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Print Collector2 Collection (page 20)

Background imagePrint Collector2 Collection: A knight entering the lists, c1460-1465, (1870)

A knight entering the lists, c1460-1465, (1870). Entering the lists means to give or accept a challenge or to be involved in combat

Background imagePrint Collector2 Collection: The carruca, 9th century, (1870)

The carruca, 9th century, (1870). A wood engraving after a 9th century manuscript in the Royal Library, Brussels. Illustration from The Arts of the Middle Ages and at the Period of the Renaissance

Background imagePrint Collector2 Collection: Hand cannon (or Baton a feu), 15th century, (1870)

Hand cannon (or Baton a feu), 15th century, (1870). Illustration after a piece of tapestry belonging to the Church of Notre Dame de Nantilly, Saumur

Background imagePrint Collector2 Collection: Battleaxe and pistol, 16th century, (1870)

Battleaxe and pistol, 16th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Mangonel, an engine of war in the 15th century, (1870)

Mangonel, an engine of war in the 15th century, (1870). A mangonel was a type of catapult or siege engine used to throw projectiles at the walls of a city or castle

Background imagePrint Collector2 Collection: Earliest models of cannon, the Tower of London, (1870)

Earliest models of cannon, the Tower of London, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Bombards on fixed and rolling carriages, (1870)

Bombards on fixed and rolling carriages, (1870). A wood engraving from a medieval manuscript in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: Engine for throwing stones, (1870)

Engine for throwing stones, (1870). A wood engraving from a miniature showing a medieval device for launching projectiles, from the Chevalier au Cygne in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: Francois, Duke of Anjou and Alencon, in damascened armour, 16th century, (1870)

Francois, Duke of Anjou and Alencon, in damascened armour, 16th century, (1870). Damascened work is steel inlaid with gold or other metals

Background imagePrint Collector2 Collection: Armour ornamented with lions, supposed to be that of of Louis XII, 15th century, (1870)

Armour ornamented with lions, supposed to be that of of Louis XII, 15th century, (1870). Suit of armour which may have belonged to Louis XII, King of France 1498-1515

Background imagePrint Collector2 Collection: Frankish archers, 15th century, (1870)

Frankish archers, 15th century, (1870). A wood engraving of the painted hangings in the town of Rheims. Illustration from The Arts of the Middle Ages and at the Period of the Renaissance

Background imagePrint Collector2 Collection: Crossbowman protected by shield bearers, 15th century, (1870)

Crossbowman protected by shield bearers, 15th century, (1870). A wood engraving after a miniature from the Chronicals of Froissart in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: Convex armour said to be that of Maximilian, 15th century, (1870)

Convex armour said to be that of Maximilian, 15th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Helmets from the Armeria Real, Madrid, (1870). Artist: Franz Kellerhoven

Helmets from the Armeria Real, Madrid, (1870). Artist: Franz Kellerhoven
Helmets from the Armeria Real, Madrid, (1870). Casque, morion and other types of helmet, with and without visors, from the Royal Armoury in Madrid

Background imagePrint Collector2 Collection: Helmets, 13th and 15th centuries, (1870)

Helmets, 13th and 15th centuries, (1870). The helmet of Hughes, Vidame of Chalons, 13th century, and a tournament helmet, screwed on the breastplate, late 15th century

Background imagePrint Collector2 Collection: Knight in his hauberk, (1870)

Knight in his hauberk, (1870), A hauberk is a shirt of mail armour. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: John Lackland, as represented on his seal, 12th century, (1870)

John Lackland, as represented on his seal, 12th century, (1870). John I Lackland, King of England, (Jean Sansterre in French), was the son of Henry II and Eleanor of Aquitaine

Background imagePrint Collector2 Collection: Enamelled dish by Bernard Palissy, 16th century, (1870)

Enamelled dish by Bernard Palissy, 16th century, (1870). Palissy (1510-1590) was a French potter and the inventor of rustic ware. He used examples from nature to make moulds for his ceramic pieces

Background imagePrint Collector2 Collection: A lancer of Williams army, Bayeux Tapestry, c1070s, (1870)

A lancer of Williams army, Bayeux Tapestry, c1070s, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Vessel of Henri II ware, 16th century, (1870). Artist: Franz Kellerhoven

Vessel of Henri II ware, 16th century, (1870). Artist: Franz Kellerhoven
Vessel of Henri II ware, 16th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Paving tiles of the 14th and 15th century, (1870). Artist: Franz Kellerhoven

Paving tiles of the 14th and 15th century, (1870). Artist: Franz Kellerhoven
Paving tiles of the 14th and 15th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: The Weaver, 16th century, (1870). Artist: Jost Amman

The Weaver, 16th century, (1870). Artist: Jost Amman
The Weaver, 16th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: The Adoration of the Magi, the tapestry of Berne, 14th century, (1870)

The Adoration of the Magi, the tapestry of Berne, 14th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London)

Background imagePrint Collector2 Collection: Norman knights, Bayeux Tapestry, c1070s, (1870)

Norman knights, Bayeux Tapestry, c1070s, (1870). Two mounted knights of Duke Williams army. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix

Background imagePrint Collector2 Collection: Construction of the boats for William I, Bayeux Tapestry, c1070s, (1870)

Construction of the boats for William I, Bayeux Tapestry, c1070s, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Dwelling room of a seigneur of the 14th century, (1870)

Dwelling room of a seigneur of the 14th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Carved wood relief, 15th century, (1870)

