Publication Collection

The waterfall of Amida behind the Kiso Road, c1832. (1925). Artist: Hokusai
The waterfall of Amida behind the Kiso Road, c1832. After a colour woodcut by Katsushika Hokusai (1760-1849). Original work housed in The British Museum

The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Man Sing Palace, Gwalior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Fighting Temeraire, 1839. Artist: JMW Turner
The Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805

Costumes de Différents Pays, Pr. Ministre des Ydoles de Congo, c1797. Creators: Jacques Grasset de Saint-Sauveur
Costumes de Differents Pays, Pr. Ministre des Ydoles de Congo, c1797

Costumes de Différents Pays, Guerrier du Senegal, c1797. Creators: Jacques Grasset de Saint-Sauveur, LF Labrousse
Costumes de Differents Pays, Guerrier du Senegal, c1797

Shoeing, 1844, (1938). Artist: Edwin Henry Landseer
Shoeing, 1844. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Miss Jane Bowles, 1775, (1911). Artist: Sir Joshua Reynolds
Miss Jane Bowles, 1775, (1911). A portrait of Jane Bowles the eldest daughter of Oldfield Bowles (1739-1810), a landowner of North Aston, Oxfordshire. Painting held at The Wallace Collection, London

The Vale of Aylesbury, 1933. Artist: Rex Whistler
The Vale of Aylesbury, 1933. This painting was used by Shell in the 1930s for an advertsing campaign. Painting housed at Upton House. From The Studio Volume 108

Marylebone Town Hall, One of the Most Eminent of Londons New Buildings, c1935. The Town Hall on Marylebone Road in central London opened in 1920

A Studio in Montparnasse, c1926, (1935). Creator: CRW Nevinson
A Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2

Between Two Fires, c1892, (1938). Artist: Francis Davis Millet
Between Two Fires, c1892. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Folly Ditch, Jacobs Island, (c1878). Creator: Unknown
Folly Ditch, Jacobs Island, (c1878). Jacobs Island, a notorious slum on the south bank of the River Thames in Bermondsey, London, was made famous in Charles Dickenss novel Oliver Twist

Mary, Lady Heveningham, c1532-1543 (1945). Artist: Hans Holbein the Younger
Mary, Lady Heveningham, c1532-1543 (1945). Mary Shelton (1510/15-1570/71), wife of Sir Anthony Heveningham, daughter of Sir John Shelton, and cousin of Queen Anne

Madonna and Child, c1918. Artist: Jeanne Labrousse
Madonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Martinique Landscape, 1887. Artist: Paul Gauguin
Martinique Landscape, 1887. Painting held in the Scottish National Gallery. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

Carnation, Lily, Lily, Rose, 1885-86, (1938). Artist: John Singer Sargent
Carnation, Lily, Lily, Rose, 1885-86. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Ennui, c1914 (1935). Artist: Walter Richard Sickert
Ennui, c1914 (1935). After the painting by Walter Richard Sickert. From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]

The Old Fisherman, 1903. Artist: Joseph Edward Southall
The Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

Christchurch, Oxford, 1916. Artist: Edmund Hort New
Christchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

The Song of the Mad Prince, c1917. Artist: Harry Clarke
The Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Port Vendres, La Ville, c1925. Artist: Charles Rennie Mackintosh
Port Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]

Old pub on the River Thames, London, 1926-1927. An old tavern on the riverside at Limehouse. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I

Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Newmarket Race Course, 1940. Racing in Newmarket was first recorded in the time of James I. Charles II was known to attend races on Newmarket Heath with his brother, the future James II

Las Meninas, 1656 (1939). Artist: Diego Velasquez
Las Meninas, 1656 (1939). Infanta Margarita, is attended by two of the Queen`s meninas or maids-ofhonour: Maria Agustina Sarmiento and Isabel de Velasco

Faerie Queene, c1900. Artist: Walter Crane
Faerie Queene, c1900. The Faerie Queene by Edmund Spenser (1553-1599), illustrated by Walter Crane (1845-1915). From Modern Pen Drawings: European and American, Edited by Charles Holme

