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Maxime Collection (page 5)

Background imageMaxime Collection: Terrasse De Cafe, c1920, (1923). Artist: Maxime Dethomas

Terrasse De Cafe, c1920, (1923). Artist: Maxime Dethomas
Terrasse De Cafe, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Background imageMaxime Collection: Aux Portes Du Desert, c1920, (1923). Artist: Maxime Dethomas

Aux Portes Du Desert, c1920, (1923). Artist: Maxime Dethomas
Aux Portes Du Desert, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Background imageMaxime Collection: Le Lutrin, Chant II (Boileau), c1920, (1923). Artist: Maxime Dethomas

Le Lutrin, Chant II (Boileau), c1920, (1923). Artist: Maxime Dethomas
Le Lutrin, Chant II (Boileau), c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Background imageMaxime Collection: Weygand Replaces Gamelin, 1940, (1940)

Weygand Replaces Gamelin, 1940, (1940). Maxime Weygand (1867-1965), French military commander in World War I and World War II

Background imageMaxime Collection: View of Richmond from the Thames, 1871. Artist: Maxime Lalanne

View of Richmond from the Thames, 1871. Artist: Maxime Lalanne
View of Richmond from the Thames, 1871. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Background imageMaxime Collection: Haute Egypte: Mosquee Et Tombeau De Mourad Bey, c1850. Artist: Maxime du Camp

Haute Egypte: Mosquee Et Tombeau De Mourad Bey, c1850. Artist: Maxime du Camp
Haute Egypte: Mosquee Et Tombeau De Mourad Bey, c1850. The tomb of Murad Bey Mohammed (c1750-1801), Egyptian Mamluk chieftain (Bey), cavalry commander and joint ruler of Egypt with Ibrahim Bey

Background imageMaxime Collection: Concarneau, c1850-1895 (1924). Artist: Maxime Lalanne

Concarneau, c1850-1895 (1924). Artist: Maxime Lalanne
Concarneau, c1850-1895 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageMaxime Collection: Les Acacias, c1850-1895 (1924). Artist: Maxime Lalanne

Les Acacias, c1850-1895 (1924). Artist: Maxime Lalanne
Les Acacias, c1850-1895 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageMaxime Collection: Paris Pris du Louvre, c1850-1895 (1924). Artist: Maxime Lalanne

Paris Pris du Louvre, c1850-1895 (1924). Artist: Maxime Lalanne
Paris Pris du Louvre, c1850-1895 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageMaxime Collection: Signing of the Armistice to end the First World War, 11 November 1918 (1935)

Signing of the Armistice to end the First World War, 11 November 1918 (1935). French Military and British Naval representatives outside the railway carriage in Compiegne in which the Armistice was

Background imageMaxime Collection: Colossal statue, Egypt, 1852. Artist: Maxime du Camp

Colossal statue, Egypt, 1852. Artist: Maxime du Camp
Colossal statue, Egypt, 1852. Maxime du Camp was a French writer and photographer. Found in the collection of the Victoria and Albert Museum, London

Background imageMaxime Collection: Temple ruins, Egypt, 1852. Artist: Maxime du Camp

Temple ruins, Egypt, 1852. Artist: Maxime du Camp
Temple ruins, Egypt, 1852. Maxime du Camp was a French writer and photographer. Found in the collection of the Victoria and Albert Museum, London

Background imageMaxime Collection: Ancient Egyptian temples, Egypt, 1852. Artist: Maxime du Camp

Ancient Egyptian temples, Egypt, 1852. Artist: Maxime du Camp
Ancient Egyptian temples, Egypt, 1852. Maxime du Camp was a French writer and photographer. Found in the collection of the Victoria and Albert Museum, London

Background imageMaxime Collection: Temple of Denderah, Upper Egypt, 1852. Artist: Maxime du Camp

Temple of Denderah, Upper Egypt, 1852. Artist: Maxime du Camp
Temple of Denderah, Upper Egypt, 1852. The Temple of Hathor at Dendera was probably built in the 1st century BC in the late Ptolemaic period. Maxime Du Camp was a French writer and photographer

Background imageMaxime Collection: Temple of Philae, Nubia, Egypt, 1852. Artist: Maxime du Camp

Temple of Philae, Nubia, Egypt, 1852. Artist: Maxime du Camp
Temple of Philae, Nubia, Egypt, 1852. The Ancient Egyptian Temple of Isis at Philae was built during the Ptolemaic period. Maxime du Camp was a French writer and photographer

Background imageMaxime Collection: The Great Sphinx and the Pyramids of Giza, Egypt, 1852. Artist: Maxime du Camp

The Great Sphinx and the Pyramids of Giza, Egypt, 1852. Artist: Maxime du Camp
The Great Sphinx and the Pyramids of Giza, Egypt, 1852. Photo located in the Victoria and Albert Museum, London

Background imageMaxime Collection: The colossal statue of Rameses II, 1852. Artist: Maxime du Camp

The colossal statue of Rameses II, 1852. Artist: Maxime du Camp
The colossal statue of Rameses II, 1852. Victorian photograph of a massive stone sculpture of Rameses II, the Great (reigned 1279-1212 BC), third king of the 19th dynasty of Egyptian rulers



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