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Overgrown Collection (page 8)

Background imageOvergrown Collection: Farmyard in Lower Austria, 1910. Artists: Konrad Heller, C Angerer & Goschl

Farmyard in Lower Austria, 1910. Artists: Konrad Heller, C Angerer & Goschl
Farmyard in Lower Austria, 1910. Printed by C. Angerer & Goschl. From The British Printer Vol. XXIII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1910]

Background imageOvergrown Collection: Choir, looking North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Choir, looking North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, looking North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon

South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Arches in South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Arches in South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Arches in South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Interior, Looking East, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Interior, Looking East, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Interior, Looking East, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: From the Cloister Court, Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon

From the Cloister Court, Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the Cloister Court, Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897)

St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: From the North, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon

From the North, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Nave and North and South Aisle, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Nave and North and South Aisle, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave and North and South Aisle, Melrose Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: From the East, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon

From the East, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the East, Melrose Abbey, 1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: The Tower, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon

The Tower, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Tower, Fountains Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Choir, Looking West, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon

Choir, Looking West, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
Choir, Looking West, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: From the South, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon

From the South, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
From the South, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageOvergrown Collection: Summer at The Pines, c1909, (1934)

Summer at The Pines, c1909, (1934). The Pines, 11 Putney Hill, Putney, the home of Theodore Watts-Dunton (1832-1914) an English critic and poet, seen in the lower window

Background imageOvergrown Collection: The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910)

The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageOvergrown Collection: The Great Court of Heidelberg, 1834. Artist: Henry Winkles

The Great Court of Heidelberg, 1834. Artist: Henry Winkles
The Great Court of Heidelberg, 1834. After David Roberts (1796-1864). From The Pilgrims of the Rhine, by Edward Bulwer-Lytton. [Saunders & Otley, London, 1834]

Background imageOvergrown Collection: Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke

Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke
Sepulchre of Rachel. Gen. 35.20, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Background imageOvergrown Collection: Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke

Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke
Tomb in the Valley of Jehoshaphat. Joel, 3.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageOvergrown Collection: Arnsberg (Westfalen) Gruner Turm, 1931. Artist: Kurt Hielscher

Arnsberg (Westfalen) Gruner Turm, 1931. Artist: Kurt Hielscher
Arnsberg (Westfalen) Gruner Turm, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: Quedlinburg - Finkenherd, 1931. Artist: Kurt Hielscher

Quedlinburg - Finkenherd, 1931. Artist: Kurt Hielscher
Quedlinburg - Finkenherd 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: Schloss Windischleuba, 1931. Artist: Kurt Hielscher

Schloss Windischleuba, 1931. Artist: Kurt Hielscher
Schlosz Windischleuba, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: St. Goar. Rheinfels ruins, 1931. Artist: Kurt Hielscher

St. Goar. Rheinfels ruins, 1931. Artist: Kurt Hielscher
St. Goar. Rheinfels ruins, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: Rothenburg o. d. T. - Toppler Castle gate, 1931. Artist: Kurt Hielscher

Rothenburg o. d. T. - Toppler Castle gate, 1931. Artist: Kurt Hielscher
Rothenburg o. d. T. - Toppler Castle gate, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: Rothenburg o. d. T. - Bow-window in the town-wall, 1931. Artist: Kurt Hielscher

Rothenburg o. d. T. - Bow-window in the town-wall, 1931. Artist: Kurt Hielscher
Rothenburg o. d. T. Erker in der Stadtmauer - Bow-window in the town-wall, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: View of the Hohenkrahen from the slopes of the Hotentwiel, 1931. Artist: Kurt Hielscher

View of the Hohenkrahen from the slopes of the Hotentwiel, 1931. Artist: Kurt Hielscher
View of the Hohenkrahen from the slopes of the Hotentwiel, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Background imageOvergrown Collection: Interior of Lindisfarn. West End, 1814. Artist: John Greig

Interior of Lindisfarn. West End, 1814. Artist: John Greig
Interior of Lindisfarn. West End, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageOvergrown Collection: Interior of Lanercost Priory. Cumberland, 1814. Artist: John Greig

Interior of Lanercost Priory. Cumberland, 1814. Artist: John Greig
Interior of Lanercost Priory. Cumberland. Pl. 2, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageOvergrown Collection: Clarence House, c1902

Clarence House, c1902

Background imageOvergrown Collection: Ruins of a small chapel, Palermo, Sicily, Italy, 1927. Artist: Eugen Poppel

Ruins of a small chapel, Palermo, Sicily, Italy, 1927. Artist: Eugen Poppel
Ruins of a small chapel, Palermo, Sicily, Italy, 1927. From Italien in Bildern, by Eugen Poppel [August Scherl, Berlin, 1927]

Background imageOvergrown Collection: The Ruins, Virginia Water, Windsor, c1917

The Ruins, Virginia Water, Windsor, c1917. In 1861 Colonel Hanmer Warrington Consul General in Tripoli persuaded the local Governor to allow the export of some columns

