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Raphael Sanzio Collection (page 5)

Background imageRaphael Sanzio Collection: The Ansidei Madonna, 1505, (1911). Artist: Raphael

The Ansidei Madonna, 1505, (1911). Artist: Raphael
The Ansidei Madonna, 1505. This painting is part of the group which makes up The Ansidei Altarpiece, San Fiorenzo, Perugia. Painting held in The National Gallery, London

Background imageRaphael Sanzio Collection: The Virgin and Child, study for the Madonna di Foligno, c1511. (1903). Artist: Raphael

The Virgin and Child, study for the Madonna di Foligno, c1511. (1903). Artist: Raphael
The Virgin and Child, study for the Madonna di Foligno, c1511. After a chalk study by Raphael (1483-1520). Original housed in the British Museum, London

Background imageRaphael Sanzio Collection: St Cecilia, 1514 (1870). Artist: Quesnel

St Cecilia, 1514 (1870). Artist: Quesnel
St Cecilia, 1514 (1870). After the painting by Raphael in the collection of the Pinacoteca Nazionale, Bologna. St Cecilia was a Roman noblewoman martyred in either the 2nd or the 3rd century

Background imageRaphael Sanzio Collection: Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven

Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven
Madonna of the Blue Diadem, 1510-1511 (1870). Also known as The Virgin of the Veil and The Virgin, Child and young St John. From the collection of the Musee du Louvre, Paris

Background imageRaphael Sanzio Collection: The Sibyls, c1514 (1870). Artist: J Ansseau

The Sibyls, c1514 (1870). Artist: J Ansseau
The Sibyls, c1514 (1870). After the painting by Raphael in the Church of Santa Maria della Pace, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageRaphael Sanzio Collection: Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy

Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood
Mosaic above the Altar of Transfiguration, St Peters Basilica, Rome, Italy. The mosaic is a reproduction of Raphaels painting of the Transfiguration (1520)

Background imageRaphael Sanzio Collection: Raphael, Italian Renaissance artist, c1880-1882. Artist: Hans Makart

Raphael, Italian Renaissance artist, c1880-1882. Artist: Hans Makart
Raphael, Italian Renaissance artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageRaphael Sanzio Collection: The Mackintosh Madonna, c1510-1512, (1929). Artist: Raphael

The Mackintosh Madonna, c1510-1512, (1929). Artist: Raphael
The Mackintosh Madonna, c1510-1512, (1929). From the collection of the National Gallery, London. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageRaphael Sanzio Collection: Giuliano de Medici, early 16th century, (1929). Artist: Raphael

Giuliano de Medici, early 16th century, (1929). Artist: Raphael
Giuliano de Medici, early 16th century, (1929). Portrait of Giuliano (1479-1516), one of the sons of Lorenzo the Magnificent. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageRaphael Sanzio Collection: The Triumph of Galatea, 1512 (1849). Artist: L Delaistre

The Triumph of Galatea, 1512 (1849). Artist: L Delaistre
The Triumph of Galatea, 1512 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageRaphael Sanzio Collection: The Madonna in San Sisto, c1512, (1893). Artist: John L Stoddard

The Madonna in San Sisto, c1512, (1893). Artist: John L Stoddard
The Madonna in San Sisto, c1512, (1893). The Sistine Madonna by Raphael. Illustration from Portfolio of Photographs of Famous Cities, Scenes and Paintings, (The Werner Company, Chicago, c1893)

Background imageRaphael Sanzio Collection: The Transfiguration, c1520, (1893). Artist: John L Stoddard

The Transfiguration, c1520, (1893). Artist: John L Stoddard
The Transfiguration, c1520, (1893). Thought to be the last painting by Raphael, left unfinished by him and completed after his death

Background imageRaphael Sanzio Collection: Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Artist: John L Stoddard

Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Artist: John L Stoddard
Hall of Saturn, Pitti Palace, Florence, Italy, 1893. Visible here is Raphaels painting, the Madonna of the Chair. Illustration from Portfolio of Photographs of Famous Cities, Scenes and Paintings

Background imageRaphael Sanzio Collection: Nicolas De Tolentino, 1913. Artist: Raphael

Nicolas De Tolentino, 1913. Artist: Raphael
Nicolas De Tolentino, 1913. In the Stadel institute, Frankfort. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageRaphael Sanzio Collection: Study of a Monk, 1913. Artist: Raphael

Study of a Monk, 1913. Artist: Raphael
Study of a Monk, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageRaphael Sanzio Collection: Study for an Entombment, attributed to Raphael, 1913. Artist: Raphael

Study for an Entombment, attributed to Raphael, 1913. Artist: Raphael
Study for an Entombment, attributed to Raphael, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageRaphael Sanzio Collection: Study for The Entombment, 1913. Artist: Raphael

