Skip to main content

Pyne Collection

Background imagePyne Collection: Collieries, c1805

Collieries, c1805. Pithead scene at a coal mine. At the bottom a horse whim is raising coal from the pit and a man is breaking coal with a pick

Background imagePyne Collection: James Baker Pyne, 1860s. Creator: John & Charles Watkins

James Baker Pyne, 1860s. Creator: John & Charles Watkins
James Baker Pyne, 1860s

Background imagePyne Collection: Bristol Harbour, mid 19th century, (1942). Creator: James Baker Pyne

Bristol Harbour, mid 19th century, (1942). Creator: James Baker Pyne
Bristol Harbour, mid 19th century, (1942). Shipping at the port of Bristol in the west of England. From " British Ports and Harbours, by Leo Walmsley. [Collins, London, 1942]

Background imagePyne Collection: Frontispiece to Lake Scenery of England by J. B. Pyne, 1850s. Creator: Thomas Picken

Frontispiece to Lake Scenery of England by J. B. Pyne, 1850s. Creator: Thomas Picken
Frontispiece to " Lake Scenery of England" by J. B. Pyne, 1850s. Circular illustration to a book of landscape views by James Baker Pyne, lithographed by Thomas Picken. [Day & Son, London]

Background imagePyne Collection: Whist, 1825. Artist: Pyne, William Henry (1769-1843)

Whist, 1825. Artist: Pyne, William Henry (1769-1843)
Whist, 1825. From a private collection

Background imagePyne Collection: St. Michaels Mount, c1830s, (1920). Creator: James Baker Pyne

St. Michaels Mount, c1830s, (1920). Creator: James Baker Pyne
St. Michaels Mount, c1830s, (1920). St Michaels Mount is a small tidal island in Mounts Bay, Cornwall, England. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imagePyne Collection: A Performance at a Country Barn Theatre, c1780s, (1948). Creator: WR Pyne

A Performance at a Country Barn Theatre, c1780s, (1948). Creator: WR Pyne
A Performance at a Country Barn Theatre, c1780s, (1948). From " The British Theatre", by Bernard Miles. [Collins, London, 1948]

Background imagePyne Collection: A country theatre, 1790. Artist: T Wright

A country theatre, 1790. Artist: T Wright
A country theatre, 1790. Interior view, from backstage, of a roughly constructed theatre, with the audience in the background

Background imagePyne Collection: Laying Monster Tubes from the New River, c1820-1870

Laying Monster Tubes from the New River, c1820-1870. Workmen laying water pipes in Camden Road, London

Background imagePyne Collection: A Peep at the Metropolis from Hampstead Heath, 1841. Artist: James Baker Pyne

A Peep at the Metropolis from Hampstead Heath, 1841. Artist: James Baker Pyne
A Peep at the Metropolis from Hampstead Heath, 1841

Background imagePyne Collection: Alderman in civic costume looking towards St Pauls Cathedral, London, 1805. Artist

Alderman in civic costume looking towards St Pauls Cathedral, London, 1805. Artist
Back view of an Alderman of the City of London in civic costume standing on a hill overlooking some workmen, London, 1805. The River Thames and St Pauls Cathedral can be seen in the distance

Background imagePyne Collection: Ward Beadle in civic costume, holding a staff, at a Wardmote Inquest, 1805. Artist

Ward Beadle in civic costume, holding a staff, at a Wardmote Inquest, 1805. Artist
Ward Beadle in civic costume, holding a staff, at a Wardmote Inquest, 1805. Two further Beadles stand in the distance with two figures operating weighing machinery

Background imagePyne Collection: Parish Beadle in civic costume holding a staff, 1805. Artist: William Henry Pyne

Parish Beadle in civic costume holding a staff, 1805. Artist: William Henry Pyne
Parish Beadle in civic costume holding a staff, 1805; two further Beadles stand behind him followed by a line of people

Background imagePyne Collection: A rat catcher, Provincial Characters, 1804. Artist: William Henry Pyne

A rat catcher, Provincial Characters, 1804. Artist: William Henry Pyne
View of a rat catcher holding a cage of rats which is being attacked by a dog. In his other hand he holds a ferret, which he no doubt used to catch the rats. From Provincial Characters, 1804

Background imagePyne Collection: A tinker and a child, Provincial Characters, 1804. Artist: William Henry Pyne

A tinker and a child, Provincial Characters, 1804. Artist: William Henry Pyne
A tinker, laden with various bags and tools, including a bellows walking along while a small child tries to attract his attention

Background imagePyne Collection: Two chair menders, Provincial Characters, 1804. Artist: William Henry Pyne

Two chair menders, Provincial Characters, 1804. Artist: William Henry Pyne
Two chair menders, one sitting on the floor repairing the seat of a chair, while the other carries a large bundle of cane on her shoulder. From Provincial Characters, 1804

