Prince Of Wales Collection (page 16)

A Thousand Warm Receptions in the North, 1823. A court at Holyroodhouse during George IVs Northern Excursion, August 1822

The Benefits of a Northern Excursion, or R-l pastime at home (ie) fiddling and dancing!, c1822. King George IV in Highland dress dancing on one toe; he is attended by Viscount Sidmouth; Lady

Loyal Addresss & Radical Petitions... 1819. Artist
Loyal Addresss & Radical Petitions, or the R-ts most gracious answer to both sides of the question at once, 1819. The Prince Regent standing on a dais

Interior view of the Rose Satin Drawing Room in Carlton House, Westminster, London, 1818

Interior view of the gothic dining room in Carlton House, Westminster, London, 1819

View of the staircase at Carlton House, Westminster, London, c1811

Interior view of the lower vestibule in Carlton House, Westminster, London, 1819

Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile

An Irish wake... 1821
An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh

Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist
The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. In the foreground the Archbishop of Canterbury is crowning the king, who sits in St Edwards chair

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Monument to King Edward VI, Chapel of Henry VII, Westminster Abbey, London, c1740. The memorial was destroyed during the English Civil War

The coronation of George IV in Westminster Abbey, London, 1821. The king is seated on a throne with the archbishops and bishops doing homage and figures looking on from the sides

Carlton House, Westminster, London, 1821. Artist: J Sidgwick
Carlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd

A Morning Ride, 1804. Artist: James Gillray
A Morning Ride, 1804. The Prince of Wales and John McMahon ride past Carlton House followed by a groom on horseback and an urchin dressed in top hat and tattered livery, on foot

General Blackbeard wounded at the battle of Leadenhall, 1784. Artist
General Blackbeard wounded at the battle of Leadenhall, 1784. Charles James Fox (General Blackbeard) lying on the ground amid his followers

The fate of City Rem-ces, 1770. King George III seated at a table; at his foot lie various papers inscribed Humble petition and remonstrance

The Thunderer, 1782. Colonel Tarleton as Bobadil standing holding out a drawn sword. On his right stands the Prince of Wales with a plume of three ostrich feathers in place of a head

Royal reception on London Bridge, 1863. Artist
Royal reception on London Bridge, 1863. Scene of the reception of Princess Alexandra of Denmark at the triumphal arch, London Bridge, with a guard of honour of the Honorable Artillery Company

The grand review on Sydenham Common... 1792. Dressed in military uniform, King George III, followed by William Pitt the Younger, Edmund Burke and others, is chasing the Prince of Wales

The Prince of Wales at York House, London, 1792. The visit to Piccadilly, or a Prussian reception, representing Shon-ap-Morgan, Shentleman of Wales, introducing his old nanny goat into high company

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

Intended statues for Waterloo Place, 1821. Artist: JL Marks
Intended statues for Waterloo Place, 1821. Two large figures on a low pedestal embracing. King George IV is shown as Bacchus and Lady Conyngham as Ariadne

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

Royal procession passing the east end of St Pauls Cathedral, City of London, 1863. Procession of HRH Albert Edward Prince of Wales, and HRH Alexandra Princess of Denmark

Incense tripod used on London Bridge, 1863. It was used to commemorate the ceremonial reception when the Prince of Wales (later Edward VII) arrived in London with his bride

Banquet at the Guildhall, City of London, 1814 (1815). Interior view of the Guildhall during a banquet in honour of the Prince Regent (the future George IV), Tsar Alexander I

Statue of Edward VI, Guildhall Chapel, City of London, 1822. Artist: T Mills
Statue of Edward VI, Guildhall Chapel, City of London, 1822. Statue by Nicholas Stone, in a niche over the west doorway of the chapel

The trial of Sir William Wallace at Westminster, c1831-1890. Painting showing the Scottish patriot who was brought to trial by King Edward I in 1305 leading to his execution

View showing part of the Jubilee Procession of King George V and Queen Mary, May 6 1935. Crowds line the street to watch the coach pass, with soldiers and policemen lining the route

The Pall Mall Apollo or R-ty in a blaze, 1816. Artist: Isaac Cruikshank
The Pall Mall Apollo or R-ty in a blaze, 1816. The Prince Regent is dressed as Apollo, McMahon as Mercury pours a chamber pot over his flaming head. On the left are two statues

Wedding ceremony of Prince Edward and Princess Alexandra in St Georges Chapel at Windsor Castle, 1863, with bridesmaids in the foreground and wedding guests to the sides

Royal cortege for the marriage of Prince Edward and Princess Alexandra, 1863
Royal corte ge for the marriage of Prince Edward and Princess Alexandra, 1863. The corte ge is passing through the temporary entrance to St Georges Chapel at Windsor Castle

Princess Alexandra getting in her coach to leave Windsor Castle for her wedding, March 1863. Troops in formation can also be seen behind

Edward VI, Henry and William, Dukes of Gloucester, and Henry, Prince of Wales, (c1700)
Edward VI, Henry, Duke of Gloucester and William, Dukes of Gloucester, and Henry, Duke of Gloucester, Prince of Wales, c1700

Edward VI, King of England, c1552, (c1630). Artist:s Passaeus
Edward VI, King of England, c1552, (c1630). King Edward VI is wearing a fur-lined robe, a tunic and a flat cap with feather, with his thumb placed in his girdle

Edward VI, King of England, c1552, (1793). Artist: Francesco Bartolozzi
Edward VI, King of England, c1552, (1793). King Edward VI is wearing a flat cap with a feather and a loose coat with fur collar over a tunic

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