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Rage Collection (page 5)

Background imageRage Collection: Miseries of human life, Smithfield Market, London, c1800

Miseries of human life, Smithfield Market, London, c1800
Miseries of human life, London, c1800; a citizen in Smithfield Market finds himself between two enraged bulls, while alarmed drovers shout

Background imageRage Collection: Locomotion, London, c1820. Artist: George Cruikshank

Locomotion, London, c1820. Artist: George Cruikshank
Locomotion, London, c1820. In the centre a man wearing steam driven boots has ground to a halt, as the fire has gone out, below a servant attempts to start a blaze with a pair of belows

Background imageRage Collection: A hackney coachman, London, 1814

A hackney coachman, London, 1814
A hackney coachman, holding a coin in his hand, disputes the fare with two passengers in a doorway, London, 1814

Background imageRage Collection: The beaux disaster, 1747. Artist: John June

The beaux disaster, 1747. Artist: John June
The beaux disaster, 1747; a dandy has angered some butchers, who have revenged themselves by hanging him by the breeches on a meat-hook, to the amusement of the passers-by

Background imageRage Collection: The Huff, 1859. Artist: John Phillip

The Huff, 1859. Artist: John Phillip
The Huff, 1859; a group of Spanish women with the central figure in a huff

Background imageRage Collection: Wife being sold at Smithfield Market, London, c1820

Wife being sold at Smithfield Market, London, c1820. A rowdy scene at Smithfield cattle market with the wife for sale tied by a rope around her waist to a rail in the centre

Background imageRage Collection: The Battle of Cornhill, 1769

The Battle of Cornhill, 1769. Interior of room in the Kings Arms Inn, Cornhill, during a meeting to sign an address to King George III; Mr Reynolds has knocked down Mr Dingley

Background imageRage Collection: The addressers, 1769

The addressers, 1769. Interior of a room in the Kings Arms Inn, Cornhill, and the disturbance which occurred on March 8, 1769 during a meeting of London merchants to sign an address to King George

Background imageRage Collection: Petitioners before George III

Petitioners before George III
A Hint to Ministers, or a Gracious Answer to Grievous Petitions, 1808. George III dismissing petitioners from the City of London opposed to the Convention of Cintra

Background imageRage Collection: The sailors revenge, or the Strand in an uproar... 1749. Artist: LP Boitard

The sailors revenge, or the Strand in an uproar... 1749. Artist: LP Boitard
The sailors revenge, or the Strand in an uproar... 1749. A crowd of seamen makes a bonfire of the fittings of brothels, presumably in the Strand

Background imageRage Collection: Anti-Cromwell demonstration, Suffolk Street, London, 1735

Anti-Cromwell demonstration, Suffolk Street, London, 1735. The true Effigies of the Members of the Calves Head Club, held on the 30th of January 1734 in Suffolk Street

Background imageRage Collection: Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank

Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank
Exhibition at the Royal Horticultural Society, London, 1826. An unusual exhibition in the Great Room of the Horticultural Society in Lower Regent Street, Westminster, London

Background imageRage Collection: The Cockney in a Slough, 1804

The Cockney in a Slough, 1804. A cockney on horseback is enticed into a mire by a country yokel who claims that the ground is firm

Background imageRage Collection: The Enraged Musician, 1741. Artist: William Hogarth

The Enraged Musician, 1741. Artist: William Hogarth
The Enraged Musician, 1741; showing a musician unable to concentrate by the din outside in the street, which emanates from an oboe player, a dustman, knife-grinder, paviour, milkmaid

Background imageRage Collection: A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageRage Collection: The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham

The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham
The dwarves quarrelling over the body of Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Alberich

Background imageRage Collection: Fricka approaches in anger, 1910. Artist: Arthur Rackham

Fricka approaches in anger, 1910. Artist: Arthur Rackham
Fricka approaches in anger, 1910. Illustration from The Rhinegold and the Valkyrie. Fricka approaches Wotan, angry at the incestuous love of Wotans two children Siegmund and Sieglinde

Background imageRage Collection: Mime howling Ohe! Ohe! Oh! Oh!, 1910. Artist: Arthur Rackham

Mime howling Ohe! Ohe! Oh! Oh!, 1910. Artist: Arthur Rackham
Mime howling Ohe! Ohe! Oh! Oh!, 1910. Illustration from The Rhinegold and the Valkyrie. Alberich beats his brother Mime for taking too long working on the Tarnhelm. From Das Rheingold

