Marston Collection (page 4)

Pyx, early-mid 19th century, (1881). Creator: R I Stevenson
Pyx, early-mid 19th century, (1881). Etching of a silver-gilt pyx made in a workshop in the Rhineland, Germany. A pyx is a container used to carry the consecrated host (Eucharist)

The Cadogan Lamp, c1507-1510, (1881). Creator: W. M. McGill
The Cadogan Lamp, c1507-1510, (1881). Etching of a bronze oil lamp made in the early 16th century in Padua, Italy, by Andrea Riccio, and acquired at the Cadogan sale in 1865

Design for a tureen or salt cellar, mid 16th century, (1881). Creator: Unknown
Design for a tureen or salt cellar, mid 16th century, (1881). Engraving of a decorative vessel supported on three goats. Woodcut after a drawing of 1540-1550 by Giulio Romano who had been one of

Cross, mid 14th century?, (1881). Creator: M Sullivan
Cross, mid 14th century?, (1881). Etching of a jewelled crucifix. From " The South Kensington Museum", a book of engraved illustrations, with descriptions

Steel key plate, early 18th century, (1881). Creator: John Watkins
Steel key plate, early 18th century, (1881). Etching of a chiselled steel escutcheon from a casket, made in France. The plate bears a bust portrait of King Louis XIV, in profile

East Dining or Grill Room, c1860s, (1881). Creator: John Watkins
East Dining or Grill Room, c1860s, (1881). View showing the interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum

The Reichenau Crozier, 1351, (1881). Creator: Frederick Albert Slocombe
The Reichenau Crozier, 1351, (1881). Etching of a copper gilt crozier made in the mid 14th century, probably at Konstanz in Germany

Ivory casket lid, 965 to 970 AD, (1881). Creator: W Jones
Ivory casket lid, 965 to 970 AD, (1881). Etching of the carved lid of a box, made in Al-Andalus (Andalucia, Spain), possibly at Madinat al-Zahra, Cordoba, in the mid 10th century

Heart-shaped box, c1650-1699, (1881). Creator: A A Bradbury
Heart-shaped box, c1650-1699, (1881). Etching showing two views of a silver filigree box, made mid-late 17th century, possibly in France

Bronze inkstand, mid-late 16th century, (1881). Creator: W. W. McCarty
Bronze inkstand, mid-late 16th century, (1881). Etching of an inkstand, made in Venice in the second half of the 16th century, in the style of Tiziano Aspetti. Three cupids support the body

Silver monstrance or reliquary, 15th century, (1881). Creator:s Thomas
Silver monstrance or reliquary, 15th century, (1881). Etching of a silver religious item, possibly made in France. It is missing the original glass

Mortar, 1545?, (1881). Creator: W. W. McCarty
Mortar, 1545?, (1881). Etching of a mortar of base metal, possibly made in Germany or Flanders in the mid 16th century. From " The South Kensington Museum"

Crystal crucifix, c1550, (1881). Creator: Frederick Albert Slocombe
Crystal crucifix, c1550, (1881). Etching of a cross of rock crystal, made somewhere in western Europe in the mid 16th century

Bronze lamp, c1500-1550, (1881). Creators: Severo Calzetta da Ravenna, J Emms
Bronze lamp, c1500-1550, (1881). Etching of an oil lamp made in the workshop of Severo da Ravenna, in Padua or Ravenna in Italy, in the first half of the 16th century

Reliquary Cross, 10th century, (1881). Creator: A A Bradbury
Reliquary Cross, 10th century, (1881). Etching of an Anglo Saxon crucifix made c900-1000 AD, possibly in Winchester or Germany

Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Creator: Frederick Albert Slocombe
Folding-Chair, Walnut Wood, 16th-17th centuries?, (1881). Etching of a childs folding chair in carved walnut, Flemish. From " The South Kensington Museum", a book of engraved illustrations

