Pieter Coecke Van Aelst Collection

Adoration of the Magi, 1540-1549. Creator: Pieter Coecke van Aelst
Adoration of the Magi, 1540-1549

Saint Jerome in His Study, c1530. Creator: Pieter Coecke van Aelst
Saint Jerome in His Study, c1530. St. Jerome (ca. 341-420 CE), the greatest Christian scholar of the classics, is revered for his translation of the Bible from the original Greek

Triptych with the Adoration of the Magi, 1520-1550. Creator: Workshop of Pieter Coecke van Aelst
Triptych with the Adoration of the Magi, 1520-1550

Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), 16th century

The Last Supper, 1585. Creator: Hendrik Goltzius
The Last Supper, 1585

Le triomphe d Anvers faict en la susception du Prince Philips, Prince d Espaign[e], 1550

Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553

Reigles generales de l architecture, sur les cincq manieres d edifices, 1545

Coeck, (1502-1550), 1830. Creator: Unknown
Coeck, (1502-1550), 1830. Pieter Coecke van Aelst (1502-1550) Flemish painter, sculptor, architect, author and designer of woodcuts. Court painter to Charles V, Holy Roman Emperor

Jesus on the Mount of Olives, 16th century. Artist: Pieter Coecke van Aelst
Jesus on the Mount of Olives, 16th century. From the Hermitage Museum, St Petersburg, Russia

The Agony in the Garden, detail, 1527-1530. Artist: Pieter Coecke van Aelst
The Agony in the Garden, detail, 1527-1530. In the garden of Gethsemane Christ kneels and raises his eyes towards the chalice standing on the outcrop of rock, which symbolises the chalice of fate

The Agony in the Garden, 1527-1530. Artist: Pieter Coecke van Aelst
The Agony in the Garden, 1527-1530. In the garden of Gethsemane Christ kneels and raises his eyes towards the chalice standing on the outcrop of rock, which symbolises the chalice of fate

Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century) Artists: Pieter Coecke van Aelst
Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century). In the gallery of the Accademia, Florence. Design attributed to Pieter Coecke van Aelst, ca

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