Queen Caroline Collection (page 2)

J Parke Esq. c1820. Creator: T Wright
James Parke Esq. c1820. Portrait of British lawyer James Parke, 1st Baron Wensleydale (1782-1868), junior counsel for the Pains and Penalties Bill 1820 against Caroline of Brunswick

Sir I. S. Copley, His Majestys Solicitor General, c1820. Creator: T Wright
Sir I. S. Copley, His Majestys Solicitor General, c1820. Portrait of British lawyer John Singleton Copley, 1st Baron Lyndhurst (1772-1863)

The Villa d Este the late Residence of Her Majesty on the Lake of Como, 1820. Creator: Unknown
The Villa d Este the late Residence of Her Majesty on the Lake of Como, 1820. View of the Villa d Este, (originally Villa del Garovo), at Cernobbio on the shores of Lake Como in northern Italy

Queen Caroline, 1820, (1928). Creators: Unknown, Thomas A Woolnoth
Queen Caroline, 1820, (1928). Portrait of Caroline of Brunswick (1768-1821), queen consort of King George IV. From a drawing by Wageman. Engraving dated June 28th, 1820

Arrival at Brandenburg House of the Watermen, etc with an Address to the Queen
Arrival at Brandenburg House of the Watermen, etc. with an Address to the Queen on the 3rd October 1820, pub. 1821 (coloured engraving)

State Bedstead made for George, Prince of Wales, 1927. Artists: Edward F Strange, Unknown
State Bedstead made for George, Prince of Wales, 1927. Bed of George II and Caroline, Prince and Princess of Wales, ca. 1715, displayed in the Queens State Bedchamber at Hampton Court Palace

The C-r-l-e Column, 1821. Artist: John Baker
The C-r-l-e Column, 1821.Queen Caroline (depicted non-satirically) wearing Bergamis miniature stands on the columns summit

Plan of Kensington Palace and gardens, London, 1736. The gardens were laid out between 1728 and 1738 by Henry Wise and Charles Bridgeman for Queen Caroline

Triumphal arch on the west end of Westminster Hall, London, 1761. The arch was erected for the coronation of George II and Queen Caroline, on 11th October 1727

A companion to the Q-ns ass... 1821
A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)

Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile

An Irish wake... 1821
An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh

Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Monument to Queen Caroline, consort of George II, Westminster Abbey, London, 1737
Monument to Queen Caroline, consort of George II, Henry VIIs Chapel, Westminster Abbey, London, 1737

Carlton House, Westminster, London, 1821. Artist: J Sidgwick
Carlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd

Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. Artist: F Vincent
Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. The Watermen and Lightermen of the River Thames and parishioners of St Saviour

Indelicate Investigation or the Spying D-glass s, 1813. Artist: George Cruikshank
Indelicate Investigation or the Spying D-glass s, 1813. Lady Douglas and her husband kneel on the floor, peering through spyglasses at the Princess of Wales lying on a sofa

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

Brandenburgh House, Hammersmith, London, 1820 (1821). View of Brandenburgh House during the addresses declaring loyalty to Queen Caroline during the governmental attempts to deprive her of her title

Honi soit qui mal y pense, 1821. A crowd gazing at prints in Humphreys shop window. All the prints are careful copies from the series published by Humphrey attacking Queen Caroline

Caroline, Consort of George IV, 1820. Artist: C Dyer
Caroline, Queen Consort of George IV, 1820, as she appeared at the balcony at Alderman Matthew Woods on her arrival in London

Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery

A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised

The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood

The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper

The coronation procession of King George II, October 1727, (c1727). The various members of the royal procession are shown in five strips with text identifying them

View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Artist
View of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to

Queen Caroline travelling to St Pauls Cathedral, London, 20th November 1820 (1821). Panoramic view of Caroline, Queen Consort of George IV travelling in state to St Pauls Cathedral to give thanks for

How to get un-married, ay, theres the rub!, 1820. Artist: JL Marks
How to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is

The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by

King Henry VIII, act II, scene iv, c1820. Artist
King Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon

Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness

St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window

Mother Wood, the popular procuress!, 1820. Artist: Isaac Robert Cruikshank
Mother Wood, the popular procuress!, 1820. Alderman Wood, dressed as an elderly woman, stands in the porch of his house in South Audley Street holding a bottle inscribed Popularity; the allusion is

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

All Professionally Made to Order for Quick Shipping