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Field Marshall Lord Raglan, Crimea, 1855. Creator: Roger FentonField Marshall Lord Raglan, Crimea, 1855
Francis Seymour in costume for Queen Victorias Bal Costume, May 12 1842, (1843). British courtier, army officer and politician Francis Seymour
Frederick Child-Villiers in costume for Queen Victorias Bal Costume, May 12 1842, (1843). British politician Frederick Child-Villiers (1815-1871) as Guy de la Motte
Emily Duchess of Beaufort in costume for Queen Victorias Bal Costume, May 12 1842, (1843). Emily Frances (nee Smyth), Duchess of Beaufort (1800-1889) in Elizabethan-inspired dress
James Innes-Ker in Plantagenet costume for Queen Victorias Bal Costume, May 12 1842, (1843). British peer James Innes-Ker, 6th Duke of Roxburghe (1816-1879) in chain mail and crown
Guest in costume for Queen Victorias Bal Costume, May 12 1842, (1843). CreatorGuest in costume for Queen Victorias Bal Costume, May 12 1842, (1843). Man in a cloak with the Maltese cross symbol on his tabard
Guest in 16th century costume for Queen Victorias Bal Costume, May 12 1842, (1843). Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485)
Prince Albert in costume as Plantagenet King Edward III for the Bal Costume, May 12 1842, (1843). Albert (1819-1861) is dressed as Edward III (1312-1377)
A Christmas Dinner on the Heights before Sebastopol. 1855. Artist: John Alfred VinterA Christmas Dinner on the Heights before Sebastopol. 1855. British officers round the table in a tent during the Crimean War: Captain Sir Charles Russell, Captain Charles Turner
Interior of Fort Nicholas, 1856. Artist: Edmund WalkerInterior of Fort Nicholas, 1856. The print shows an interior view of Fort of Saint Nicholas, held by Russians until 1853, when Turks stormed the enemy lines
Ditch of the Bastion Du Mat, 1856. Artist: Edmund WalkerDitch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines
Kamiesch, 1856. Artist: Edmund WalkerKamiesch, 1856. The print shows an episode of the Crimean War (1853 - 1856), the French Army occupying the place of Kamiesch on the west coast during the Battle of Balaclava (1854)
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W TraskChurch in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)
Cavalry Camp, 1856. A depiction of a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856)
Camp of the 4th Division, 1856. Artist: George BrackenburyCamp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)
Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas PickenDitch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. The image depicts an important episode of the Crimean War (1853-1856)
Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCullochQuarantine Cemetery and Church with French Battery No. 50, 1856. The image depicts a church and a quarantine cemetery during the Crimean War (1853-1856)
Kertch from the North, 1856. Artist: Georges McCullochKertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William SimpsonThe Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W TraskThe North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCullochFortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)