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Police Collection (page 7)

Background imagePolice Collection: Chicago police telephone box, 1886

Chicago police telephone box, 1886. A Chicago policeman telephoning from a police call box to bring help to an injured pedestrian. From Les Applications de l Electricite by E Hospitalier

Background imagePolice Collection: Arrest of Gavrilo Princip, assassin of Archduke Franz Ferdinand, 1914

Arrest of Gavrilo Princip, assassin of Archduke Franz Ferdinand, 1914. Princip, a Serbian nationalist murdered the Archduke Franz Ferdinand (1863-1914), heir to the Austrian throne, at Sarajevo

Background imagePolice Collection: Garde Nationale de Paris Artist: Francois Cudet

Garde Nationale de Paris Artist: Francois Cudet
Histoire des corps de troupes de la ville de Paris

Background imagePolice Collection: Explosion at the police station on the Rue des Bons-Enfants, Paris, 1892. Artist: Henri Meyer

Explosion at the police station on the Rue des Bons-Enfants, Paris, 1892. Artist: Henri Meyer
Explosion at the police station on the Rue des Bons-Enfants, Paris, 1892. On 8 November 1892, an anarchist named Emile Henry deposited a bomb at the offices of the Carmaux Mining Company in Paris

Background imagePolice Collection: Robert Peel, 19th century British statesman. Artist: J Cochran

Robert Peel, 19th century British statesman. Artist: J Cochran
Robert Peel, 19th century British statesman. Peel (1788-1850) was Prime Minister from 1834-1835 and 1841-1846. He is probably best remembered for his organisation of a metropolitan police force for

Background imagePolice Collection: Robert Peel, British statesman, arriving at the House of Commons, London, January, 1846

Robert Peel, British statesman, arriving at the House of Commons, London, January, 1846. Peel (1788-1850) receives an enthusiastic welcome from onlookers

Background imagePolice Collection: Demonstration against Joseph Chamberlain, Ireland, 1899. Artist: Oswaldo Tofani

Demonstration against Joseph Chamberlain, Ireland, 1899. Artist: Oswaldo Tofani
Demonstration against Joseph Chamberlain, Ireland, 1899. An illustration from Le Petit Journal, 31st December 1899

Background imagePolice Collection: A brawl between German soldiers and Bavarian officers, Germany, 1898. Artist: F Meaulle

A brawl between German soldiers and Bavarian officers, Germany, 1898. Artist: F Meaulle
A brawl between German soldiers and Bavarian officers, Germany, 1898. An illustration from Le Petit Journal, 14th August 1898

Background imagePolice Collection: A strike in Paris, 1898. Artist: Henri Meyer

A strike in Paris, 1898. Artist: Henri Meyer
A strike in Paris, 1898. An illustration from Le Petit Journal, 23rd October 1898

Background imagePolice Collection: The arrest of lieutenant-colonel Picquart, 1898. Artist: F Meaulle

The arrest of lieutenant-colonel Picquart, 1898. Artist: F Meaulle
The arrest of lieutenant-colonel Picquart, 1898. Marie Georges Picquart (1854-1914), was a French army officer and Minister of War

Background imagePolice Collection: Emile Zola affair, being taken to the Palais de Justice, Paris, 1898. Artist: Henri Meyer

Emile Zola affair, being taken to the Palais de Justice, Paris, 1898. Artist: Henri Meyer
Emile Zola affair, being taken to the Palais de Justice, Paris, 1898. Emile Zola (1840-1902) was an influential French novelist, the most important example of the literary school of naturalism

Background imagePolice Collection: Liberation of Paris, 25 August 1944

Liberation of Paris, 25 August 1944. Gendarmes, soldiers and Resistance fighters escorting German prisoners through crowds of jubilant civilians in front of the Opera

Background imagePolice Collection: Demobilised French soldiers arriving at the Gare d Austerlitz, Paris, 1945(?)

Demobilised French soldiers arriving at the Gare d Austerlitz, Paris, 1945(?)

