Mortimer Menpes Collection (page 8)

Maude, c1876, (1904). Artist: James Abbott McNeill Whistler
Maudet, c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Velvet Dress (Mrs. Leyland), 1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Mrs. Leyland), 1873, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Elinor Leyland, 1874, (1904). Artist: James Abbott McNeill Whistler
Elinor Leyland, 1874, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, c1973, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Model Resting, 1870, (1904). Artist: James Abbott McNeill Whistler
Model Resting, 1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler
Chelsea Wharf, 1863, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Nocturne: Blue and Gold, St Marks, Venice, 1880, (1904). Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold, St Mark s, Venice, 1880, (1904). Paitning held at the National Museum of Wales, Cardiff. From Whistler As I Knew Him, by Mortimer Menpes

Venice, c1870, (1904). Artist: James Abbott McNeill Whistler
Venice, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Annie Haden, 1860, (1904). Artist: James Abbott McNeill Whistler
Annie Haden, 1860, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Storm, Sunset, 1880, (1904). Artist: James Abbott McNeill Whistler
The Storm, Sunset, 1880, (1904). Pastel held in the Harvard Art Museums, Massachusetts. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Finette, 1859, (1904). Artist: James Abbott McNeill Whistler
Finette, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Black and Gold, Venice, c1860, (1904). Artist: James Abbott McNeill Whistler
Black and Gold, Venice, c1860, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Limehouse, 1859, (1904). Artist: James Abbott McNeill Whistler
Limehouse, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Thames Warehouses, 1859, (1904). Artist: James Abbott McNeill Whistler
Thames Warehouses, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Isle De La Cite, Paris, 1859, (1904). Artist: James Abbott McNeill Whistler
The Isle De La Cite, Paris, 1859, (1904). Etching held at the National Gallery Of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

The Kitchen, 1858, (1904). Artist: James Abbott McNeill Whistler
The Kitchen, 1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Lady Meux, c1882, (1904). Artist: James Abbott McNeill Whistler
La Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

La Vieille Aux Loques, c1858, (1904). Artist: James Abbott McNeill Whistler
La Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

St. Paul s, c1884, (1904). Artist: James Abbott McNeill Whistler
St. Paul s, c1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Osaka, Japan, c1900. Artist: Mortimer L Menpes
Osaka, Japan, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

La Petite Marie, 1905. (1914). Artist: Mortimer L Menpes
La Petite Marie, 1905. An illustration from Brittany by Mortimer Menpes (1855-1938). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]

Miss Constance Collier in One Summers Day, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Mortimer Menpes, British artist, 1898 (1899). A print from The Magazine of Art, Cassell and Company, Limited, 1899

Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill Whistler
Nocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Old Putney Bridge, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler
The Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill Whistler
Battersea Bridge, London, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). Artist: James Abbott McNeill Whistler
Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). First trial proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London)

Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill Whistler
Lord Wolseley, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Temple Bar, 19th century (1904). Artist: James Abbott McNeill Whistler
Temple Bar, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler
A sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Dam Wood, c1875 (1904). Artist: James Abbott McNeill Whistler
The Dam Wood, c1875 (1904). First proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Child on a Couch, 19th century (1904). Artist: James Abbott McNeill Whistler
Child on a Couch, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Swinburne, 19th century (1904). Artist: James Abbott McNeill Whistler
Swinburne, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler
The Model, Lying Down, c1864 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Tillie, a Model, 1873 (1904). Artist: James Abbott McNeill Whistler
Tillie, a Model, 1873 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Moreby Hall, c1883 (1904). Artist: James Abbott McNeill Whistler
Moreby Hall, c1883 (1904). Watercolour. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler
Maude, Standing, 1873 (1904). Trial proof with light tippet. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress, 1873 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Model Resting, 19th century (1904). Artist: James Abbott McNeill Whistler
The Model Resting, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
Weary, 1863 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Little Forge, c1860 (1904). Etching. An early proof before a monogram. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler
Millbank, c1860 (1904). Etching. A unique impression with the word not added. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

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