Study for The Entombment, 1913. Artist: Raphael
Study for The Entombment, 1913. From a drawing at the University of Oxford. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageRaphael Sanzio Collection: The Fall on the Road to Calvary, c1820s. Artist: W Holl

The Fall on the Road to Calvary, c1820s. Artist: W Holl
The Fall on the Road to Calvary, c1820s

Background imageRaphael Sanzio Collection: Pythagoras (580-500 BC), drawing for the School of Athens, 16th century. Artist: Raphael

Pythagoras (580-500 BC), drawing for the School of Athens, 16th century. Artist: Raphael
Pythagoras (580-500 BC), drawing for the School of Athens, 16th century

Background imageRaphael Sanzio Collection: Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson

Raphael, Italian Reanaissance artist, (c1836). Artist: J Thomson
Raphael, Italian Reanaissance artist, (c1836). Raphael or Raffaello of Urbino (1483-1520) was a master painter and architect of the Florentine school in the Italian High Renaissance

Background imageRaphael Sanzio Collection: Episodes of the Life of Famous Painters: Raphael, (c1900)

Episodes of the Life of Famous Painters: Raphael, (c1900). Raphael Sanzio (1483-1520) joins Pope Giulio II in admiring the statue of Apollo di Belvedere, recently discovered

Background imageRaphael Sanzio Collection: Renaissance Art in Italy: Raphael, (c1900)

Renaissance Art in Italy: Raphael, (c1900). Raphael Sanzio (1483-1520) working on his portrait of Pope Leo X and Cardinals Giulio de Medici and Rossi. French advertisement for Liebigs extract of meat

Background imageRaphael Sanzio Collection: Two male nude studies, 1515, (1912). Artist: Raphael

Two male nude studies, 1515, (1912). Artist: Raphael
Two male nude studies, 1515, (1912). A drawing given by Raphael to Durer, with autograph of Raphael, and dated 1515. A print from The Connoisseur, (London, 1912)

Background imageRaphael Sanzio Collection: Raphael or Raffaello, master painter and architect of the Florentine School, (1825)

Raphael or Raffaello, master painter and architect of the Florentine School, (1825). Artist: John Corner
Raphael or Raffaello, master painter and architect of the Florentine School, (1825). An engraving from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageRaphael Sanzio Collection: Raffaelle, 19th century. Artist: J Thomson

Raffaelle, 19th century. Artist: J Thomson
Raffaelle, 19th century. Raphael or Raffaello of Urbino (1483-1520) was a master painter and architect of the Florentine school in the Italian High Renaissance

Background imageRaphael Sanzio Collection: Raphael, Florentine master painter, (1834). Artist: W Holl

Raphael, Florentine master painter, (1834). Artist: W Holl
Raphael, Florentine master painter, (1834). A 19th-century engraving after a self-portrait by Raphael or Raffaello, (1483-1520), one of the most important artists of the Renaissance

Background imageRaphael Sanzio Collection: Marcantonio Raimondi, Italian engraver, 19th century. Artist: C Cook

Marcantonio Raimondi, Italian engraver, 19th century. Artist: C Cook
Marcantonio Raimondi, Italian engraver, 19th century. Portrait of Raimondi (c1480-c1534)

Background imageRaphael Sanzio Collection: The Holy Family, or Madonna with the Beardless Joseph, c1506. Artist: Raphael

The Holy Family, or Madonna with the Beardless Joseph, c1506. Artist: Raphael
The Holy Family, or Madonna with the Beardless Joseph, c1506. Found in the collection of the State Hermitage, St Petersburg

Background imageRaphael Sanzio Collection: The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Artist: Raphael

The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Artist: Raphael
The Holy Family (Madonna with Beardless Joseph), c1505-c1506. Found in the collection of the State Hermitage, St Petersburg

Background imageRaphael Sanzio Collection: The Crowning of Charlemagne (detail), c1514. Artist: Raphael

The Crowning of Charlemagne (detail), c1514. Artist: Raphael
The Crowning of Charlemagne (detail), c1514. Located in the Raphael Rooms, Vatican Museums, Rome

Background imageRaphael Sanzio Collection: The Crowning of the Virgin (Oddi Altar), 1502-1503. Artist: Raphael

The Crowning of the Virgin (Oddi Altar), 1502-1503. Artist: Raphael
The Crowning of the Virgin (Oddi Altar), 1502-1503. The altarpiece combines two scenes common in Quattrocento iconography

Background imageRaphael Sanzio Collection: Justification of Leo III, 1514. Artist: Raphael

Justification of Leo III, 1514. Artist: Raphael
Justification of Leo III, 1514. The Oath of Leo III illustrates an episode that took place the day before the crowning of Charlemagne

Background imageRaphael Sanzio Collection: The Fire in the Borgo (detail), 1514. Artist: Raphael

The Fire in the Borgo (detail), 1514. Artist: Raphael
The Fire in the Borgo (detail), 1514. This fresco in the Vatican depicts a fire which broke out in the Borgo in Rome in 847. The blaze is said to have been contained by the benediction of Pope Leo IV

Background imageRaphael Sanzio Collection: Saint John the Baptist Preaching, 1505. Artist: Raphael

Saint John the Baptist Preaching, 1505. Artist: Raphael
Saint John the Baptist Preaching, 1505. This picture is one of the three paintings which formed the predella for Raphaels altarpiece the Ansidei Madonna (dated 1505) in the church of San Fiorenzo

Background imageRaphael Sanzio Collection: Madonna del Cardellino, 1507. Artist: Raphael

Madonna del Cardellino, 1507. Artist: Raphael
Madonna del Cardellino, 1507. The Madonna of the Goldfinch, one of Raphaels Florentine panels, was painted by Raphael for the marriage of his friend Lorenzo Nasi

Background imageRaphael Sanzio Collection: The Mackintosh Madonna, c1510-1512. Artist: Raphael

The Mackintosh Madonna, c1510-1512. Artist: Raphael
The Mackintosh Madonna, c1510-1512. The painting is also known as the Madonna of the Tower due to the building visible in the left background. From the collection of the National Gallery, London

Background imageRaphael Sanzio Collection: Saint George and the Dragon, c1506. Artist: Raphael

Saint George and the Dragon, c1506. Artist: Raphael
Saint George and the Dragon, c1506. A Roman soldier of Christian faith, Saint George saved the daughter of a pagan king by subduing a dragon with his lance

Background imageRaphael Sanzio Collection: The Transfiguration, c1519-1520. Artist: Raphael

The Transfiguration, c1519-1520. Artist: Raphael
The Transfiguration, c1519-1520. Transfiguration is described by Luke (9:28-36): (Jesus) took Peter and John and James, and went up into the mountain to pray

Background imageRaphael Sanzio Collection: The Ansidei Madonna, 1505. Artist: Raphael

The Ansidei Madonna, 1505. Artist: Raphael
The Ansidei Madonna, 1505. This altarpiece shows the Virgin on a high throne, with Saint John the Baptist on the left, and Saint Nicholas of Bari to the right

Background imageRaphael Sanzio Collection: Portrait of Baldassare Castiglione, 1514-1515. Artist: Raphael

Portrait of Baldassare Castiglione, 1514-1515. Artist: Raphael
Portrait of Baldassare Castiglione, 1514-1515. Portrait of Baldassarre Castiglione, a literary figure active at the court of Urbino in the early years of the 16th century

Background imageRaphael Sanzio Collection: Saint Catherine of Alexandria, c1507. Artist: Raphael

Saint Catherine of Alexandria, c1507. Artist: Raphael
Saint Catherine of Alexandria, c1507. Saint Catherine is shown leaning on the wheel upon which she was condemned to die but which miraculously broke

Background imageRaphael Sanzio Collection: The Death of Ananias, 1515. Artist: Raphael

The Death of Ananias, 1515. Artist: Raphael
The Death of Ananias, 1515. From the Victoria and Albert Museum, London

Background imageRaphael Sanzio Collection: The Liberation of St Peter, 1514. Artist: Raphael

The Liberation of St Peter, 1514. Artist: Raphael
The Liberation of St Peter, 1514. The story in the New Testament says that King Herod took Peter prisoner and intended to have him killed

Background imageRaphael Sanzio Collection: Madonna della Seggiola, 1514. Artist: Raphael

Madonna della Seggiola, 1514. Artist: Raphael
Madonna della Seggiola, 1514. The bodies of the Virgin, Christ, and the boy Baptist. Mother and Child, and the harmonious grouping of the figures have made this one of Raphaels most popular Madonnas

Background imageRaphael Sanzio Collection: Madonna del Granduca, 1504. Artist: Raphael

Madonna del Granduca, 1504. Artist: Raphael
Madonna del Granduca, 1504. From the collection of the Pitti Palace, Florence, Italy

Background imageRaphael Sanzio Collection: Vision of a Knight, c1504. Artist: Raphael

Vision of a Knight, c1504. Artist: Raphael
Vision of a Knight, c1504. The sleeping knight may be intended to represent the Roman hero Scipio Africanus (236-184 BC) who was presented in a dream with a choice between Virtue

Background imageRaphael Sanzio Collection: The School of Athens, 1509. Artist: Raphael

The School of Athens, 1509. Artist: Raphael
The School of Athens, 1509. Depiction of figures representing each subject that must be mastered in order to hold a true philosophic debate - astronomy, geometry, arithmetic, and solid geometry

Background imageRaphael Sanzio Collection: Woman with a Veil (La Donna Velata), 1512 / 13 Artist: Raphael

Woman with a Veil (La Donna Velata), 1512 / 13 Artist: Raphael
Woman with a Veil (La Donna Velata), 1512/13. Tradition identifies the subject with la Fornarina, the woman whom the painter loved in his last years and whose face reappeared in both his paintings



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