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Rake Collection (page 3)

Background imageRake Collection: The Money Tree, 1922

The Money Tree, 1922. From Myths and Legends of China, by Edward TC Werner, published by George G Harrap & Co, 1922

Background imageRake Collection: Peasant woman with a scythe and rake, before 1825. Artist: Venetsianov

Peasant woman with a scythe and rake, before 1825. Artist: Venetsianov, Alexei Gavrilovich (1780-1847)
Peasant woman with a scythe and rake, before 1825. Found in the collection of State Russian Museum, St. Petersburg

Background imageRake Collection: Russia, c1930s

Russia, c1930s
Russia. Two peasant girls are here resting from their work beside a silent pool surrounded by the quiet of a forest in the Ukraine, c1930s. From Geographical Magazine, Volume 5

Background imageRake Collection: Two women of Ryazan, Central Russia, 1912. Artist: J Daziaro

Two women of Ryazan, Central Russia, 1912. Artist: J Daziaro
Two women of Ryazan, Central Russia, 1912 From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageRake Collection: Lavadouro de Cafe, (Washing Coffee), 1895. Artist: Axel Frick

Lavadouro de Cafe, (Washing Coffee), 1895. Artist: Axel Frick
Lavadouro de Cafe, (Washing Coffee), 1895. From Sao Paulo by Gustavo Koenigswald. [S. Paulo, 1895]

Background imageRake Collection: A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth

A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth
A Rakes Progress - 6: The Gaming House, 1733. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune, he falls to his knees

Background imageRake Collection: A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageRake Collection: The Farmyard, c1797. Artist: William Nutter

The Farmyard, c1797. Artist: William Nutter
The Farmyard, c1797. After Henry Singleton (1766-1839). From The Connoisseur Volume XLIII. [The Connoisseur Ltd. London, 1915]

Background imageRake Collection: The Man with the Muckrake, c1916. Artist: William Strang

The Man with the Muckrake, c1916. Artist: William Strang
The Man with the Muckrake, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer

Background imageRake Collection: Solar evaporation, salt manufacture, Syracuse, New York, USA, 20th century

Solar evaporation, salt manufacture, Syracuse, New York, USA, 20th century. Artist: Keystone View Company
Solar evaporation, salt manufacture, Syracuse, New York, USA, 20th century. Collecting, draining and hauling salt. Stereoscopic card. Detail

Background imageRake Collection: John Law, Scottish economist, late 17th-early 18th century (c1880). Artist: Whymper

John Law, Scottish economist, late 17th-early 18th century (c1880). Artist: Whymper
John Law, Scottish economist, late 17th-early 18th century (c1880). A Scottish economist, gambler, banker, murderer, royal advisor, exile, rake and adventurer

Background imageRake Collection: Farmers with bamboo rakes spreading millet on mats to dry for winter, near Yokohama, Japan, 1904

Farmers with bamboo rakes spreading millet on mats to dry for winter, near Yokohama, Japan, 1904. Stereoscopic card. Detail

Background imageRake Collection: The king rewarding the industrious haymaker near Weymouth, 1820. Artist: Thomas Kelly-Kenny

The king rewarding the industrious haymaker near Weymouth, 1820. Artist: Thomas Kelly-Kenny
The king rewarding the industrious haymaker near Weymouth, 1820

Background imageRake Collection: How Happy Could I Be with Either, 1902-1903. Artist: Graystone Bird

How Happy Could I Be with Either, 1902-1903. Artist: Graystone Bird
How Happy Could I Be with Either, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8

Background imageRake Collection: Haymaking around Moscow, Russia, c1890. Artist: Gillot

Haymaking around Moscow, Russia, c1890. Artist: Gillot
Haymaking around Moscow, Russia, c1890. Illustration from Russie Costumes et Coutumes, (a work on Russian dress and customs), by L Boulanger, (Paris, c1890)

Background imageRake Collection: A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth

A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth
A Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

Background imageRake Collection: A Rakes Progress - 3: The The Orgy, 1733. Artist: William Hogarth

A Rakes Progress - 3: The The Orgy, 1733. Artist: William Hogarth
A Rakes Progress - 3: The The Orgy, 1733. Tom Rakewell is in the Rose Tavern, on Drury Lane, London, being relieved of his pocket watch by two women

Background imageRake Collection: Workmen laying tar and asphalt in Cornhill, London, 1926-1927. Artist: McLeish

Workmen laying tar and asphalt in Cornhill, London, 1926-1927. Artist: McLeish
Workmen laying tar and asphalt in Cornhill, London, 1926-1927. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I, published by Amalgamated Press, (London, 1926-1927)

Background imageRake Collection: Swedish peasants prospecting for lake ore, c1880. Artist: Mairray

Swedish peasants prospecting for lake ore, c1880. Artist: Mairray
Swedish peasants prospecting for lake ore, c1880. A print from Great Industries of Great Britain, Volume I, published by Cassell Petter and Galpin, (London, Paris, New York, c1880)

Background imageRake Collection: Agricultural implements, 19th century

Agricultural implements, 19th century. Garrett and Sons thrashing machine, Ransomes horse rake, and a Roman reaper

Background imageRake Collection: Haymaking, (1912). Artist: William Hamilton

Haymaking, (1912). Artist: William Hamilton
Haymaking, (1912). A print from The Connoisseur, (London, 1912)

Background imageRake Collection: Haymaking, early 17th century, (1910)

Haymaking, early 17th century, (1910). Agricultural attire worn by peasants. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageRake Collection: Georges Clemenceau talking with farmers near the front, Chemin des Dames, France, 1918

Georges Clemenceau talking with farmers near the front, Chemin des Dames, France, 1918. Clemenceau (1841-1929) was appointed Prime Minister of France in November 1917

Background imageRake Collection: Saxon farm workers, (1910)

Saxon farm workers, (1910). From illuminated manuscripts dating from the 11th century. Agricultural workers or rustics, wearing a simple tunic or robe

Background imageRake Collection: From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageRake Collection: Le Ris, 1864. Artist: Emmanuel Lansyer

Le Ris, 1864. Artist: Emmanuel Lansyer
Le Ris, 1864. From the colletion of Musee Lansyer, Loches, France

Background imageRake Collection: Farm labourers, (1875-1929?). Artist: Henry Herbert la Thangue

Farm labourers, (1875-1929?). Artist: Henry Herbert la Thangue
Farm labourers, (1875-1929?)

Background imageRake Collection: John Law, Comptroller General of France, 1720 (1841)

John Law, Comptroller General of France, 1720 (1841). A Scottish economist, gambler, banker, murderer, royal advisor, exile, rake and adventurer

Background imageRake Collection: Slaves cultivating sugar cane in the West Indies, 1852

Slaves cultivating sugar cane in the West Indies, 1852. From The Wonders of Home by Grandfather Grey. (London, 1852)

Background imageRake Collection: Tavern scene from The Rakes Progress, 1735. Artist: William Hogarth

Tavern scene from The Rakes Progress, 1735. Artist: William Hogarth
Tavern scene from The Rakes Progress, 1735. Plate II in William Hogarths series of eight illustrations originally published in 1735. Here the Rake squanders his fortune on drink, women and gambling

Background imageRake Collection: Crop rotation: harvesting corn, 1855

Crop rotation: harvesting corn, 1855. Reaping with a scythe, binding and stooking. Crop rotation is the practice of growing different crops alternately on the same patch of ground over a cycle of

Background imageRake Collection: Crop rotation: haymaking, 1855

Crop rotation: haymaking, 1855. Crop rotation is the practice of growing different crops alternately on the same patch of ground over a cycle of several years in order to protect the health

Background imageRake Collection: Harvest Time, c1855

Harvest Time, c1855. A harvest scene depicting a romanticised view of 18th century English rural life

Background imageRake Collection: In the Garden, 1883. Artist: Berthe Morisot

In the Garden, 1883. Artist: Berthe Morisot
In the Garden, 1883

Background imageRake Collection: A gardener digging with a spade, 1821

A gardener digging with a spade, 1821. In front of him are a watering can, rake and hoe. From The Book of English Trades. (London, 1821)

Background imageRake Collection: A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763. Creator: William Hogarth

A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763. Creator: William Hogarth
A Rakes Progress, Plate 8, [June 25, 1735] reissued 1763

Background imageRake Collection: A Rakes Progress, Plate 2, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 2, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 2, June 25, 1735

Background imageRake Collection: A Rakes Progress, Plate 4, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 4, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 4, June 25, 1735



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