Background imagePolice Collection: Gendarmerie Republicaine, Siege of Paris, Franco-Prussian War, 1870-1871

Gendarmerie Republicaine, Siege of Paris, Franco-Prussian War, 1870-1871
Gendarmerie Republicaine, Siege of Paris, Franco-Prussian war, 1870-1871. After the disastrous defeat of the French at Sedan and the capture of Napoleon III

Background imagePolice Collection: The assassination of Alexander I, King of Yugoslavia, Marseilles, France, 9 October 1934

The assassination of Alexander I, King of Yugoslavia, Marseilles, France, 9 October 1934. Alexander I (1888-1934) ruled as King of the Serbs, Croats and Slovenes from 1921-1929

Background imagePolice Collection: Edward Richard Henry, British inventor of finger printing, 1905. Artist: Spy

Edward Richard Henry, British inventor of finger printing, 1905. Artist: Spy
Edward Richard Henry, British inventor of finger printing, 1905. Henrys system was adopted by the Metropolitan Police (Scotland Yard) in 1901

Background imagePolice Collection: Mass meeting of Chartists on Kennington Common, London, 10 April 1848

Mass meeting of Chartists on Kennington Common, London, 10 April 1848. In centre is the wagon carrying Feargus O Connor and the other delegates

Background imagePolice Collection: Chartists procession from the mass meeting towards Blackfriars Bridge, London, 10 April 1848

Chartists procession from the mass meeting towards Blackfriars Bridge, London, 10 April 1848
Chartists procession from the mass meeting on Kennington Common towards Blackfriars Bridge, London, where the police stopped them crossing the Thames, 10 April 1848

Background imagePolice Collection: The New French Police Auxiliaries, 1907

The New French Police Auxiliaries, 1907. The newly introduced dog section of the Paris police making arrests in the Bois de Boulogne, Paris. From Le Petit Journal. (Paris, 28 July 1907)

Background imagePolice Collection: The Grand Old Janus, 1887. Artist: Joseph Swain

The Grand Old Janus, 1887. Artist: Joseph Swain
The Grand Old Janus, 1887. Gladstone is the statue of Janus, the Roman god of doorways. Janus is usually depicted with two faces looking in different directions

Background imagePolice Collection: The Not-At-All-At-Home Secretary, 1887. Artist: Edward Linley Sambourne

The Not-At-All-At-Home Secretary, 1887. Artist: Edward Linley Sambourne
The Not-At-All-At-Home Secretary, 1887. The Home Secretary on the left is attempting to involve himself in a meeting being held in Trafalgar Square

Background imagePolice Collection: A satirical look at the chances of the average police constables ability to catch a cold, 1886

A satirical look at the chances of the average police constables ability to catch a cold, 1886
A satirical look at the chances of the average police constables ability to catch a cold. From Punch, or the London Charivari, October 30, 1886

Background imagePolice Collection: The Police (of the Future), 1886. Artist: Corbould

The Police (of the Future), 1886. Artist: Corbould
The Police (of the Future), 1886. This, according to Punch is what the appropriately equipped police officer will be wearing to go about his day to day duties

Background imagePolice Collection: The Great Unemployed, 1886. Artist: Joseph Swain

The Great Unemployed, 1886. Artist: Joseph Swain
The Great Unemployed, 1886. The Chief Commissioner of Police, Sir E Y Henderson, sits dozing in his chair, surrounded by papers detailing the minor events recently in the news

Background imagePolice Collection: An Unbeliever, 1886. Artist: Joseph Swain

An Unbeliever, 1886. Artist: Joseph Swain
An Unbeliever, 1886. A policeman is reluctant to accept that the man he is trying to rouse has died on the streets of London. From Punch, or the London Charivari, January 9, 1886

Background imagePolice Collection: His First!, 1885

His First!, 1885. Following Irish campaigns of violence, security at public buildings was tight and, in this cartoon, a suspicious policeman questions a barrister carrying his brief

Background imagePolice Collection: Police Intelligence, 1883. Artist: Joseph Swain

Police Intelligence, 1883. Artist: Joseph Swain
Police Intelligence, 1883. The Liberal Home Secretary, Sir William Harcourt, accepts Mr Punchs salute. In the background, a line of brave British policemen stand to attention

Background imagePolice Collection: Pictures for Posterity, 1883

Pictures for Posterity, 1883. This little cartoon illustrates the perils faced on a daily basis by the brave British policeman as, armed with his truncheon

Background imagePolice Collection: Obstructives, 1870. Artist: Joseph Swain

Obstructives, 1870. Artist: Joseph Swain
Obstructives, 1870. In the doorway of the school, a variety of Ministers and Nonconformists argue, whilst Mr Punch tells Policeman Bull that this prevents the two working-class children from entering

