Robert Fludd Collection

The Temple of Music by Robert Fludd, 1617. Artist: Anonymous
The Temple of Music by Robert Fludd, 1617. From a private collection

An astrologer casting a horoscope, 1617 (late 19th century). Copy of an illustration from Utriusque Cosmi Historia by Robert Fludd, (Oppenheim 1617), used in A History of Magic, late 19th century

Portrait of Robert Fludd (1574-1637), 17th century. Artist: Anonymous
Portrait of Robert Fludd (1574-1637), 17th century. From a private collection

Interior of the Globe Theatre, Bankside, London, 1617-1619. Stage of the second Globe, built on the foundations and in the same style as the first immediately after the fire of 1613

Portrait of Robert Fludd (1574-1637), 1626. Artist: Anonymous
Portrait of Robert Fludd (1574-1637), 1626. Found in the collection of the Russian State Library, Moscow

The Cabalistic analysis of the mind and the senses, 1617. This attributed different functions to different regions of the brain. From Ultriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619

Using a cross-staff to measure the height of a tower, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Measuring the distance of an inaccessible object by triangulation using a hinged staff, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Surveyors using quadrants to measure the height of a tower, c1617-c1619. Artist: Robert Fludd
Surveyors using quadrants to measure the height of a tower, 1617-c1619. Quadrants fitted with plumb bobs and marked with shadow scales to measure the height of a tower

Finding the angular distance between two edges of a wood using a cross-staff, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Surveying, early 17th century. Method of using a quadrant fitted with a plumb line and marked with shadow scales to measure the depth of a well. From Utriusque cosmi... historia by Robert Fludd

Geocentric or Earth-centred Universe, c1617. The Earth surrounded by the spheres of the elements water, air and fire, and by the spheres of the Moon

The divine harmony of the microcosm and the macrososm, c1617
The divine harmony of the microcosm and the macrososm according to the Hermetic and Cabalistic teaching, c1617. God is always at the apex of the triangle. From Ultriusque cosmi

The relation of Man, the microcosm, with the Universe, the macrocosm, c1617. The spheres of the Sun, Moon and planets and the hierarchy of angels and archangels

The divine harmony of the universe, c1617. The hand of God turns the peg to tune the universe. From Utriusque cosmi... historia by Robert Fludd. (Oppenheim, 1617-1619)

Synopsis of the diviners arts, 1617-1619. Chiromancy, prophecy, mnemonics, physiognomy, pyramidology, geomancy, astrology, the seven sources of human knowledge. From Utriusque cosmi

Clepsydra (water clock) indicating hours and chiming, 1617-1619. From Utriusque cosmi...historia by Robert Fludd (Oppenheim, 1617-1619)

Chiromancy, 1617-1619. Title page of a chapter on chiromancy from Robert Fludds Utriusque cosmi...historia, showing the lines of the hand. (Oppenheim, 1617-1619)

Star Fort defended by a moat coming under siege, 1617-1619. From Utriusque cosmi...historia by Robert Fludd. (Oppenheim, 1617-1619)

Design for an encampment outside a besieged fortress, 1617-1619. From Utriusque cosmi... historia by Robert Fludd. (Oppenheim, 1617-1619)

Divine harmony, 1617-1619. The divine harmony existing between Man the microsm, and the universe the macrocosm, with God at the top. From Utriusque cosmi... historia by Robert Fludd

Diagram showing mans position in the universe, 1617-19. Artist: Robert Fludd
Diagram showing mans position in the universe, 1617-19. Relation of man (the microcosm), with the universe (the macrocosm), showing spheres of Sun, Moon and planets

Utriusque cosmi historia, 1517-19. Artist: Robert Fludd
Utriusque cosmi historia, 1517-19. Gunners laying siege to moated and fortified enclosure. Attackers are using earth-filled Gabions to protect their guns and themselves

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