Medieval Collection (page 100)

The Choir, Sherborne Abbey, Dorset, 1924-1926. Artist: E Bastard
The Choir, Sherborne Abbey, Dorset, 1924-1926. A Benedictine Abbey was founded at Sherborne in 998 by St Wulfsin, the twentieth Bishop of Sherborne

Abbey gatehouse, Cerne Abbas, Dorset, 1924-1926. Artist: E Bastard
Abbey gatehouse, Cerne Abbas, Dorset, 1924-1926. The village of Cerne Abbas grew up around a Benedictine Abbey established in 987

Packard car advert, 1930. A print from The Saturday Evening Post, 10th May 1930

Bootham Bar, York, North Yorkshire, 1924-1926. Artist: Donald McLeish
Bootham Bar, York, North Yorkshire, 1924-1926. York Minster in the background. Bootham Bar is one of the four gatehouses, or bars, in the medieval city walls of York

Salisbury Cathedral, Wiltshire, 1924-1926. Artist: George F Nicholls
Salisbury Cathedral, Wiltshire, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Fords Hospital, Coventry, West Midlands, 1924-1926. The hospital or almshouse, founded in 1509 by William Ford, provided sheltered accommodation for elderly people

Lord Leycester Hospital, Warwick, 1924-1926. Artist: Emil Otto Hoppe
Lord Leycester Hospital, Warwick, 1924-1926. Formerly the headquarters of the United Guilds of Warwick, these medieval buildings were acquired by Robert Dudley, Earl of Leicester who

The Great Hall, Warwick Castle, 1924-1926. Artist: HN King
The Great Hall, Warwick Castle, 1924-1926. Situated at a crossing of the River Avon, Warwick was first fortified in c915. William I ordered the castle to be extended in 1086

Caesars Tower, Warwick Castle, Warwickshire, 1924-1926. Artist: Valentine & Sons Ltd
Caesars Tower, Warwick Castle, Warwickshire, 1924-1926. Situated at a crossing of the River Avon, Warwick was first fortified in c915. William I ordered the castle to be extended in 1086

A room in Stirling Castle, Scotland, 1924-1926. Artist: Valentine & Sons Ltd
A room in Stirling Castle, Scotland, 1924-1926. A photo from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Interior, Bath Abbey, Somerset, 1924-1926. Artist: Humphrey Joel
Interior, Bath Abbey, Somerset, 1924-1926. Bath Abbeys founder, Bishop Oliver King, reputedly had a dream himself featuring Jacobs Ladder that inspired him to build the Abbey on the site of

Ludlow Castle, Shropshire, England, 1924-1926. Artist: Francis Frith & Co
Ludlow Castle, Shropshire, England, 1924-1926. The building of Ludlow Castle was begun in the late 11th century by Roger de Lacy, one of the Marcher Lords on the border with Wales

Manor House, Ditchling, East Sussex, 1924-1926. Artist: Herbert Felton
Manor House, Ditchling, East Sussex, 1924-1926. A photo from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Scarborough Castle, North Yorkshire, England, 1924-1926. Illustration from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume IV, (Hutchinson and Co, 1924-1926)

The Nave, Wells Cathedral, Somerset, England, 1924-1926. Artist: Francis Frith & Co
The Nave, Wells Cathedral, Somerset, England, 1924-1926. Interior of the cathedral which was begun in 1180. The scissor arches were built in the 14th century to stabilise the building after an added

Ludlow Castle, Shropshire, 1924-1926. Artist: Louis Burleigh Bruhl
Ludlow Castle, Shropshire, 1924-1926. The building of Ludlow Castle was begun in the late 11th century by Roger de Lacy, one of the Marcher Lords on the border with Wales

Study for the casting of the Sforza Monument, c1493 (1954). Artist: Leonardo da Vinci
Study for the casting of the Sforza Monument, c1493 (1954). In the 1480s Ludovico Sforza, Duke of Milan, commissioned Leonardo da Vinci to produce a great bronze equestrian statue of his father

Studies for the Sforza Monument, c1488-1493 (1954). Artist: Leonardo da Vinci
Studies for the Sforza Monument, c1488-1493 (1954). Study for the great bronze equestrian statue of Francesco Sforza, Duke of Milan, commissioned by his son and successor, Ludovico

