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Design for a Cottage Ornee in the Tudoresque Style, late 18th-early 19th century
Design for a Flower Garden, 1803, (1944). Creator: UnknownDesign for a Flower Garden, 1803, (1944). Illustration from " Observations on the Theory and Practice of Landscape Gardening" by Humphry Repton
1904 Repton 4hp 3 wheeler. Creator: Unknown1904 Repton 4hp 3 wheeler
The Pheasantry, 1808. Artist: Joseph Constantine StadlerThe Pheasantry, 1808. From Designs for the Pavilion at Brighton by Humphry Repton
Corridor of a conservatory, 1808. Artist: Joseph Constantine StadlerCorridor of a conservatory, 1808. From Designs for the Pavilion at Brighton by Humphry Repton
Humphry Repton surveying with a theodolite, late 18th-early19th century. Repton (1752-1818) succeeded Capability Brown as the garden designer of choice for the landed gentry of England
Luxury of Gardens, 1816. Artist: Humphry ReptonLuxury of Gardens, 1816. From Fragments on the Theory and Practice of Landscape Gardening, by Humphry Repton, Humphry (1752-1818), 1816
The Work House, 1816. Artist: Humphry ReptonThe Work House, 1816. From Fragments on the Theory and Practice of Landscape Gardening by Humphry Repton, 1816
Forcing Garden in Winter, 1816. Artist: Humphry ReptonForcing Garden in Winter, 1816. From Fragments on the Theory and Practice of Landscape Gardening by Humphry Repton, 1816
Interiors: The Old Cedar Parlour and the Modern Living Room, 1816. From Fragments on the Theory and Practice of Landscape Gardening by Humphry Repton, 1816
Brighton Pavilion, Sussex, c1816. Artist: Joseph Constantine StadlerBrighton Pavilion, Sussex, c1816. Proposed view of the garden by Humphry Repton with part of the pavilion in the background
Repton School, 1923. Repton School, for private and boarding pupils in Repton, Derbyshire, England. The school was founded in accordance with the legacy of Sir John Port of Etwall
1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]