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Mirror Collection (page 18)

Background imageMirror Collection: Boudoir and bed chamber of a lady of rank, China, 19th century. Artist: W Floyd

Boudoir and bed chamber of a lady of rank, China, 19th century. Artist: W Floyd
Boudoir and bed chamber of a lady of rank, China, 19th century

Background imageMirror Collection: It is necessary to suffer to be beautiful, 1882-1884. Artist: EA Tilly

It is necessary to suffer to be beautiful, 1882-1884. Artist: EA Tilly
It is necessary to suffer to be beautiful, 1882-1884. A print from the La Gazette du Bon Ton. A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel

Background imageMirror Collection: Total war: What Old Mirrors They Make Nowadays, 1868 (1956)

Total war: What Old Mirrors They Make Nowadays, 1868 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential

Background imageMirror Collection: Oval mirror and bed of Napoleon I, 1911-1912. Artist: Edwin Foley

Oval mirror and bed of Napoleon I, 1911-1912. Artist: Edwin Foley
Oval mirror and bed of Napoleon I, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd, London, 1911-1912

Background imageMirror Collection: Murderation! Molly, Be Easy. Artist: American Stereoscopic Company

Murderation! Molly, Be Easy. Artist: American Stereoscopic Company
Murderation! Molly, Be Easy. Stereoscopic card detail

Background imageMirror Collection: Gee Whiz. Artist: American Stereoscopic Company

Gee Whiz. Artist: American Stereoscopic Company
Gee Whiz. Stereoscopic card detail

Background imageMirror Collection: Placing the Bridal Veil. Artist: American Stereoscopic Company

Placing the Bridal Veil. Artist: American Stereoscopic Company
Placing the Bridal Veil. Stereoscopic card detail

Background imageMirror Collection: Dr Charles Burneys Family, (1912)

Dr Charles Burneys Family, (1912). Cut with scissors mounted on silk. Charles Burney (1726-1814) was a music historian and was the father of the author Frances Burney

Background imageMirror Collection: Jeanne Julia Bartet, French actress, 1901

Jeanne Julia Bartet, French actress, 1901. A photograph from Album de Photographies dans L Intimite de Personnages Illustres, 1860-1925, 9th album, Editions MD, Paris

Background imageMirror Collection: Black lacquer settee, chairs and table and red lacquer mirror, 1910. Artist: Edwin Foley

Black lacquer settee, chairs and table and red lacquer mirror, 1910. Artist: Edwin Foley
Black lacquer settee, chairs and table and red lacquer mirror, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

Background imageMirror Collection: A group of early 18th century furniture, 1910. Artist: Edwin Foley

A group of early 18th century furniture, 1910. Artist: Edwin Foley
A group of early 18th century furniture, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

Background imageMirror Collection: Panelling, mirror frame, walnut table and chair, Charles Wesleys walnut high case clock, 1910

Panelling, mirror frame, walnut table and chair, Charles Wesleys walnut high case clock, 1910. Artist: Edwin Foley
Panelling, mirror frame, walnut table and chair, Charles Wesleys walnut high case clock, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row

Background imageMirror Collection: Mirror, gueridons, and table overlaid with silver plaques, 1910. Artist: Edwin Foley

Mirror, gueridons, and table overlaid with silver plaques, 1910. Artist: Edwin Foley
Mirror, gueridons, and table overlaid with silver plaques, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

Background imageMirror Collection: British heliographing from the Johannesburg Fort the news of the occupation, Boer war, 1900

British heliographing from the Johannesburg Fort the news of the occupation, Boer war, 1900. Johannesburg was captured by the British on 31st May 1900

Background imageMirror Collection: Admiration

Admiration. A vain woman admiring her reflection in a mirror

Background imageMirror Collection: Knight and Squire, early 16th century, (1929). Artist: Hans Wechtlin the Elder

