Publius Ovidius Naso Collection (page 4)

Ovid, (43BC- c18AD), 1830. Creator: Unknown
Ovid, (43BC- c18AD), 1830. Publius Ovidius Naso (43BC- c18AD) known as Ovid, Roman poet and contemporary of Virgil and Horace in Latin literature

Portrait of Ovid, ca. 1505-1510. Creator: Ortolano (Benvenuti), Giovanni Battista (c
Portrait of Ovid, ca. 1505-1510. Private Collection

Ovid, 1890. Creator: Unknown
Ovid, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier. [Cassell and Company, Limited, London, Paris and Melbourne, 1890]

A Bas-Relief to Ovid, c1780-1848. Artist: Edward Francis
A Bas-Relief to Ovid, c1780-1848. Study for a medallion with the profile head of the Roman poet set in a central cartouche

Venus and Adonis, 1560. Artist: Titian
Venus and Adonis, 1560. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

The Feast of the Gods, 1514-1529. Artist: Giovanni Bellini
The Feast of the Gods, 1514-1529. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Shakespeares First Published Work - 1st Edition of Venus and Adonis, 1593, (1946). Venus and Adonis is a poem by William Shakespeare (1564-1616), written between 1592

Pan and Syrinx. Illustration of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

Pan and Syrinx. Artist: P Vanderbank
Pan and Syrinx. Illustration of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

The Cerastae changed into bulls, and the Propoetides into rocks. Artist: Martin Bouche
The Cerastae changed into bulls, and the Propoetides into rocks. A scene from Ovids Metamorphoses

Apullia in Search of Appullus, c1814. Artist: JMW Turner
Apullia in Search of Appullus, c1814. A scene from Ovids Metamorphoses. Apullia is shown the olive tree into which her husband has been transformed for mocking the wood nymphs

The Bay of Baiae, with Apollo and the Sibyl, c1823. Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823. This scene from Ovids Metamorphoses was the first Mediterranean landscape that Turner produced after his first visit to Rome

Apollo and Diana kill Niobes Children with their arrows: she is turned to stone, 1655. Artist: Michel de Marolles
Apollo and Diana kill Niobes Children with their arrows: she is turned to stone, 1655. A plate from Michel de Marolless Tableaux du Temple des Muses, Paris, 1655

Diana and her Nymphs Surprised by the Fauns, 1638-1640. Artist: Peter Paul Rubens
Diana and her Nymphs Surprised by the Fauns, 1638-1640. Located at the Prado, Madrid, Spain

The Rape of Deidamia, 1636-1638. Artist: Peter Paul Rubens
The Rape of Deidamia, 1636-1638. One of the paintings for King Philip IVths hunting lodge Torre de la Parada in El Pardo.Theseus wrenches Deidamia from the arms of the Centaur

Glaucus turned into a sea god, 1733. Artist: Bernard Picart
Glaucus turned into a sea god, 1733. A plate from Le Temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

Salmacis and Hemaphroditus united in one body, 1733. Artist: Bernard Picart
Salmacis and Hemaphroditus united in one body, 1733. A plate from Le temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

Pan and Syrinx, 1759. Artist: Francois Boucher
Pan and Syrinx, 1759. This painting illustrates a story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan. From the collection of the National Gallery, London

Birth of Adonis, Ovid: Metamorpheses X, Italian Earthenware Dish, 1541. Artist: Francesco Durantino
Birth of Adonis, Ovid: Metamorpheses X, Italian Earthenware Dish, 1541. Theias strikes a tree with an arrow, which bursts open and Adonis emerges

Italian earthenware plate showing the birth of Adonis, c. 16th century
Depiction of the birth of Adonis (Ovids Metamorphoses X) on an Italian earthenware plate from Urbino, c.16th century

Italian earthenware plate, Erysichthon felling a tree in grove of Ceres, 16th century
Depiction of Erysichthon felling a tree in the sacred grove of Ceres (Ovids Metamorphoses VIII), on an Italian earthenware plate, from the V&As collection, 16th century

Titlepage to Ovids Metamorphoses, 1606. Creator: Antonio Tempesta
Titlepage to Ovids Metamorphoses, 1606

Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur), from Ovids Metamorphoses, 1606

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