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Robert Anning Bell Collection

Background imageRobert Anning Bell Collection: Design for Stained Glass, 1926. Artist: Robert Anning Bell

Design for Stained Glass, 1926. Artist: Robert Anning Bell
Design for Stained Glass, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Background imageRobert Anning Bell Collection: The Adoration of the Magi, late 19th century, (1912). Artist: Robert Anning Bell

The Adoration of the Magi, late 19th century, (1912). Artist: Robert Anning Bell
The Adoration of the Magi, late 19th century, (1912). The Adoration of the Magi, is the name traditionally given to the subject in the Nativity when the three Magi, represented as kings

Background imageRobert Anning Bell Collection: Illustration for The Altar Book, 1892, (1897). Artist: Robert Anning Bell

Illustration for The Altar Book, 1892, (1897). Artist: Robert Anning Bell
Illustration for The Altar Book, 1892, (1897). Daniel Berkeley Updike (1860-1941) oversaw the design of The Altar Book, a large format liturgical book for the Episcopal Church in New England

Background imageRobert Anning Bell Collection: A Bookplate, 1894, (1894). Artist: Robert Anning Bell

A Bookplate, 1894, (1894). Artist: Robert Anning Bell
A Bookplate, 1894, (1894). A bookplate designed for Frederic Leighton (1830-1896). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Background imageRobert Anning Bell Collection: Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell

Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell
Sketch of The Seven Seas, c1922, (1923). 1923. Sketch design for The Mediterranean, one of the decorative panels of The Seven Seas in the British Pavilion at the Rio International Exhibition

Background imageRobert Anning Bell Collection: The Pool, 1906, (1918). Artist: Robert Anning Bell

The Pool, 1906, (1918). Artist: Robert Anning Bell
The Pool, 1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Background imageRobert Anning Bell Collection: The Prisoners, c1900. Artist: Robert Anning Bell

The Prisoners, c1900. Artist: Robert Anning Bell
The Prisoners, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageRobert Anning Bell Collection: An illustration from The Tempest, 1901 (1901-1902). Artist: Robert Anning Bell

An illustration from The Tempest, 1901 (1901-1902). Artist: Robert Anning Bell
An illustration from The Tempest, 1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-2]

Background imageRobert Anning Bell Collection: The Golden Goose from Grimms Household Tales, c1900 (1901-1902). Artist: Robert Anning Bell

The Golden Goose from Grimms Household Tales, c1900 (1901-1902). Artist: Robert Anning Bell
The Golden Goose from Grimms Household Tales, c1900 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

Background imageRobert Anning Bell Collection: An Angel Adoring`, a coloured plaster relief by Robert Anning Bell

An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902) Artist: Robert Anning Bell
An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

Background imageRobert Anning Bell Collection: A study in Sanguine, c1900. Artist: Robert Anning Bell

A study in Sanguine, c1900. Artist: Robert Anning Bell
A study in Sanguine, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Background imageRobert Anning Bell Collection: Mother and Children, c1900. Artist: Robert Anning Bell

Mother and Children, c1900. Artist: Robert Anning Bell
Mother and Children, c1900. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

Background imageRobert Anning Bell Collection: Herodias, 1896, (1898). Artist: Robert Anning Bell

Herodias, 1896, (1898). Artist: Robert Anning Bell
Herodias, 1896. This unusual depiction of the murder of Saint John the Baptist shows Salomes mother Herodias (c15BC- after 39AD), rather than the more usual depiction of her daughter Salome


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