Morella, c1920. Artist: Harry Clarke
Morella, c1920. An illustration for Tales of Mystery & Imagination by Edgar Allan Poe (1809-1849). From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

The Punishment of Luxury, 1891 (1935). Artist: Giovanni Segantini
The Punishment of Luxury, 1891 (1935). After the painting by Giovanni Segantini. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]

The Last of England, 1855. Artist: Ford Madox Brown
The Last of England, 1855. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938]

Working drawings by William Morris (1834-1896), 1934. Artist: William Morris
Working drawings by William Morris, 1934. Axminster carpet, 1873; Anemone pattern for silk and wool curtain material, 1874 and a painted wall decoration, c1877. From The Listener, 14 February 1934

Landing at Greenwich, c1780. Artist: Thomas Rowlandson
Landing at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

The Horns Tavern, Kennington, in 1820, (c1878). Creator: Unknown
The Horns Tavern, Kennington, in 1820, (c1878). The Horns tavern in Kennington, south London, acted as a meeting place, lecture hall and exhibition space

Edward refuses succour to his son at Crecy, 1346 (1864). Artist: James William Edmund Doyle
Edward refuses succour to his son at Crecy, 1864. King Edward III, (1312- 1377) standing on a hillside refusing succour to his son Edward the Black Prince, (1330-1376)) at the at the Battle of Crecy

The Charmer, 1911. Artist: John William Waterhouse
The Charmer, 1911. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

Savernake Forest, 1935. Artist: Paul Nash
Savernake Forest, 1935. After the painting by Paul Nash. From Modern Masterpieces Part 11. [George Newnes Ltd, London, 1935]

The 8th Army commander Bernard Law Montgomery, 1942. Artists: Sir John Alexander Hammerton, Unknown
The 8th Army commander Bernard Law Montgomery, 1942. Field Marshal Bernard Law Montgomery, 1st Viscount Montgomery of Alamein (1887-1976), nicknamed Monty and the Spartan General

A cricket match in progress at Lords cricket ground, London, 1912. From Imperial Cricket, edited by P F Warner and published by The London and Counties Press Association Ltd (London, 1912)

The Vigil, c1884, (1938). Artist: John Pettie
The Vigil, c1884. The Vigil of Arms was one of the religious exercises, which in the Middle Ages preceded the conferment of knighthood

Wet Winter Evening and a Book Lover in Bloomsbury, c1935. Creator: Fincham
Wet Winter Evening and a Book Lover in Bloomsbury, c1935. Shelves of books outside a shop in central London. From " Wonderful London, Volume 2", edited by Arthur St John Adcock

Duck-Shooting on Saratoga Lake, 1973, (1883). Artist: Matthew Somerville Morgan
Duck-Shooting on Saratoga Lake, 1873, (1883). From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

Las Hilanderas, (The Spinners), 1657, (c1934). Artist: Diego Velasquez
Las Hilanderas, (The Spinners), 1657, (c1934). Traditionally, believed to depict women workers in the tapestry workshop of Santa Isabel, iconography suggests Ovids Fable of Arachne

Barrels of molasses, West India Docks, London, 1926-1927. Artist: Langfier Photo
Barrels of molasses, West India Docks, London, 1926-1927. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I, published by Amalgamated Press, (London, 1926-1927)

The Grenadier in Wilton Mews, Where Coachmen Drink No More, c1935. Creator: Unknown
" The Grenadier" in Wilton Mews, Where Coachmen Drink No More, c1935. Public house in Belgravia, London, built in 1720 as the officers mess for the senior infantry regiment of the British

Fencing Match Between Mademoiselle La Chevaliere D Eon De Beaumont and Monsieur De Saint George, 1787. After Charles Jean Robineau. From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill

The Mitre tavern, London, 1926-1927. Artist: Paterson
The Mitre tavern, London, 1926-1927. The Mitre lies between Ely Place and Hatton Garden. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London)

In Lansdowne Passage, Where A Highwayman Once Galloped For His Life, c1935. Creator: Taylor
In Lansdowne Passage, Where A Highwayman Once Galloped For His Life, c1935. Alley in Westminster, central London, with an iron bar set across it

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