Background imageRage Collection: Fasolt suddenly seizes Freia and drags her to one side with Fafner, 1910. Artist

Fasolt suddenly seizes Freia and drags her to one side with Fafner, 1910. Artist
Fasolt suddenly seizes Freia and drags her to one side with Fafner, 1910. Illustration from The Rhinegold and the Valkyrie

Background imageRage Collection: Raging, Wotan Rides to the Rock! Like a Storm-wind he comes!, 1910

Raging, Wotan Rides to the Rock! Like a Storm-wind he comes!, 1910. Frontispiece to The Rhinegold and the Valkyrie. Wotan discovers that Brunnhilde has betrayed his wishes

Background imageRage Collection: Ulysses Shoots the First Arrow at the Wooers, 1926. Artist: Henry Justice Ford

Ulysses Shoots the First Arrow at the Wooers, 1926. Artist: Henry Justice Ford
Ulysses Shoots the First Arrow at the Wooers, 1926. Ulysses (Odysseus) killing the suitors of his wife Penelope after returning to Ithaca after his long absence at the Trojan War and on his Odyssey

Background imageRage Collection: Mirram crept silently to the gunyah, 1923. Artist: Raymond Wenban

Mirram crept silently to the gunyah, 1923. Artist: Raymond Wenban
Mirram crept silently to the gunyah, 1923. How the kangaroo got a long tail, and the wombat a flat forehead; Mirram the kangaroo creeping into Warreen the wombats tent to punish him for his

Background imageRage Collection: King Canute and Earl Ulf quarrel over chess, Roskilde, Denmanrk, 1026 (1913). Artist

King Canute and Earl Ulf quarrel over chess, Roskilde, Denmanrk, 1026 (1913). Artist
King Canute and Earl Ulf quarrel over chess, Roskilde, Denmanrk, 1026 (1913). King Canute (c985-1035) was Viking King of England, Norway and Denmark

Background imageRage Collection: Demonstration against Hitler in front of City Hall, Philadelphia, Pennslyvania, USA, early 1930s

Demonstration against Hitler in front of City Hall, Philadelphia, Pennslyvania, USA, early 1930s. Protesting against the Nazi persecution of the Jews

Background imageRage Collection: German tavern wrecked, Deptford, London, World War I, c1914-c1918

German tavern wrecked, Deptford, London, World War I, c1914-c1918. Anti-German feeling in the UK during the war resulted in many businesses and homes owned by Germans being attacked

Background imageRage Collection: Peaceful demonstration regarding the treatment of British ex-servicemen, 1923. Artist

Peaceful demonstration regarding the treatment of British ex-servicemen, 1923. Artist
Peaceful demonstration regarding the treatment of British ex-servicemen, 1923. They hold placards protesting at the sacking of over 3000 civil servants who were former members of the armed services

Background imageRage Collection: Henry VI of England and the Dukes of York and Somerset, 1450 (1864)

Henry VI of England and the Dukes of York and Somerset, 1450 (1864). After returning from Ireland, Richard, Duke of York (1411-1460), is surprised to find Edmund Beaufort (1406-1455)

Background imageRage Collection: King Edward I threatens the Lord Marshal, 1297 (1864)

King Edward I threatens the Lord Marshal, 1297 (1864). Humphrey de Bohun (1276-1322), Earl of Hereford, Lord High Constable, and Roger Bigod (1245-1306), Earl of Norfolk, Lord Marshal of England

Background imageRage Collection: King Alfred in the neatherds cottage c878 (1864). Artist: James William Edmund Doyle

King Alfred in the neatherds cottage c878 (1864). Artist: James William Edmund Doyle
King Alfred in the neatherds cottage c878 (1864). Early in his reign as King of Wessex, while a fugitive from the Danish conquerors of his kingdom

Background imageRage Collection: The Battle of the Nile, 1908. Artist: Lance Thackeray

The Battle of the Nile, 1908. Artist: Lance Thackeray
The Battle of the Nile, 1908. From The Light Side of Egypt, 1908

Background imageRage Collection: Exodus 32: 15-23: Moses breaking the stone tablets

Exodus 32: 15-23: Moses breaking the stone tablets. Facsimile copy of a 15th century manuscript of the German School

