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Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile
Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer
Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)
Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers
The exile restored... 1820The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair
Queen Carolines processionLuciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her
An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline
The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder
Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her
The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in
Stewards Court of the Manor of Torre Devon, 1820. ArtistStewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles
The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by
Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert CruikshankFracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath
Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre