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New York Collection (page 19)

Background imageNew York Collection: Portrait of Countess Maria Ivanovna Lamsdorf, nee Beck, 1859

Portrait of Countess Maria Ivanovna Lamsdorf, nee Beck, 1859. Artist: Winterhalter, Franz Xavier (1805-1873)
Portrait of Countess Maria Ivanovna Lamsdorf, nee Beck, 1859. Found in the collection of the Metropolitan Museum of Art, New York

Background imageNew York Collection: The Judgement of Paris, ca 1528. Artist: Cranach, Lucas, the Elder (1472-1553)

The Judgement of Paris, ca 1528. Artist: Cranach, Lucas, the Elder (1472-1553)
The Judgement of Paris, ca 1528. Found in the collection of the Metropolitan Museum of Art, New York

Background imageNew York Collection: Mirth (Regozijo). Album Witches and Old Women, ca 1820

Mirth (Regozijo). Album Witches and Old Women, ca 1820. Found in the Collection of The Hispanic Society of America, New York

Background imageNew York Collection: Workers at the Construction of Empire State Building, 1932

Workers at the Construction of Empire State Building, 1932. Private Collection

Background imageNew York Collection: Landscape with Red Spots No. 2 (Landschaft mit roten Flecken Nr. 2), 1913

Landscape with Red Spots No. 2 (Landschaft mit roten Flecken Nr. 2), 1913. Found in the collection of Solomon R. Guggenheim Foundation, New York

Background imageNew York Collection: Capricious Forms (Formes capricieuses), 1937. Artist: Kandinsky, Wassily Vasilyevich (1866-1944)

Capricious Forms (Formes capricieuses), 1937. Artist: Kandinsky, Wassily Vasilyevich (1866-1944)
Capricious Forms (Formes capricieuses), 1937. Found in the collection of Solomon R. Guggenheim Foundation, New York

Background imageNew York Collection: The Model, ca 1926. Artist: Grigoriev, Boris Dmitryevich (1886-1939)

The Model, ca 1926. Artist: Grigoriev, Boris Dmitryevich (1886-1939)
The Model, ca 1926. Found in the collection of the Metropolitan Museum of Art, New York

Background imageNew York Collection: Suprematist Composition. White on White, 1918. Artist: Malevich, Kasimir Severinovich (1878-1935)

Suprematist Composition. White on White, 1918. Artist: Malevich, Kasimir Severinovich (1878-1935)
Suprematist Composition. White on White, 1918. Found in the collection of the © Museum of Modern Art, New York

Background imageNew York Collection: Business Centre of New York at the Seaward End of Manhattan and environs, c1930s

Business Centre of New York at the Seaward End of Manhattan and environs, c1930s
Business Centre of New York at the Seaward End of Manhattan and the Environs of the Island City, c1930s. From Geographical Magazine, Volume 5

Background imageNew York Collection: Midtown Skyline Showing Empire State Building, New York City, c1940s

Midtown Skyline Showing Empire State Building, New York City, c1940s. [Colourpicture Publication, Boston]

Background imageNew York Collection: Ticonderoga Fort, c1880. Artist: Joseph Swain

Ticonderoga Fort, c1880. Artist: Joseph Swain
Ticonderoga Fort, c1880. From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

Background imageNew York Collection: Broadway, New York, 19th century

Broadway, New York, 19th century. From The Colonial Portfolio, . [The Werner Company, London]. (Colorised black and white print)

Background imageNew York Collection: Edward VII as Prince of Wales, New York, 1860, 1860, (1939). Artist: Mathew Brady

Edward VII as Prince of Wales, New York, 1860, 1860, (1939). Artist: Mathew Brady
Edward VII as Prince of Wales, New York, 1860, 1860, (1939). Edward VII (Albert Edward, 1841-1910) was King of the United Kingdom of Great Britain and Ireland, King of the Commonwealth Realms

Background imageNew York Collection: Proposed Bridge across the Hudson at Poughkeepsie, 1883

Proposed Bridge across the Hudson at Poughkeepsie, 1883. From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

Background imageNew York Collection: Poughkeepsie, 1883

Poughkeepsie, 1883. From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

Background imageNew York Collection: Government Buildings on Wards Island, 1883

Government Buildings on Wards Island, 1883. From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

Background imageNew York Collection: Opening of the Shaft Beneath Hell Gate, 1883

Opening of the Shaft Beneath Hell Gate, 1883. From America Illustrated, edited by J. David Williams. [DeWolfe, Fiske & Company, Boston, 1883]

Background imageNew York Collection: Madison Square, 19th century

Madison Square, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: New York Bay, 19th century

New York Bay, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: The Niagara Cantaliver Bridge, 19th century

The Niagara Cantaliver Bridge, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: St. Patricks Cathedral, 19th century

St. Patricks Cathedral, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: The Catskill Railway, 19th century

The Catskill Railway, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: Watkins Glen, 19th century

Watkins Glen, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: New York Newspaper Buildings, 19th century

New York Newspaper Buildings, 19th century. From The Colonial Portfolio. [The Werner Company, London]

Background imageNew York Collection: Map of New York, c1900s. Artist: Emery Walker Ltd