Background imageRage Collection: King Alfred burning the cakes, (c1900). Artist: Trelleek

King Alfred burning the cakes, (c1900). Artist: Trelleek
King Alfred burning the cakes, c1900. Legend has it that Alfred (849-899), offered shelter from the Danes by a woman at Athelney in the Somerset marshes

Background imageRage Collection: Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801

Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. Artist: Andrew Michel
Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. After R. K. Porter. From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Background imageRage Collection: He Hurled The Blacksmith Over A Parapet, 1892. Artist: Sidney E Paget

He Hurled The Blacksmith Over A Parapet, 1892. Artist: Sidney E Paget
He Hurled The Blacksmith Over A Parapet, 1892. Illustration from The Adventure of the Speckled Band by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageRage Collection: Rash Act of Gaius Gracchus, 1852. Artist: John Leech

Rash Act of Gaius Gracchus, 1852. Artist: John Leech
Rash Act of Gaius Gracchus, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Background imageRage Collection: Mrs Sextus consoles herself with a Little Party, 1852. Artist: John Leech

Mrs Sextus consoles herself with a Little Party, 1852. Artist: John Leech
Mrs Sextus consoles herself with a Little Party, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Background imageRage Collection: Philip receiving a Message from Rome, 1852. Artist: John Leech

Philip receiving a Message from Rome, 1852. Artist: John Leech
Philip receiving a Message from Rome, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Background imageRage Collection: John in a Passion, c1860, (c1860). Artist: John Leech

John in a Passion, c1860, (c1860). Artist: John Leech
John in a Passion, c1860, (c1860). John (1166-1216) King of England from 6 April 1199 until his death in 1216. John lost the duchy of Normandy to King Philip II of France

Background imageRage Collection: Orestes Pursued by Furies, 1880. Artist: Antique

Orestes Pursued by Furies, 1880. Artist: Antique
Orestes Pursued by Furies, 1880. Following the murder of his mother, Orestes is tormented by The Furies, beings who personify the anger of the dead. From Stories from the Greek Tragedies by the Rev

Background imageRage Collection: Who am I! I m the Mistress of this ere ouse, and this is the young Squire!, 1865. Artist: John Leech

Who am I! I m the Mistress of this ere ouse, and this is the young Squire!, 1865. Artist: John Leech
Who am I! I m the Mistress of this ere ouse, and this is the young Squire!, 1865. From Mr. Facey Romfords Hounds, by Robert Smith Surtees. [Bradbury and Evans, London, 1865]

Background imageRage Collection: A Thought-Form of Anger, c1916, (1917)

A Thought-Form of Anger, c1916, (1917). Directed Against a Person Who Had Inflicted A Deep Injury On The One Who Sent It Forth

Background imageRage Collection: The Shipwreck, c1805. Artist: JMW Turner

The Shipwreck, c1805. Artist: JMW Turner
The Shipwreck, 1805. Painting held at the Tate Britain, London. From Adventures By Sea From Art of Old Time, by Basil Lubbock. [The Studio Ltd. London, 1925]

Background imageRage Collection: The Nancy Packet, 1784. Artist: James Gillray

The Nancy Packet, 1784. Artist: James Gillray
The Nancy Packet, 1784. The wreck of the Nancy, an East India Company ship, in a storm off the Scilly Isles in 1784. One of the passengers killed in the disaster was the celebrated opera singer Ann

Background imageRage Collection: A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageRage Collection: Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth

Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
Marriage A-la-Mode: 3. The Inspection, c1743. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved

Background imageRage Collection: A Rakes Progress; scene I, 1735. Artist: William Hogarth

A Rakes Progress; scene I, 1735. Artist: William Hogarth
A Rakes Progress ; scene I, 1734. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Background imageRage Collection: Winters Tale. Act II. Scene I, 1793. Artist: James Fittler

Winters Tale. Act II. Scene I, 1793. Artist: James Fittler
Winters Tale. Act II. Scene I, 1793. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Background imageRage Collection: The youth laid the arms he had taken from his foe at his fathers feet, c1912 (1912)

The youth laid the arms he had taken from his foe at his fathers feet, c1912 (1912). Artist: Ernest Dudley Heath
The youth laid the arms he had taken from his foe at his fathers feet, c1912 (1912). Titus Manlius Torquatus, a Consul of Rome, had given strict orders that no soldier was to engage in single combat



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