Knight and Squire, early 16th century, (1929). Artist: Hans Wechtlin the Elder
Knight and Squire, early 16th century, (1929). Chiaroscuro cut. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageMirror Collection: The Interior of a French Barracks, 1787, (1929). Artist: Thomas Rowlandson

The Interior of a French Barracks, 1787, (1929). Artist: Thomas Rowlandson
The Interior of a French Barracks, 1787, (1929). Satire showing French soldiers preening in mirrors, having pedicures and pampering their wigs. Illustration from the Apollo Volume X, no 55, July 1929

Background imageMirror Collection: Architectural detail, 19th century. Artist: F Durin

Architectural detail, 19th century. Artist: F Durin
Architectural detail, 19th century. Escalier, Hotel du Rond-Point des Champs-Elysees, Paris. Staircase in the interior of a hotel

Background imageMirror Collection: Woman admiring herself in a mirror, 1908-1909. Artist: Hubner & Wilson

Woman admiring herself in a mirror, 1908-1909. Artist: Hubner & Wilson
Woman admiring herself in a mirror, 1908-1909. From Penroses Pictorial Annual 1908-1909, An Illustrated Review of the Graphic Arts, Volume 14

Background imageMirror Collection: Advertisement for Maple & Co of London, sellers of antique furniture, 1901

Advertisement for Maple & Co of London, sellers of antique furniture, 1901. Illustration from The Connoisseur, (November 1901)

Background imageMirror Collection: Lady Lilith, 1886-1887, (1923). Artist: Medici Society Ltd

Lady Lilith, 1886-1887, (1923). Artist: Medici Society Ltd
Lady Lilith, 1886-1887, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageMirror Collection: The Royal Closet. - St. James s. The Archbishops and Bishops congratulating her Majesty on Her

The Royal Closet. - St. James s. The Archbishops and Bishops congratulating her Majesty on Her Birt Artist
The Royal Closet. - St. James s. The Archbishops and Bishops congratulating her Majesty on Her Birthday, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission

Background imageMirror Collection: La Comparaison, 1900

La Comparaison, 1900. From Le Panorama - Paris la Nuit No. 1, [Librairie D Art - Ludovic Baschet editeur, Paris, 1900]

Background imageMirror Collection: New-Year Card or Surimono, c1890

New-Year Card or Surimono, c1890. After Katsushika Hokusai (1760-1849). From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Background imageMirror Collection: Eleanor of Provence (c1223-1291), Queen consort of King Henry III, 19th century. Artist: B Eyles

Eleanor of Provence (c1223-1291), Queen consort of King Henry III, 19th century. Artist: B Eyles
Eleanor of Provence (c1223-1291), Queen consort of King Henry III, 19th century. Eleanor and Henry were married on January 14, 1236

Background imageMirror Collection: General Electric Cos Showroom, 1933

General Electric Cos Showroom, 1933. From The Studio Volume 106. [The Offices of the Studio, London, 1933]

Background imageMirror Collection: The Salon, Avington, c1908

The Salon, Avington, c1908. The Salon of Avington Park, Winchester, Hampshire, England. From The Connoiseur Vol. XXII. [Otto Limited, London, 1908-9]

Background imageMirror Collection: The Bar at the Folies-Bergere, 1882, (1938). Artist: Edouard Manet

The Bar at the Folies-Bergere, 1882, (1938). Artist: Edouard Manet
The Bar at the Folies-Bergere, 1882. Painting housed in the Courtauld Institute of Art, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Background imageMirror Collection: Aggravating Flippancy, 1870 (1891). Artist: George du Maurier

Aggravating Flippancy, 1870 (1891). Artist: George du Maurier
Aggravating Flippancy, 1870 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageMirror Collection: Francis I of France recives a mirror from the Venetian ambassador, 1515-1547 (1882-1884)

Francis I of France recives a mirror from the Venetian ambassador, 1515-1547 (1882-1884). Artist: Ruesnel
Francis I of France recives a mirror from the ambassador of the Republic of Venice, 1515-1547 (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume II, F Roy editor

Background imageMirror Collection: Billie Burke, American actress, c1903-1919

Billie Burke, American actress, c1903-1919. Billie Burkes (1884-1970) stage career began in London in 1903. She later returned to the United States to become a star in Broadway musical comedies

Background imageMirror Collection: The Young Shaver

The Young Shaver. Stereoscopic card detail

Background imageMirror Collection: Mellerio dits Meller jewellery, 1938. Artist: Joffe

Mellerio dits Meller jewellery, 1938. Artist: Joffe
Mellerio dits Meller jewellery, 1938. Mellerio dits Meller are a family of European jewellery makers who have been active since 1613. Plate taken from Plaisir de France (December, 1938)

Background imageMirror Collection: A living room during the reign of Louis XIII, Hotel Marion du Fresne, Saint-Malo, France, 1938

A living room during the reign of Louis XIII, Hotel Marion du Fresne, Saint-Malo, France, 1938

Background imageMirror Collection: The Oval Sitting-room at the White House, Washington DC, USA, 1908

The Oval Sitting-room at the White House, Washington DC, USA, 1908. Illustration from The Story of the White House, by Esther Singleton, Volume II, (Hodder and Stoughton, London, 1908)

Background imageMirror Collection: The Mirror, 1900 (1926). Artist: William Newenham Montague Orpen

The Mirror, 1900 (1926). Artist: William Newenham Montague Orpen
The Mirror, 1900 (1926). From Apollo magazine, volume IV, no 21 (September 1926)

Background imageMirror Collection: Models at a great dressmakers, Paris, 1931. Artist: Ernest Flammarion

Models at a great dressmakers, Paris, 1931. Artist: Ernest Flammarion
Models at a great dressmakers, Paris, 1931. Illustration from the book Paris published by Ernest Flammarion, (1931)

Background imageMirror Collection: The great gallery, Stafford House, 1908. Artist: Bedford Lemere and Company

The great gallery, Stafford House, 1908. Artist: Bedford Lemere and Company
The great gallery, Stafford House, 1908. Charles Dickens mentions the private collection of paintings at Stafford House, near St James?s Palace

Background imageMirror Collection: The English Lady at Paris, 1771. Artist: Charles Brandoin

The English Lady at Paris, 1771. Artist: Charles Brandoin
The English Lady at Paris, 1771. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageMirror Collection: A Milliners Shop, 1787

A Milliners Shop, 1787
A Milliners Shop. 1787. From Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseud Emily Morse Symonds]. [London, 1905]

Background imageMirror Collection: The Charming Brute, (A satire on Handel), 1754

The Charming Brute, (A satire on Handel), 1754. The German composer Handel, here depicted as a pig, had a huge appetite. Here he is at his organ, sitting on a barrel of ale, surrounded by poultry

Background imageMirror Collection: A Lady putting on her cap, June 1795

A Lady putting on her cap, June 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageMirror Collection: Modern Elegance: A Portrait, 1796

Modern Elegance: A Portrait, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageMirror Collection: The Preposterous Head Dress or The Feathered Lady, 1776

The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageMirror Collection: Pantheon Macaroni, 1782

Pantheon Macaroni, 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageMirror Collection: Nearly worried to death by the Greatest Plague of Life, c1840s. Artist: George Cruikshank

Nearly worried to death by the Greatest Plague of Life, c1840s. Artist: George Cruikshank
Nearly worried to death by the Greatest Plague of Life, c1840s. Cartoon sketch: Adventures of a lady in search of a good servant/by one who has been almost worried to death

Background imageMirror Collection: The Bride, 1856. Artist: Abraham Solomon

The Bride, 1856. Artist: Abraham Solomon
The Bride, 1856. A print from The Illustrated London News, (10 May 1856)

Background imageMirror Collection: Katie Seymour, actress, singer and dancer, 1901. Artist: Mendelssohn

Katie Seymour, actress, singer and dancer, 1901. Artist: Mendelssohn
Katie Seymour, actress, singer and dancer, 1901



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