Study of a garment for St Anne, 1503-1517 (1954). Artist: Leonardo da Vinci
Study of a garment for St Anne, 1503-1517 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait of Isabella d Este, 1500 (1954). Artist: Leonardo da Vinci
Portrait of Isabella d Este, 1500 (1954). Found in the collection of the Louvre, Paris. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait study of a man, 15th century(?) (1954). Artist: Leonardo da Vinci
Portrait study of a man, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Portrait study of a young girls head, 15th century(?) (1954). Artist: Leonardo da Vinci
Portrait study of a young girls head, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Study of Judas for The Last Supper, c1495 (1954). Artist: Leonardo da Vinci
Study of Judas for The Last Supper, c1495 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of a girls head, c1483 (1954). Artist: Leonardo da Vinci
Study of a girls head, c1483 (1954). Found in the collection of the Biblioteca Reale in Turin. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of a rocky cavern with ducks, 1482-1485 (1954). Artist: Leonardo da Vinci
Study of a rocky cavern with ducks, 1482-1485 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Studies for a half length female figure, 15th century(?) (1954). Artist: Leonardo da Vinci
Studies for a half length female figure, 15th century(?) (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Studies for The Adoration of the Magi, 15th century, (1954). Artist: Leonardo da Vinci
Studies for The Adoration of the Magi, 15th century, (1954). Found in the collection of the Wallraf-Richartz-Museum, Cologne. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study for the Sforza Monument, c1488-1493 (1954). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1488-1493 (1954). Study for the great bronze equestrian statue of Francesco Sforza, Duke of Milan, commissioned by his son and successor, Ludovico

Donegal Castle, Ireland, 1924-1926. Artist: W Lawrence
Donegal Castle, 1924-1926. View of the 15th century keep. The castle was restored in the 1990s. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

The choir, Chester Cathedral, Cheshire, 1924-1926. The choir of Chester Cathedral was built between 1283 and 1315 and was designed by Richard Lenginour

Eton College, Berkshire, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

The Great Hall, Ockwells Manor, 1924-1926. Artist: HN King
The Great Hall, Ockwells Manor, 1924-1926. Ockwells Manor is a timber-framed manor house near Maidenhead, Berkshire. It dates from the 15th century, when the house was rebuilt by its owner

Crossraguel Abbey, Maybole, South Ayrshire, Scotland, 1924-1926. Artist: Valentine & Sons
Crossraguel Abbey, Maybole, South Ayrshire, Scotland, 1924-1926. Crossraguel was a Cluniac monastery founded in 1244. It was sacked by the army of Edward I of England in 1307

Gateway to Beaumaris Castle, Anglesey, Wales, 1924-1926. Beaumaris was the last of Edward Is ring of castles built during his campaign to suppress the Welsh

The reredos of Winchester Cathedral, 1924-1926. The reredos dates from the 16th century. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

The reputed birthplace of Edward II, the great Eagle Tower of Caernarvon Castle, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

Marsilio Ficino (1433-1499), Italian humanist philosopher, 1882. Ficino was one of the most influential humanist philosophers of the early Italian Renaissance, an astrologer

Dante (1265-1321), Florence and the Seven Circles of Hell, 1882. Originally from a fresco at the Servi Gate, Santa Croce. From Florence, by Charles Yriarte

Old French theorbated cithern, 1901. Illustration from The Connoisseur, (December 1901)

Illuminated initial letter B, 13th century, (1901). Detail of a page showing King David playing his harp, from a psalter produced in France. Illustration from The Connoisseur, (December 1901)

The Kelmscott Chaucer, with a special binding by William Morris, 1896 (1901). Cover of The Works of Geoffrey Chaucer, illustrated by Edward Burne-Jones

Madonna and Child, 15th century, (1926). Artist: Jacopo Bellini
Madonna and Child, 15th century, (1926). Illustration from the Apollo Volume III, no 13, (January 1926)

Giuliano de Medici, early 16th century, (1929). Artist: Raphael
Giuliano de Medici, early 16th century, (1929). Portrait of Giuliano (1479-1516), one of the sons of Lorenzo the Magnificent. Illustration from the Apollo Volume IX, no 53, (May 1929)

Apse of the Cathedral of La Seo, Zaragoza, Spain, 1929. The 12th-century cathedral building incorporates parts of an earlier mosque. A photograph from the Apollo Volume IX, no 53, (May 1929.)

Gospel, 12th century, (1929). Bound gospel originally in the monastery ofs Mauritius Extra Muros, Munster, Westphalia, Germany. Illustration from the Apollo Volume X, no 59, (November 1929)

St Jerome, 15th century, (1929). Artist: Petrus Christus
St Jerome, 15th century, (1929). Illustration from the Apollo Volume X, no 59, (November 1929)

A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). Artist: Franz Kellerhoven
A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

The Feast of Salome, c1490s (1849). Artist: Rosotte
The Feast of Salome, c1490s (1849). From the opera Herodiade. A 19th century version based on an original 15th century copper engraving

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