Oriental Collection (page 17)

Mount Fuji from the Province of Hara in Suruga, 1860
plant, tree, geographical feature, mountain, procession, volcano, arts, travel, journey, Japan, Japanese, winding, rural life, colour, distance, day, location, countryside, walking, column, oriental

White Heron and Irises, 1833
hunting, water, geographical feature, lake, pond, bird, heron, flower, iris, arts, colour, white, Japan, Japanese, beak, vegetation, oriental, Asia, Asian, foliage, reeds, watching, vertical

Woman Adjusting Her Hair in Front of the Mirror, 1930. Artist: Kitano Tsunetoni
Woman Adjusting Her Hair in Front of the Mirror, 1930. From the British Museum, London

Embroidered white satin ladies kimono, Japanese, Edo period, 1600-1867. From the Victoria & Albert Museum, London

Waterfall of Roben, Oyama, Japan, 1827. Artist: Hokusai
Waterfall of Roben, Oyama, Japan, 1827. From the Victoria & Albert Museum, London

Temma bridge, Osaka, Japan, 1830. Artist: Hokusai
Temma bridge, Osaka, Japan, 1830. From the Victoria & Albert Museum, London

Pines and Peacocks, Japanese Edo period, early 17th century

Two Actors in a Play, 1700-1705. Torii School, Japan. From a private collection

The Princess Nyosan, 1765. Artist: Suzuki Harunobu
The Princess Nyosan, 1765

Actors as Sumurai, 18th century. Artist: Shunsho
Actors as Sumurai, 18th century

Moon at Numazu, from 53 stations of Tokaido, 1832
body, face, solar system, moon, stream, time of day, evening, sky, night, water, geographical feature, river, arts, landscape, location, forest, exterior, travel, luggage, journey, Japan, Japanese

Wooden bridle ornament, Head of Tiger from Altai, 5th century BC-4th century BC. At the Hermitage Museum, Leningrad

Scythian wooden bridle ornament. The Scythians or Scyths were a group of Iranian people and Eurasian nomads who inhabited the western

Silver Bowl from a Sarmatian Tomb, 4th-5th century. The Sarmatians were a large confederation of Iranian people during classical antiquity, flourishing from about 5th century BC to 4th century

Scythian gold, c8th century BC-1st century BC. The Scythians or Scyths were a group of Iranian people and Eurasian nomads who inhabited the western

Lion, Chinese Porcelain
Lion. Chinese Porcelain. British Museum

Dog, One of Twelve Animals in the Japanese Zodiac, Netsuke, c19th century. Victoria and Albert Museum. London

Shou Lao, God of long life, Chinese Porcelain, 18th century. Formerly a stellar deity, the ancient Chinese Taoist god of long life and luck

The immortals visit Shou-Lao, god of Longevity, Porcelain dish, 17th century. from Qing Dynasty, Kangxi reign at British Museum

Cockerels, Famille Rose Enamel Porcelain Plate, Ch Ieh Lung, 1736-1795. Victoria and Albert Museum

Porcelain Dish with Dragons and Phoenixes, c18th century. Painted in underglaze blue and enamels and marked during reign of Kang Hai (1661-1722)

Cloisonne Enamel Dish, Chinese. Cloisonne is an ancient technique for decorating metalwork objects

Chinese Stoneware Figure of a Judge of Hell, Ming Period, 16th century. Diyu is the realm of the dead or hell in Chinese mythology, each of the Ten Courts of Hell is ruled by a judge

The Taoist Immortal, Zhang Guolao, Chinese Ivory, Ming Dynasty, 17th century. Zhang Guo, better known as Zhang Guolao, is a Chinese mythological figure

The Taoist Immortal, Han Xiangzi, Ming Dynasty, 17th century. Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon, often depicted carrying a dizi (Chinese flute)

Attendant of Hsi Wang Mu and peaches of Immortal, Ivory Figure, Ming Dynasty. In Chinese mythology, Peaches of Immortality are consumed by the immortals due to their mystic virtue of conferring

Ivory Figure of Tien Kuan, Master of Heaven, Ming Dynasty, 1368-1644. Tian is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion

The Taoist Immortal, Chung Li Ch Uan, Chinese Ivory, Ming Dynasty, 17th century. Chung-Li Ch uan. revives the souls of the dead with a wave of his fan

Buddha, gilt-bronze, Ming Dynasty, 1396. British Museum

A Lohan (Disciple of Buddha), Chinese woodcarving, 14th century

The Bodhisattva, Manjusri, Gilt-Bronze, Yung-Lo Period, c1403-1424. Manjusri is a bodhisattva associated with prajna (insight) in Mahayana Buddhism. British Museum

Gilt Bronze Figure of a Dharmapala, Yuan Dynasty, 1279-1368. A dharmapala is a type of wrathful god in Buddhism. The name means Dharma protector or defender in Sanskrit

Chinese Horse from a Tomb, T Ang Dynasty, 7th-10th century. The Tang Dynasty is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture

Chinese Tomb Figure of Horse and Rider, Tang Period, 8th century. The Tang Dynasty is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture

Chinese Tomb Guardian, T ang Dynasty, 7th-10th century. The Tang Dynasty is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture

Chinese Bronze Mirror, T ang Dynasty, 618-906. The Tang Dynasty is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture

Chinese Bronze Finial in form of bird, Han Dynasty, 3rd century BC

Chinese Bronze Wrestlers, Late Zhou Dynasty, 4th century BC-3rd century BC. The Zhou dynasty lasted longer than any other dynasty in Chinese history

Gilded Bronze Harness Plaque of Two Animals Fighting, Ordos Region, c3rd century BC. Victoria and Albert Museum

Chinese Bronze Wine-Vessel or Tsun, in form of Short-Eared Owl, 11th century BC-10th century BC

Chinese Acupuncture Chart, Front View

Chinese Acupuncture Chart

Taoist Hermit, Chinese folk art, c1800. Made of wood

Chinese Bronze, A Taoist Emperor

Turkish Rug with Garden Theme, 18th century. Centre Panel stylised waterpool around an oblong island with a star representing water fountain. Metropolitan Museum of Art New York

Persian Manuscript Illustration c16th-17th century. Victoria and Albert Museum

Persian Miniature Manuscript Illustration of Polo, 16th century

Detail feline on Persian Carpet, 16th century

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