Background imagePyne Collection: Women and children gleaning, Provincial Characters, 1802. Artist: William Henry Pyne

Women and children gleaning, Provincial Characters, 1802. Artist: William Henry Pyne
Two groups of a woman and two children gleaning, all carrying bundles of straw. Gleaning was the practice of collecting loose grain and other useful remnants of crops from field after harvesting

Background imagePyne Collection: A rustic with a dog and a boy, Provincial Characters, 1813. Artist: William Henry Pyne

A rustic with a dog and a boy, Provincial Characters, 1813. Artist: William Henry Pyne
A rustic, wearing a hat and long coat, accompanied by a small boy and a dog, from Provincial Characters, 1813

Background imagePyne Collection: Shoe Lane, London, c1806. Artist: William Henry Pyne

Shoe Lane, London, c1806. Artist: William Henry Pyne
Interior view of Russell, Pontifex and Goldwins copper and brass works at nos 46-48 Shoe Lane, London, 1806, showing the men at work

Background imagePyne Collection: Charlie Pyne, Watermill Jazz Club, Dorking, Surrey, 20th September 2016. Artist: Brian O Connor

Charlie Pyne, Watermill Jazz Club, Dorking, Surrey, 20th September 2016. Artist: Brian O Connor
Charlie Pyne, Watermill Jazz Club, Dorking, Surrey, 20th September 2016

Background imagePyne Collection: British fishermen, 1805. Artist: William Henry Pyne

British fishermen, 1805. Artist: William Henry Pyne
British fishermen, 1805. From Costumes of Great Britain by William Henry Pyne

Background imagePyne Collection: Yeoman of the Kings Guard, 1805. Artist: William Henry Pyne

Yeoman of the Kings Guard, 1805. Artist: William Henry Pyne
Yeoman of the Kings Guard, 1805. From Costume of Great Britain by William Henry Pyne

Background imagePyne Collection: The Queens private sitting room, Windsor Castle, 1838. Artist: James Baker Pyne

The Queens private sitting room, Windsor Castle, 1838. Artist: James Baker Pyne
The Queens private sitting room, Windsor Castle, 1838

Background imagePyne Collection: Queen Victoria and Prince Albert at a service in St Georges Chapel, Windsor Castle, 1838

Queen Victoria and Prince Albert at a service in St Georges Chapel, Windsor Castle, 1838. Interior view of the chapel, used on ceremonial occasions such as the annual service of the Order of

Background imagePyne Collection: Prison ships, 1805. Artist: William Henry Pyne

Prison ships, 1805. Artist: William Henry Pyne
Prison ships, 1805. Prison ships, or hulks, were a common form of prison accommodation in Britain in the 18th and 19th centuries. From Costume of Great Britain, published by William Miller, 1805

Background imagePyne Collection: St Jamess Palace, London, 1819. Artist: Richard Reeve

St Jamess Palace, London, 1819. Artist: Richard Reeve
St Jamess Palace, London, 1819. Situated on the Mall just to the north of St Jamess Park, St Jamess Palace was commissioned by Henry VIII

Background imagePyne Collection: Kitchen, St Jamess Palace, London, 1819. Artist: William James Bennett

Kitchen, St Jamess Palace, London, 1819. Artist: William James Bennett
Kitchen, St Jamess Palace, London, 1819. From The History of the Royal Residences by William Henry Pyne (1769-1843)

Background imagePyne Collection: Florence, 1839, (1918). Artist: James Baker Pyne

Florence, 1839, (1918). Artist: James Baker Pyne
Florence, 1839, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imagePyne Collection: Paris from the Pont St Michel, c1846. Artist: Charles Claude Pyne

Paris from the Pont St Michel, c1846. Artist: Charles Claude Pyne
Paris from the Pont St Michel, c1846. From The Connoisseur Volume LXXXIX. [The Connoisseur Ltd, London, 1932]

Background imagePyne Collection: Windsor Castle from the Eton Play Ground, c1838. Artist: James Baker Pyne

Windsor Castle from the Eton Play Ground, c1838. Artist: James Baker Pyne
Windsor Castle from the Eton Play Ground, c1838. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imagePyne Collection: On The Rhine, 1852. Artist: James Baker Pyne

On The Rhine, 1852. Artist: James Baker Pyne
On The Rhine, 1852. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Background imagePyne Collection: Motor tours to Dartmoor by the Grey Torpedo Cars, early 20th century. Artist: Pyne

Motor tours to Dartmoor by the Grey Torpedo Cars, early 20th century. Artist: Pyne
Motor tours to Dartmoor by the Grey Torpedo Cars, early 20th century

Background imagePyne Collection: Brunswick Chapel, Moss Street, Liverpool, 1829. Artist: R Winkles

Brunswick Chapel, Moss Street, Liverpool, 1829. Artist: R Winkles
Brunswick Chapel, Moss Street, Liverpool, 1829. To the Wesleyan Methodists this plate is respectfully inscribed

