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Racist Collection (page 3)

Background imageRacist Collection: Best Mode of Going to Bartholomew Fair, c1825. Artist: Theodore Lane

Best Mode of Going to Bartholomew Fair, c1825. Artist: Theodore Lane
Best Mode of Going to Bartholomew Fair, c1825. A man wearing a spiked barrel, marked By Your Leave. Possibly a derogatory comment on the Irish, as he is wearing green, and carries a wooden club

Background imageRacist Collection: Philanthropic Consolations after the loss of the Slave Bill, 1796

Philanthropic Consolations after the loss of the Slave Bill, 1796
Philanthropic Consolations after the loss of the Slave Bill, pub. 1796 (hand coloured engraving). Satirical cartoon showing abolitionists William Wilberforce (1759-1833) and Bishop Horsley (1733-1806)

Background imageRacist Collection: Gerald LK Smith with Dr Francis E Townsend flanking Father Charles Coughlin, 1936

Gerald LK Smith with Dr Francis E Townsend flanking Father Charles Coughlin, 1936. Left to right: Gerald Lyman Kenneth Smith (1898-1976); Father Charles Edward Coughlin (1891-1979)

Background imageRacist Collection: Miss Nomer, 1829. Artist: George Cruikshank

Miss Nomer, 1829. Artist: George Cruikshank
Miss Nomer, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]

Background imageRacist Collection: Boers and Kaffirs, Cape Colony, South Africa, 19th century. Artist: Pranishnikoff

Boers and Kaffirs, Cape Colony, South Africa, 19th century. Artist: Pranishnikoff
Boers and Kaffirs, Cape Colony, South Africa, 19th century. Racist portrayal of Dutch settlers and Africans

Background imageRacist Collection: Mongolian Races, 19th century

Mongolian Races, 19th century. Examples of ethnic type: Circassian, Malay, Chinese, Caffre, Negro. Victorians were keen on putting people into racial categories, many of which are now deemed offensive

Background imageRacist Collection: Washing The Blackamoor, 1795. Artist: Isaac Cruikshank

Washing The Blackamoor, 1795. Artist: Isaac Cruikshank
Washing The Blackamoor, 1795. You may as well attempt to remove the Island of Jersey to the Hightest Mountain in Wales. Illustration from Social Caricature in the Eighteenth Century

Background imageRacist Collection: Death and the Jew, an episode from the Dance of Death, 1441, (1870)

Death and the Jew, an episode from the Dance of Death, 1441, (1870). Taken from a painting in the Cemetery of the Dominicans, Basle

Background imageRacist Collection: Blackville, 1878. Artist: Solomon Eytinge

Blackville, 1878. Artist: Solomon Eytinge
Blackville, 1878. Part of a series: a post-emancipation debate on Darwinism. African Americans are here caricatured in a racist fashion as illiterate and ape-like

Background imageRacist Collection: Police Charge Rioters At The Tribune Office, c1860s

Police Charge Rioters At The Tribune Office, c1860s. In 1863, during the American Civil War, opponents of conscription rioted at the offices of the Daily Tribune in New York

Background imageRacist Collection: Slaves Celebrating Liberation, c1860s

Slaves Celebrating Liberation, c1860s. A racist depiction of slaves at the mansion of Robert W Barnwell, Confederate leader. The music on the piano is upside-down, ridiculling their illiteracy

Background imageRacist Collection: Iron Shipbuilding, 1873

Iron Shipbuilding, 1873. Joseph d Aguilar Samuda (1813-1885), British mechanical engineer and naval architect. In partnership with his brother Jacob (d1844)

Background imageRacist Collection: Dark Artillery; or, How to Make the Contrabands Useful, American Civil War, 1861

Dark Artillery; or, How to Make the Contrabands Useful, American Civil War, 1861. Contrabands were Negro slaves who had escaped or been brought across Union (northern) lines

Background imageRacist Collection: Scene from Oliver Twist by Charles Dickens, 1837. Artist: George Cruikshank

Scene from Oliver Twist by Charles Dickens, 1837. Artist: George Cruikshank
Scene from Oliver Twist by Charles Dickens, 1837. Time has run out for Fagin, head of the gang of thieves with whom Oliver Twist becomes embroiled

Background imageRacist Collection: The Russian Wolf and The Hebrew Lamb, cartoon from Punch, 1890

The Russian Wolf and The Hebrew Lamb, cartoon from Punch, 1890
The Russian Wolf and The Hebrew Lamb, cartoon from Punch, London, 20 December 1890, commenting on the persecution of Jews in Russia

Background imageRacist Collection: Nous avons change tout cela!, 1878. Artist: Joseph Swain

Nous avons change tout cela!, 1878. Artist: Joseph Swain
Nous avons change tout cela!, (We ve changed all that!), 1878. Britannia, wearing a Union Jack apron, brandishes a bunch of twigs above her head

Background imageRacist Collection: Outward Bound (Dublin), ca. 1860. Creator: Unknown

Outward Bound (Dublin), ca. 1860. Creator: Unknown
Outward Bound (Dublin), ca. 1860



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