Opaque Watercolour Collection (page 3)

Folio from a Qur an Manuscript in Floriated Script, 11th century. Creator: Unknown
Folio from a Qur an Manuscript in Floriated Script, 11th century

Bahram Gur in the Blue Pavilion, Folio from Khamsa (Quintet) of Nizami, early 16th century

Folio from a Qur an Manuscript, 9th-early 10th century. Creator: Unknown
Folio from a Qur an Manuscript, 9th-early 10th century

Folio from a Qur an Manuscript, early 14th century. Creator: Unknown
Folio from a Qur an Manuscript, early 14th century

Emperor Babur Receiving a Visitor, Folio from a Baburnama (The Book of Babur), ca. 1590

Folio from the Kathasaritsagara, ca. 1590. Creator: Unknown
Folio from the Kathasaritsagara, ca. 1590

Women Bathing by Moonlight, Folio from the Davis Album, 18th century. Creator: Unknown
Women Bathing by Moonlight, Folio from the Davis Album, 18th century

Diana, Goddess of the Hunt, Folio from the Davis Album, early 17th century

Portrait of a Noble in Gauzy White Costume, Folio from the Davis Album, 17th century

Lady in Elizabethan Costume, late 17th century. Creator: Unknown
Lady in Elizabethan Costume, late 17th century

Princess Entertaining a Visitor on the Balcony, Folio from the Davis Album, mid-second half 17th century

Aquatic Birds at a Pool, Folio from the Davis Album, 18th century. Creator: Unknown
Aquatic Birds at a Pool, Folio from the Davis Album, 18th century

Chilins (Chinese Chimerical Creatures) Fighting with a Dragon, 16th century

Two Sides of a Bengal River Fish, ca. 1804. Creator: Unknown
Two Sides of a Bengal River Fish, ca. 1804

Summer, from a Series of the Four Seasons, Folio from the Davis Album, ca. 1660-70

Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso), c1720
Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso), ca. 1720 (recto); ca. 1750-75 (verso)

Maharana Amar Singh II Is Shown Two Silver Elephants, ca. 1705. Creator: Stipple Master
Maharana Amar Singh II Is Shown Two Silver Elephants, ca. 1705

Maharana Ari Singh with His Courtiers Being Entertained at the Jagniwas Water Palace, dated 1767

Maharana Bhim Singh and Retinue Embark on a Hunt, ca. 1805-10. Creator: Chokha
Maharana Bhim Singh and Retinue Embark on a Hunt, ca. 1805-10. Attributed to Chokha (Indian, active 1799-ca. 1826)

Shiva Carries the Corpse of Sati, ca. 1865-75. Creator: Unknown
Shiva Carries the Corpse of Sati, ca. 1865-75. Pilgrims and devotees would have purchased such paintings as this one from craftsmen who worked around Calcuttas Kalighat temple

Page from a Dispersed Rasikapriya (Lovers Breviary), 1685. Creator: Nuruddin
Page from a Dispersed Rasikapriya (Lovers Breviary), 1685. Krishna approaches Radha, attended by two female servants with two men, perhaps jewelers

Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694-95

Maharaja Sardar Singh of Bikaner, ca. 1860-70. Creator: Chotu
Maharaja Sardar Singh of Bikaner, ca. 1860-70

Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes), ca. 1700-1710

Maharaja Bijay Singh in His Harem, ca. 1770. Creator: Unknown
Maharaja Bijay Singh in His Harem, ca. 1770

Equestrian Portrait of a Nobleman, ca. 1710-20. Creator: Unknown
Equestrian Portrait of a Nobleman, ca. 1710-20

Chandravimba Ragaputra: Page from a Dispersed Boston Ragamala Series
Chandravimba Ragaputra: Page from a Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760

Raga Desakar, early 18th century. Creator: Unknown
Raga Desakar, early 18th century

Rama and Lakshmana on Mount Pavarasana: Folio from the Shangri Ramayana series... c1690-1710
Rama and Lakshmana on Mount Pavarasana: Folio from the Shangri Ramayana series (Style II), ca. 1690-1710

Radha Speaks to Krishna: Page from the Boston Rasikapriya (Lovers Breviary), ca. 1610

A Prince Hunting Boars with His Retinue, late 18th-early 19th century. Creator: Unknown
A Prince Hunting Boars with His Retinue, late 18th-early 19th century

Rustams seventh course: He kills the White Div, folio 124... 1522-1537. Creator
Rustams seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020), 1522-1537

Yusuf and Zulaykha meeting, c. 1764. Creator: Unknown
Yusuf and Zulaykha meeting, c. 1764. Joseph, called Yusuf in Arabic and Persian sources, had been thrown into a well by his jealous older brothers

The parrot addresses Khujasta at the beginning of the twenty-seventh night, recto of folio 185 from Akbars Tuti-nama (Tales of a Parrot), c. 1560

Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha, c. 1450. Creator: Unknown
Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha, c. 1450. Mahasiddhas, or " Great Adepts, " are revered in tantric Buddhism

Tughra: Shah Muhammad bin Ibrahim Khan, al-muzaffar daima... 1648-1687. Creator: Unknown
Tughra: Shah Muhammad bin Ibrahim Khan, al-muzaffar daima (Sultan Mehmed, son of Ibrahim Khan, the eternally victorious; Calligraphy (Ottoman Turkish Signature), Single Page Manuscript, 1648-1687

Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories), 1598-1600. The Zafar-nama, a biography of Timur praising his accomplishments

Tiger Hunt of Raja Ram Singh II, c. 1830-1840. Creator: Unknown
Tiger Hunt of Raja Ram Singh II, c. 1830-1840. With the dramatic cliffs of Kotah as the backdrop, one massive tiger is shown at three rapidly successive moments in time

Tiered Court Scene, c. 1735. Creator: Chitarman II (Indian, c. 1680-?. 1750)
Tiered Court Scene, c. 1735. Emperor Muhammad Shah rekindled an imperial interest in Hinduism that had not been so strong since the time of Akbar, 150 years before

Vajrapani Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300. Creator
Vajrapani Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300

The Flagellation, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. This is the last illustration in the Cleveland manuscript of the Mir at al-quds

Twenty-three Deity Nairatma Mandala, c. 1375. Creator: Unknown
Twenty-three Deity Nairatma Mandala, c. 1375. One of the main types of imagery in tantric Buddhist art is the mandala, a two-dimensional diagram of the realm of an enlightened being

The Adoration of the Shepherds, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Without reading the text

The Adoration of the Magi, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. In this Nativity scene, familiar in Christian contexts

The Marriage at Cana, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

The Magi Follow the Star, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. One of the three kings points excitedly at the star at the upper left edge of the page

The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama... c. 1596. Creator
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247-1318), c. 1596

Tantric Buddha Vairochana, c. 1150-1200. Creator: Unknown
Tantric Buddha Vairochana, c. 1150-1200. Tantric Buddhas are distinguished from historical Buddhas by their crown and jewelry and their association with a vajra

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