Maurier Collection

Development of Mesmeric Science, 1883. Artist: George du Maurier
Development of Mesmeric Science, 1883. The fatal Mesmeric Duel in the Bois de Boulogne, between the Chevalier Lenoir, of Paris, and Professor Schwartz, of Berlin

Inside Jamaica Inn, 1952. Creator: Shirley Markham
Inside Jamaica Inn, 1952. Woman cleaning glasses, drunk men. Illustration for " Jamaica Inn" by Daphne du Maurier

Tor, 1952. Creator: Shirley Markham
Tor, 1952. Illustration for " Jamaica Inn" by Daphne du Maurier. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952

Men with horse, 1952. Creator: Shirley Markham
Men with horse, 1952. Illustration for " Jamaica Inn" by Daphne du Maurier. Shirley Markham (1931-1999) studied Graphic Design

Woman being abducted, 1952. Creator: Shirley Markham
Woman being abducted, 1952. Illustration for " Jamaica Inn" by Daphne du Maurier. Shirley Markham (1931-1999) studied Graphic Design

Horses drinking, 1952. Creator: Shirley Markham
Horses drinking, 1952. Illustration for " Jamaica Inn" by Daphne du Maurier. Shirley Markham (1931-1999) studied Graphic Design

Jamaica Inn, 1952. Creator: Shirley Markham
Jamaica Inn, 1952. Illustration for " Jamaica Inn" by Daphne du Maurier. Shirley Markham (1931-1999) studied Graphic Design

Hypnotism, 1891. Male hypnotist putting a young woman into an hypnotic trance. Animal magnetism or hypnotism had a revival at the end of the 19th century

The Privy Garden of Whitehall Palace, Westminster, 1741 (1911). Artist: J Maurier
The Privy Garden of Whitehall Palace, Westminster, 1741 (1911). The Privy Garden of the Palace of Whitehall, originally a pleasure garden used by the late Tudor and Stuart monarchs of England

A Conscious Martyr, 1881 (1891). Artist: George du Maurier
A Conscious Martyr, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Awkward Incident in Fashionable Life, 1876 (1891). Artist: Swain
Awkward Incident in Fashionable Life, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Music at Home, 1872 (1891). Artist: George du Maurier
Music at Home, 1872 (1891). Study of an amateur comic singer struggling with an unsympathising audience. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I

Modest Assurance, 1879 (1891). Artist: Swain
Modest Assurance, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Circumstantial Evidence, 1879 (1891). Artist: George du Maurier
Circumstantial Evidence, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Episodes in High Life, 1879 (1891). Artist: George du Maurier
Episodes in High Life, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Alarming Scarcity, 1874 (1891). Artist: George du Maurier
Alarming Scarcity, 1874 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Rivals in Social Success, 1880 (1891). Artist: George du Maurier
Rivals in Social Success, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

A Speciality, 1882 (1891). Artist: George du Maurier
A Speciality, 1882. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

A Brilliant Idea, 1881 (1891). Artist: George du Maurier
A Brilliant Idea, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Different Thing, 1877 (1891). Artist: George du Maurier
A Different Thing, 1877 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Impenitent, 1878 (1891). Artist: George du Maurier
Impenitent, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

International Reciprocity, 1879 (1891). Artist: George du Maurier
International Reciprocity, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

The Terrors of the Law, 1881 (1891). Artist: George du Maurier
The Terrors of the Law, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Doux Souvenir de Fontainebleau, 1886 (1891). Artist: George du Maurier
Doux Souvenir de Fontainebleau, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Amenities of the Tennis Lawn, 1883 (1891). Artist: George du Maurier
Amenities of the Tennis Lawn, 1883 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Tempora Mutantur!, 1886 (1891). Artist: George du Maurier
Tempora Mutantur!, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). Artist: George du Maurier
A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Barbarous Technicalities of Lawn Tennis, 1882 (1891). Artist: George du Maurier
Barbarous Technicalities of Lawn Tennis, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Comforting, 1882 (1891). Artist: George du Maurier
Comforting, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

A Business-like Offer, 1886 (1891). Artist: George du Maurier
A Business-like Offer, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Induction, 1878 (1891). Artist: George du Maurier
Induction, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

The Main Chance, 1878 (1891). Artist: George du Maurier
The Main Chance, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Music at Home, 1885 (1891). Artist: George du Maurier
Music at Home, 1885 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Consolation, 1880 (1891). Artist: George du Maurier
Consolation, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier
A Struggle for Supremacy, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Excess a Fault, 1875 (1891). Artist: Swain
Excess a Fault, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Its not so difficult to speak French, after all, 1882 (1891). Artist: George du Maurier
Its not so difficult to speak French, after all, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Social Beings, 1876 (1891). Artist: George du Maurier
Social Beings, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch

Disastrous Result of Beautymania, 1879 (1891). Artist: George du Maurier
Disastrous Result of Beautymania, 1879 (1891). The last new beauty, having an innocent cast of countenance, has been painted, sculptured, and photographed with her head on one side

The Ruling Passion, 1872 (1891). Artist: George du Maurier
The Ruling Passion, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Circumstantial Evidence, 1886 (1891). Artist: George du Maurier
Circumstantial Evidence, 1886 (1891). Edwin: I ve just found a shot in my bit of partridge!. Angelina: How odd, so have I! Poor things, they ve had to shoot it twice!

Two Thrones, 1879 (1891). Artist: George du Maurier
Two Thrones, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

The Festive Season, 1883 (1891). Artist: George du Maurier
The Festive Season, 1883 (1891). Mistress: And you may all of you ask a friend to dinner, you know; and, Smithers, you can ask your wife. Butler: Thanks you, ma am; I think not, if you please

Art in Excelsis, 1874 (1891). Artist: George du Maurier
Art in Excelsis, 1874 (1891). The Montgomery Spiffunses have just had their drawing-room ceiling elaborately decorated by artistic hands

A Graceless Child, 1872 (1891). Artist: George du Maurier
A Graceless Child, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Happy Thought!, 1887 (1891). Artist: George du Maurier
Happy Thought!, 1887 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Aggravating Flippancy, 1870 (1891). Artist: George du Maurier
Aggravating Flippancy, 1870 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

A Sweet Delusion, 1878 (1891). Artist: Swain
A Sweet Delusion, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

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