Background imagePolice Collection: Silencing The Trumpet (after Aesop. ), 1870. Artist: Joseph Swain

Silencing The Trumpet (after Aesop. ), 1870. Artist: Joseph Swain
Silencing The Trumpet (after Aesop.), 1870. Mr Gladstone, the Liberal Prime Minister, is depicted in the uniform of the chief constable in this cartoon

Background imagePolice Collection: Great Boon to Our Household Guards, 1870. Artist: Joseph Swain

Great Boon to Our Household Guards, 1870. Artist: Joseph Swain
Great Boon to Our Household Guards, 1870. This cartoon refers specifically to the Metropolitan force, set up originally in 1829

Background imagePolice Collection: Wheres The (Irish) Police?, 1870. Artist: Joseph Swain

Wheres The (Irish) Police?, 1870. Artist: Joseph Swain
Wheres The (Irish) Police?, 1870. This cartoon relates to Irelands recent rise in the levels of agrarian crime and Mr Gladstone muses on whether or not he should take any action

Background imagePolice Collection: This is an English Detective... 1888

This is an English Detective... 1888. The detective here is dressed as a gentleman. However, his boots are the ultimate giveaway. From Punch, or the London Charivari, December 1, 1888

Background imagePolice Collection: Is Detection a Failure?, 1888. Artist: Joseph Swain

Is Detection a Failure?, 1888. Artist: Joseph Swain
Is Detection a Failure?, 1888. Punch points out the drawbacks inherent in the footsteps of the policeman being dogged by journalists

Background imagePolice Collection: The Police and the Public, 1874. Artist: Charles Samuel Keene

The Police and the Public, 1874. Artist: Charles Samuel Keene
The Police and the Public, 1874. A labourer faces the court to make a complaint against the constable standing next to him

Background imagePolice Collection: Low(e) art and whitewash, 1873. Artist: Joseph Swain

Low(e) art and whitewash, 1873. Artist: Joseph Swain
Low(e) art and whitewash, 1873. Mr Robert Lowe slaps whitewash onto the sturdy figure of a policeman. The British police had been under fire in recent years following various scandals both in London

Background imagePolice Collection: The Irish Treason Shop, 1869. Artist: Joseph Swain

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imagePolice Collection: Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

Background imagePolice Collection: The Habitual Criminal Cure, 1869. Artist: John Tenniel

The Habitual Criminal Cure, 1869. Artist: John Tenniel
The Habitual Criminal Cure, 1869. This cartoon refers to what might be called an early stop and search. Recently, the Habitual Criminals Act passed through the House of Lords

Background imagePolice Collection: Prevention Better Than Cure, 1869. Artist: John Tenniel

Prevention Better Than Cure, 1869. Artist: John Tenniel
Prevention Better Than Cure, 1869. The message implicit in this cartoon is that more bobbies on the beat will prevent crime

Background imagePolice Collection: Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene

Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene
Pity The Poor Prisoners?, 1868. A satirical look at the state of the nations prisons in the mid-Victorian period. Here, a group of lower-class prisoners, probably enjoying, (in the view of Mr Punch)

Background imagePolice Collection: Colonists and Convicts 1864. Artist: John Tenniel

Colonists and Convicts 1864. Artist: John Tenniel
Colonists and Convicts, 1864. Australian Colonist says: Now, Mr. Bull! Don t shoot any more of your Rubbish here, or I shall Quarrel

Background imagePolice Collection: The City Police, 1863. Artist: John Tenniel

The City Police, 1863. Artist: John Tenniel
The City Police, 1863. Magog comments: I Say, Brother Gog, They Seem to Think We Ain t No Sort O Use. Here, following the recently highlighted failings of the Citys police force

Background imagePolice Collection: Might and Mayne, 1858

Might and Mayne, 1858. One of Punchs little illustrations. This one is used to highlight an article telling readers that The country is saved because the police are now going to start drilling

Background imagePolice Collection: The author of this attack is a delicate little wolf from Scenes from the Private an

The author of this attack is a delicate little wolf from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imagePolice Collection: Portrait of ReneHerault, . n. d. n. d Creator: Pierre Dupin

Portrait of ReneHerault, . n. d. n. d Creator: Pierre Dupin
Portrait of Rene Herault, .n.d



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