Carved wood relief, 15th century, (1870). A bas-relief representing a domestic scene, from the choir stalls of the Cathedral of Rouen

Background imagePrint Collector2 Collection: Censer, 11th century, (1870)

Censer, 11th century, (1870). A censer recalling the shape of the Temple of Jerusalem, in copper repousse, formerly in Metz Cathedral and later transferred to Treves

Background imagePrint Collector2 Collection: A key, 13th century, (1870)

A key, 13th century, (1870). A key with two figures of chimeras, back to back. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: A bed furnished with a canopy and curtains, late 14th century, (1870)

A bed furnished with a canopy and curtains, late 14th century, (1870). A wood engraving after a miniature from a manuscript in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: A bolt, 16th century, ( 1870)

A bolt, 16th century, ( 1870). A wood engraving of a lock from the Castle of Chenonceaux in France, with initial of Henry II (1519-1559)

Background imagePrint Collector2 Collection: A coopers workshop, 16th century, (1870). Artist: Jost Amman

A coopers workshop, 16th century, (1870). Artist: Jost Amman
A coopers workshop, 16th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imagePrint Collector2 Collection: Hanging lamps, 9th century, (1870)

Hanging lamps, 9th century, (1870). A wood engraving after a miniature from the bible of Charles the Bald, Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: A state banquet, 15th century, (1870)

A state banquet, 15th century, (1870). A wood engraving after miniature from a manuscript in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: Louise de Savoie, Duchess of Angouleme, (1870)

Louise de Savoie, Duchess of Angouleme, (1870). Louise de Savoie (1476-1531) was the mother of Francis I. A wood engraving after a miniature from a manuscript in the Bibliotheque Imperiale, Paris

Background imagePrint Collector2 Collection: Louis IX, 14th century, (1870)

Louis IX, 14th century, (1870). Louis IX (1214-1270) represented in his regal chair, tapestried in fleurs de lis, from a miniature of the 14th century

Background imagePrint Collector2 Collection: The round table of King Artus of Brittany, 14th century, (1870)

The round table of King Artus of Brittany, 14th century, (1870). A wood engraving after a miniature of the 14th century, from The Arts of the Middle Ages and at the Period of the Renaissance

Background imagePrint Collector2 Collection: The Annunciation, c1503, (1870). Artist: Franz Kellerhoven

The Annunciation, c1503, (1870). Artist: Franz Kellerhoven
The Annunciation, c1503, (1870). A facsimile of a miniature from the Hours of Anne de Bretagne, formerly beloning to Catherine de Medici

Background imagePrint Collector2 Collection: Nurses and sucklings, c1300, (1924). Artist: Hildierand

Nurses and sucklings, c1300, (1924). Artist: Hildierand
Nurses and sucklings, c1300, (1924)

Background imagePrint Collector2 Collection: Robert Wyville, the Bishop of Salisbury and his champion, (1924)

Robert Wyville, the Bishop of Salisbury and his champion, (1924). Robert Wyville was Bishop of Salisbury from 1330 until 1375

Background imagePrint Collector2 Collection: Lady Arderne, wife of Sir Peter Arderne, Judge and Chief Baron of the Exchequer, (1924)

Lady Arderne, wife of Sir Peter Arderne, Judge and Chief Baron of the Exchequer, (1924)
Lady Arderne, wife of Sir Peter Arderne, 15th century Judge and Chief Baron of the Exchequer, (1924). Lady Arderne as as kneeling figures from a window of Latton Church, Essex

Background imagePrint Collector2 Collection: Sir William de Ryther, (1924)

Sir William de Ryther, (1924). From a brass in Ryther Church, Yorkshire

Background imagePrint Collector2 Collection: Geoffrey V, Count of Anjou, c 1150-1155 (1924)

Geoffrey V, Count of Anjou, c 1150-1155 (1924). Geoffrey (1113-1151) was the father of King Henry II of England. From an enamelled funerary plaque in the Tesse museum in Le Mans

Background imagePrint Collector2 Collection: A knight (de Bernemicourt) at his orisons before an image of St Mary Magdalene, c1500, (1924)

A knight (de Bernemicourt) at his orisons before an image of St Mary Magdalene, c1500, (1924)

Background imagePrint Collector2 Collection: Heaume and crest of Edward, the Black Prince, in Canterbury Cathedral, 1924

Heaume and crest of Edward, the Black Prince, in Canterbury Cathedral, 1924

Background imagePrint Collector2 Collection: Hastings, East Sussex, 1829. Artist: Fenner, Sears & Co

Hastings, East Sussex, 1829. Artist: Fenner, Sears & Co
Hastings, East Sussex, 1829. Hastings became an important centre of the fishing industry in the 19th century as its importance as a commercial port declined

Background imagePrint Collector2 Collection: Guildford, Surrey, 1829. Artist: J Shury

Guildford, Surrey, 1829. Artist: J Shury
Guildford, Surrey, 1829. The county town of Surrey, Guildford was founded, probably by the Saxons, at a point where the ancient trackway known as the Harrow Way crosses the River Wey

Background imagePrint Collector2 Collection: Lewes Castle, East Sussex, 1829. Artist: Fenner, Sears & Co

Lewes Castle, East Sussex, 1829. Artist: Fenner, Sears & Co
Lewes Castle, East Sussex, 1829. Lewes Castle was built in 1087 by William de Warenne, 1st Earl of Surrey and brother-in-law of William the Conqueror



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