Background imagePyne Collection: Paris, from the Window of the Salle d Apollon in the Louvre looking West, July 1867

Paris, from the Window of the Salle d Apollon in the Louvre looking West, July 1867. Artist: Charles Claude Pyne
Paris, from the Window of the Salle d Apollon in the Louvre looking West, July 1867. Found in the collection of the Victoria and Albert Museum

Background imagePyne Collection: Saint-Michel Bridge, Paris, c1822-1878. Artist: Charles Claude Pyne

Saint-Michel Bridge, Paris, c1822-1878. Artist: Charles Claude Pyne
Saint-Michel Bridge, Paris, c1822-1878. Found in the collection of the Victoria and Albert Museum

Background imagePyne Collection: Marboeuf Road below the Avenue de L Alma, Paris, 1867. Artist: Charles Claude Pyne

Marboeuf Road below the Avenue de L Alma, Paris, 1867. Artist: Charles Claude Pyne
Marboeuf Road below the Avenue de L Alma, Paris, 1867. Found in the collection of the Victoria and Albert Museum

Background imagePyne Collection: Saint Chapelle and Palace of Justice, c1822-1878. Artist: Charles Claude Pyne

Saint Chapelle and Palace of Justice, c1822-1878. Artist: Charles Claude Pyne
Saint Chapelle and Palace of Justice, c1822-1878. Found in the collection of the Victoria and Albert Museum

Background imagePyne Collection: Knife grinder, 1808. Artist: William Henry Pyne

Knife grinder, 1808. Artist: William Henry Pyne
Knife grinder, 1808. An itinerant knife grinder using a treadle to turn his grindstone mounted on a barrow. His dog lies patiently at front right

Background imagePyne Collection: Water carrier, 1808. Artist: William Henry Pyne

Water carrier, 1808. Artist: William Henry Pyne
Water carrier, 1808. Registered water carrier number 198 carrying wooden buckets of water which have been filled at the water source behind him where hackney cab drivers are watering their horses

Background imagePyne Collection: Rabbit seller, 1808. Artist: William Henry Pyne

Rabbit seller, 1808. Artist: William Henry Pyne
Rabbit seller, 1808. A woman in a town street hawking rabbits and ducks which she carries on a pole slung over her shoulder. From The Costume of Great Britain by William Henry Pyne. (London, 1808)

Background imagePyne Collection: Iron foundry, 1802

Iron foundry, 1802. At top are two views of a furnace, on the right showing the operation of the bellows which supplied the draught and, on the left, smelted metal being poured into moulds

Background imagePyne Collection: Traditional Norfolk boats, 1814. Artist: William Henry Pyne

Traditional Norfolk boats, 1814. Artist: William Henry Pyne
Traditional Norfolk boats, 1814. Top and bottom are Norfolk hay boats, small square-rigged coastal vessels with shallow draught which enabled them to navigate English east coast estuaries

Background imagePyne Collection: Women making butter, 1808. Artist: William Henry Pyne

Women making butter, 1808. Artist: William Henry Pyne
Women making butter, 1808. A milkmaid on a three-legged stool is milking a cow in the background while the dairymaid turns the handle of a large wooden butter churn

Background imagePyne Collection: Making flower pots, 1808. Artist: William Henry Pyne

Making flower pots, 1808. Artist: William Henry Pyne
Making flower pots, 1808. The potters wheel is turned by an assistant using crank, while a small child keeps the potter supplied with lumps of clay of the correct weight

Background imagePyne Collection: Member of a London Wardmote Inquest in official dress, 1808. Artist: William Henry Pyne

Member of a London Wardmote Inquest in official dress, 1808. Artist: William Henry Pyne
Member of a London Wardmote Inquest in official dress, 1808.These bodies checked weights and measures for accuracy. From Costume of Great Britain by William Henry Pyne, (London, 1808)

Background imagePyne Collection: Watering cart for keeping down dust on roads, 1808. Artist: William Henry Pyne

Watering cart for keeping down dust on roads, 1808. Artist: William Henry Pyne
Watering cart for keeping down dust on roads, 1808. From Costume of Great Britain by William Henry Pyne. (London, 1808)

Background imagePyne Collection: Prison ships (hulks or tenders) in the Thames off the Tower of London, 1805

Prison ships (hulks or tenders) in the Thames off the Tower of London, 1805. Artist: William Henry Pyne
Prison ships (hulks or tenders) in the Thames off the Tower of London, 1805. Hulks were usually old naval vessels no longer considered seaworthy

Background imagePyne Collection: Brick Maker, 1808. Artist: William Henry Pyne

Brick Maker, 1808. Artist: William Henry Pyne
Brick Maker, 1808. A woman with a handcart goes to get clay; a man dumps his clay into a stirring mechanism which mixes the clay before it is shaped into bricks



All Professionally Made to Order for Quick Shipping