Map of New York, c1900s. Artist: Emery Walker Ltd
Map of New York. Duotone Print, c1900s

Background imageNew York Collection: Rivetting the last bolts on The Morning Mast of the Empire State building, c1931

Rivetting the last bolts on The Morning Mast of the Empire State building, c1931. Artist: Lewis Wickes Hine
Rivetting the last bolts on The Morning Mast of the Empire State building, c1931. Rivetting the last bolts on The Morning Mast of the Empire State building

Background imageNew York Collection: Lower Broadway, New York City, USA, 20th century. Artist: J Dearden Holmes

Lower Broadway, New York City, USA, 20th century. Artist: J Dearden Holmes
Lower Broadway, New York City, USA, 20th century. Sunbeam Tours stereoscopic card detail. (Colorised black and white print)

Background imageNew York Collection: Main entrance and loggia on 38 Street, Fraternity Clubs Building, New York City, 1924

Main entrance and loggia on 38 Street, Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style

Background imageNew York Collection: The Fraternity Clubs Building from Madison Avenue, New York City, 1924

The Fraternity Clubs Building from Madison Avenue, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style, the Fraternity Clubs Building is a hotel completed in 1923

Background imageNew York Collection: South-east dining room, the Fraternity Clubs Building, New York City, 1924

South-east dining room, the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style, the Fraternity Clubs Building is a hotel completed in 1923

Background imageNew York Collection: Main entrance of the Fraternity Clubs Building, New York City, 1924

Main entrance of the Fraternity Clubs Building, New York City, 1924. Detail showing the Italian loggia on the second floor

Background imageNew York Collection: Floor plans, the Fraternity Clubs Building, New York City, 1924

Floor plans, the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style, the Fraternity Clubs Building is a hotel completed in 1923

Background imageNew York Collection: Elevator lobby, first floor, the Fraternity Clubs Building, New York City, 1924

Elevator lobby, first floor, the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style

Background imageNew York Collection: Fireplace in south-east dining room, the Fraternity Clubs Building, New York City, 1924

Fireplace in south-east dining room, the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style

Background imageNew York Collection: Entrance to south-east dining room, the Fraternity Clubs Building, New York City, 1924

Entrance to south-east dining room, the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style

Background imageNew York Collection: The Fraternity Clubs Building, New York City, 1924

The Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style, the Fraternity Clubs Building is a hotel completed in 1923

Background imageNew York Collection: View looking south on Madison Avenue of the Fraternity Clubs Building, New York City, 1924

View looking south on Madison Avenue of the Fraternity Clubs Building, New York City, 1924. Designed by Murgatroyd and Ogden in Renaissance Revival style

Background imageNew York Collection: Execution of slave trader Nathaniel Gordon in the Tombs prison in New York, 1862, (1938)

Execution of slave trader Nathaniel Gordon in the Tombs prison in New York, 1862, (1938). Sentimental enthusiasm for notions of brotherhood of man found frequent

Background imageNew York Collection: A view of New York at night, 1915

A view of New York at night, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Background imageNew York Collection: The Brooklyn Bridge, New York, 1915

The Brooklyn Bridge, New York, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Background imageNew York Collection: The Hall of Records, New York, 1915

The Hall of Records, New York, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Background imageNew York Collection: The Park Lane Hotel, New York City, 1924

The Park Lane Hotel, New York City, 1924. The Adam style of English architecture is suggested in the design of decorative details. From The Architectural Forum Volume XLI

Background imageNew York Collection: General view of the Johns-Manville Building, New York City, 1924

General view of the Johns-Manville Building, New York City, 1924. From The Architectural Forum Volume XLI. [Rogers and Manson, New York, 1924]

Background imageNew York Collection: End of main entrance hall, Standard Oil Building, New York City, 1924

End of main entrance hall, Standard Oil Building, New York City, 1924. New Yorks Standard Oil Building was designed by Carrere and Hastings and built between 1921 and 1928

Background imageNew York Collection: Standard Oil Building, New York City, 1924

Standard Oil Building, New York City, 1924. New Yorks Standard Oil Building was designed by Carrere and Hastings and built between 1921 and 1928. From The Architectural Forum Volume XLI

Background imageNew York Collection: Miss Mabelle Gilman, the Bewitching Girl in the Casino - The Casino Girl at the Shaftesbury

Miss Mabelle Gilman, the Bewitching Girl in the Casino - The Casino Girl at the Shaftesbury, 1 Artist: W&D Downey
Miss Mabelle Gilman, the Bewitching Girl in the Casino, 1900. Mabelle Gilman Corey (b1874), American actress. She was married to William Ellis Corey president of the Carnegie Steel Company

Background imageNew York Collection: Exterior of Hawthorne Court Apartments, Jackson Heights, New York, 1922

Exterior of Hawthorne Court Apartments, Jackson Heights, New York, 1922. From The Architectural Forum Volume XXXVII. [Rogers and Manson, New York, 1922]

Background imageNew York Collection: Stair hall, house of Mrs William Hayward, New York, 1922

Stair hall, house of Mrs William Hayward, New York, 1922. From The Architectural Forum Volume XXXVII. [Rogers and Manson, New York, 1922]



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