Outdoors Collection

Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer
Coming from Evening Church, 1830, (1947). Congregation leaving an Evensong service in Shoreham, Kent, with full moon above the church. Painting in the Tate Gallery, London

Christmas Eve, c1915. Artist: Stanhope A Forbes
Christmas Eve, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Darley Arabian, c1720, (1922). After John Wootton (c 1682?1764). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

The waterfall of Amida behind the Kiso Road, c1832. (1925). Artist: Hokusai
The waterfall of Amida behind the Kiso Road, c1832. After a colour woodcut by Katsushika Hokusai (1760-1849). Original work housed in The British Museum

The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Man Sing Palace, Gwalior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Fighting Temeraire, 1839. Artist: JMW Turner
The Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805

Study from Jerusalem. Creator: Anna Katarina Boberg
Study from Jerusalem, Unknown date

View of the Church of Sloten in the Winter, 1640-1666. Creator: Jan Abrahamsz Beerstraten
View of the Church of Sloten in the Winter, 1640-1666

Henley Regatta, c1896. Artist: Marsh Brothers
Henley Regatta, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Humber Twelve Vogue Saloon, c1936. The Humber Limited was a British manufacturer of bicycles and motor vehicles founded by Thomas Humber in 1887 and bought by the Chrysler Corporation in 1967

Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner
Edinburgh: From St. Margarets Loch, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Eclipse, c18th century, (1902). Artist: George Stubbs
Eclipse, c18th century. Eclipse (1764-1789) was an outstanding, undefeated 18th-century British thoroughbred racehorse. From The Connoisseur Vol. III [Otto Limited, London, 1902.]

The Vale of Aylesbury, 1933. Artist: Rex Whistler
The Vale of Aylesbury, 1933. This painting was used by Shell in the 1930s for an advertsing campaign. Painting housed at Upton House. From The Studio Volume 108

Marylebone Town Hall, One of the Most Eminent of Londons New Buildings, c1935. The Town Hall on Marylebone Road in central London opened in 1920

The Garden of Eden, 1901, (1911). Artist: Hugh Goldwin Riviere
The Garden of Eden, 1901, (1911). Painting held at the Guildhall Art Gallery, City of London. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Ulysses Deriding Polyphemus, 1829, (1904). Artist: JMW Turner
Ulysses Deriding Polyphemus, 1829, (1904). From the collection of the National Gallery, London. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Folly Ditch, Jacobs Island, (c1878). Creator: Unknown
Folly Ditch, Jacobs Island, (c1878). Jacobs Island, a notorious slum on the south bank of the River Thames in Bermondsey, London, was made famous in Charles Dickenss novel Oliver Twist

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Martinique Landscape, 1887. Artist: Paul Gauguin
Martinique Landscape, 1887. Painting held in the Scottish National Gallery. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

Carnation, Lily, Lily, Rose, 1885-86, (1938). Artist: John Singer Sargent
Carnation, Lily, Lily, Rose, 1885-86. Painting held at the Tate Britain, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

The Old Fisherman, 1903. Artist: Joseph Edward Southall
The Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

A Celtic Chieftainess (Boadicea), 1924. Creator: Herbert Norris
A Celtic Chieftainess (Boadicea), 1924. From " Costume & Fashion - The Evolution of European Dress Through the Earlier Ages", by Herbert Norris. [J. M. Dent and Sons Ltd, E. P

Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist: Felix Henri Emmanuel Philippoteaux
Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney

Diana of the Uplands, 1903-1904, (c1915). Artist: Charles Wellington Furse
Diana of the Uplands, 1903-1904, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Mother Julian, 1912. Julian of Norwich (c8 November 1342-c1416) was an English anchoress and an important Christian mystic and theologian. From The Mighty Army, by W. M

In Manus Tuas Domine!, 1879, (1918). Artist: Briton Riviere
In Manus Tuas Domine!, 1879, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Christchurch, Oxford, 1916. Artist: Edmund Hort New
Christchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Scarborough, 1909. Artist: JMW Turner
Scarborough, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Port Vendres, La Ville, c1925. Artist: Charles Rennie Mackintosh
Port Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]

The Macnab, 1802. (1922). Artist: Henry Raeburn
The Macnab, 1802. A portrait of Francis Macnab (1734-1816), landowner and 16th chief of Clan Macnab. From The Connoisseur Volume LXIII [Otto Limited, London, 1922.]

The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas
The Armada in sight, Plymouth hoe, 1880, (1911). A depiction of the apocryphal story that Sir Francis Drake (c1540-1596) played a game of bowls in Plymouth Hoe in 1588 while waiting for the tide to

The Battle of San Romano, c1438, (1909). Artist: Paolo Uccello
The Battle of San Romano, c1438, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

A March to the Bank, 1787. Artist: James Gillray
A March to the Bank, 1787. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Launceston, 1909. Artist: JMW Turner
Launceston, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Faerie Queene, c1900. Artist: Walter Crane
Faerie Queene, c1900. The Faerie Queene by Edmund Spenser (1553-1599), illustrated by Walter Crane (1845-1915). From Modern Pen Drawings: European and American, Edited by Charles Holme

Morella, c1920. Artist: Harry Clarke
Morella, c1920. An illustration for Tales of Mystery & Imagination by Edgar Allan Poe (1809-1849). From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

The Punishment of Luxury, 1891 (1935). Artist: Giovanni Segantini
The Punishment of Luxury, 1891 (1935). After the painting by Giovanni Segantini. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]

The Last of England, 1855. Artist: Ford Madox Brown
The Last of England, 1855. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938]

The Virgin and Child with Angels: Leaf of the Wilton Diptych, c1395. (1941)
The Virgin and Child with Angels: Leaf of the Wilton Diptych, c1395. Housed in The National Gallery, London. From The Connoisseur, 1941 edited by H. Granville Fell. [The National Magazine Co

Portsmouth, c1824-5, (1905). Artist: JMW Turner
Portsmouth, c1824-5. Painting held in the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Landing at Greenwich, c1780. Artist: Thomas Rowlandson
Landing at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

Study for A Sunday on La Grande Jatte, 1884. Creator: Georges-Pierre Seurat
Study for " A Sunday on La Grande Jatte", 1884

Boston, Lincolnshire, 1838, (1943). Creator: Unknown
Boston, Lincolnshire, 1838, (1943). View of St Botolphs Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner

The New Zealander, 1872. Creator: Gustave Doré
The New Zealander, 1872. A figure sits on the banks of the River Thames contemplating the downfall of the city. From, " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold

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