, 1902, (1925). Creator: Charles HolroydSanta Maria Della Salute, 1902, (1925). The Salute, Venice, view of the church of Santa Maria Della Salute in Venice, Italy
Procession to the Salute, early 20th century, (1925). Creator: Edward Millington SyngeProcession to the Salute, early 20th century, (1925). People crossing a bridge to the church of Santa Maria Della Salute in Venice, Italy
San Barnaba, c1900, (1925). Creator: Charles HolroydSan Barnaba, c1900, (1925). The Chiesa di San Barnaba, Neoclassical church dedicated to Saint Barnabas, in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A
The Balcony, 1879-1880, (1925). Creator: James Abbott McNeill WhistlerThe Balcony, 1879-1880, (1925). House on a canal, one of a series of etchings of Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
Calle Della Donna, c1900, (1925). Creator: David Young CameronCalle Della Donna, c1900, (1925). The Calle della Dona Onesta, (Street of the Honest Woman), in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme
Flower Market, Venice, late 19th-early 20th century, (1925). Creator: Joseph PennellFlower Market, Venice, late 19th-early 20th century, (1925). Street scene in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd
Singer of J Selwyn competing in the MCC Edinburgh Trial, West Stonesdale, Yorkshire Dales, 1933Singer 972 cc. Vehicle Reg. No. MG2207. Event Entry No: 241. Driver: Selwyn, J. Award: Silver. Place: West Stonesdale, Yorkshire Dales, M.C.C. Edinburgh Trial. Date: 2/3.6.33
Esmond Selwyn playing the guitar at The Bell, Codicote, Hertfordshire, 22 February 1981
The End of the Glade, Epping Forest, c1900. Artist: Selwyn ImageThe End of the Glade, Epping Forest, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]