Background imageOvergrown Collection: The Ruins at Frogmore, c1899, (1901). Artist: HN King

The Ruins at Frogmore, c1899, (1901). Artist: HN King
The Ruins at Frogmore, c1899, (1901). The Frogmore Estate, private gardens within the grounds of the Home Park, adjoining Windsor Castle

Background imageOvergrown Collection: At Cobham, Surrey, 1797. Artist: John Thomas Smith

At Cobham, Surrey, 1797. Artist: John Thomas Smith
At Cobham, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageOvergrown Collection: At Clandon, Surrey, 1797. Artist: John Thomas Smith

At Clandon, Surrey, 1797. Artist: John Thomas Smith
At Clandon, Surrey, 1797. From Antiquities of London and Its Environs. [N. Smith, London, 1797]

Background imageOvergrown Collection: S. E. View of The Abbey Kitchen - Glastonbury, Somersetshire, 1814. Artist: C Pote

S. E. View of The Abbey Kitchen - Glastonbury, Somersetshire, 1814. Artist: C Pote
S. E. View of The Abbey Kitchen - Glastonbury, Somersetshire, 1814. From Architectural Antiquities of Great Britain, by John Britton (1771?1857). [Longman, London, 1814]

Background imageOvergrown Collection: Fountains Abbey, Yorkshire, 1823

Fountains Abbey, Yorkshire, 1823. Fountains Abbey was founded in the 1130s as a Cistercian monastery

Background imageOvergrown Collection: Quindanning Pool, c1927. Artist: Archibald Bertram Webb

Quindanning Pool, c1927. Artist: Archibald Bertram Webb
Quindanning Pool, c1927. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

Background imageOvergrown Collection: Oystermouth Castle, near Swansea, Wales, 1924-1926. Artist: FC Varley

Oystermouth Castle, near Swansea, Wales, 1924-1926. Artist: FC Varley
Oystermouth Castle, near Swansea, Wales, 1924-1926. Oystermouth Castle was a Norman stone fortification built by William de Londres early in the 12th century

Background imageOvergrown Collection: Grey Abbey, County Down, Northern Ireland, 1924-1926. Artist: FC Varley

Grey Abbey, County Down, Northern Ireland, 1924-1926. Artist: FC Varley
Grey Abbey, County Down, Northern Ireland, 1924-1926. Grey Abbey was a Cistercian monastery founded in 1193. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume II

Background imageOvergrown Collection: Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. Artist: Armand Kohl

Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. Artist: Armand Kohl
Ruins of an Ahom temple, Dinajpur, Upper Assam, India, 1895. From The Universal Geography with Illustrations and Maps, division XVI, written by Elisee Reclus and published by Virtue & Co

Background imageOvergrown Collection: Harvesting bananas, Costa Rica, 1909

Harvesting bananas, Costa Rica, 1909. Stereoscopic card. Detail

Background imageOvergrown Collection: Muckross Abbey, Killarney, c1882

Muckross Abbey, Killarney, c1882

Background imageOvergrown Collection: Tree growing out old sugar estate chimney, Jamaica, c1905. Artist: Adolphe Duperly & Son

Tree growing out old sugar estate chimney, Jamaica, c1905. Artist: Adolphe Duperly & Son
Tree growing out old sugar estate chimney, Jamaica, c1905. Illustration from Picturesque Jamaica, by Adolphe Duperly & Son, (England, c1905)

Background imageOvergrown Collection: Lanercost Priory, Cumberland, 1814. Artist: John Greig

Lanercost Priory, Cumberland, 1814. Artist: John Greig
Lanercost Priory, Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageOvergrown Collection: A tomb above ground, Pinner Churchyard, London, 1924-1926. Artist: Valentine & Sons Ltd

A tomb above ground, Pinner Churchyard, London, 1924-1926. Artist: Valentine & Sons Ltd
A tomb above ground, Pinner Churchyard, London, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume III, 1924-1926

Background imageOvergrown Collection: Kenilworth Castle, England, late 19th century. Artist: John L Stoddard

Kenilworth Castle, England, late 19th century. Artist: John L Stoddard
Kenilworth Castle, England, late 19th century. Illustration from Portfolio of Photographs, of Famous Scenes, Cities and Paintings, published by the Werner Company, (Chicago, c1899)

Background imageOvergrown Collection: Mayan ruins, Tikal, Guatemala, 19th century. Artist: Alexandre de Bar

Mayan ruins, Tikal, Guatemala, 19th century. Artist: Alexandre de Bar
Mayan ruins, Tikal, Guatemala, 19th century. The archaeological site of Tikal boasts the tallest buildings in Pre-Colombian America

Background imageOvergrown Collection: Uxmal, Pre-Columbian ruined city of the Mayan civilization, Yucatan, Mexico

Uxmal, Pre-Columbian ruined city of the Mayan civilization, Yucatan, Mexico, 19th centArtist: T Taylor
Uxmal, Pre-Columbian ruined city of the Mayan civilization in the state of Yucatan, Mexico, 19th century



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