Two silver cups, 17th century?, (1881). Creator: R I Stevenson
Two silver cups, 17th century?, (1881). Etching of two silver-gilt drinking cups or beakers. The one on the left was made c1600 in Wesel in the German Rhineland

Cartouche, mid 16th century, (1881). Creator: Unknown
Cartouche, mid 16th century, (1881). Design for a cartouche framed in strapwork, in the manner of Rosso Fiorentinos stucco work at Fontainebleau

Bronze vase, 16th century, (1881). Creator: W. M. McGill
Bronze vase, 16th century, (1881). Etching of a vase and lid made in France, the body supported on four lions paws. The cover features a statuette of a boy holding an armorial shield with three fish

Bronze inkstand, early-mid 15th century, (1881). Creator: W F Randall
Bronze inkstand, early-mid 15th century, (1881). Etching of an inkstand with clawed feet, made c1400-1450 in Italy. The object was made to be used

Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Creator: W
Bronze inkstand with figurine of a Roman emperor, mid 16th century, (1881). Etching of a circular inkstand ornamented with masks and garlands, made in Italy, probably Padua

Silver pax with nativity scene, early-mid 19th century, (1881). Creator: W. M. McGill
Silver pax with nativity scene, early-mid 19th century, (1881). Etching of a pax (latin for peace ), a religious item which is kissed during the catholic service of the Mass as a sign of peace

The Salutation, book cover, 15th century, (1881). Creator: W. Rawson
The Salutation, book cover, 15th century, (1881). Etching of a gilt metal panel made in Germany, depicting a biblical scene, decorating the wooden cover of a book

Knights and Ladies Seated under Canopies, pierced ivory panel, mid-late 14th century, (1881). Etching of carved ivory detail from a casket, made c1350-1400 in Paris, showing figures

The Valence Casket, c1305-1312, (1881). Creator: W Harbutt
The Valence Casket, c1305-1312, (1881). Etching of an engraved copper casket with gold and champleve enamel, made in the early 14th century, possibly in England, or in Limoges, France

Central Door, South Kensington Museum, c1860s, (1881). Creator: Unknown
Central Door, South Kensington Museum, c1860s, (1881). Original bronze front entrance doors to the South Kensington Museum, (later renamed the Victoria & Albert Museum), in London

Chrismatory, late 15th century, (1881). Creator:s Thomas
Chrismatory, late 15th century, (1881). Etching of a container designed to hold chrism, (from the Greek word for anoint ), the holy oil used in the Christian sacraments of confirmation

Giovanni Cimabue: design for a mosaic, c1868, (1881). Creator: Bernard Collier
Giovanni Cimabue: design for a mosaic, c1868, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)

Standing mirror, c1510, (1881). Creator: Andrew Fingar Brophy
Standing mirror, c1510, (1881). Etching of a carved walnut table mirror with metal mirror plate in a rectangular frame that rotates on a four-sided pedestal, made in Italy in the early 16th century

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

The Emperors Conclave, c1908, (1909). Artist: George Marston
The Emperors Conclave, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

A Paraselene, c1908, (1909). Artist: George Marston
A Paraselene, c1908, (1909). Bright circular spot on a lunar halo caused by the refraction of moonlight by ice crystals in clouds

The Depot Party Amongst Crevasses, c1908, (1909). Artist: George Marston
The Depot Party Amongst Crevasses, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

Bay of Whales, or Balloon Bight, c1908, (1909). Artist: George Marston
Bay of Whales, or Balloon Bight, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

New Coast-Line West of Cape North, c1908, (1909). Artist: George Marston
New Coast-Line West of Cape North, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

A Blizzard on the Barrier, c1908, (1909). Artist: George Marston
A Blizzard on the Barrier, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

The Returning Sun, c1908, (1909). Artist: George Marston
The Returning Sun, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

The Dreadnought, c1908, (1909). Artist: George Marston
The Dreadnought, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

A Quiet Evening on the Barrier, c1908, (1909). Artist: George Marston
A Quiet Evening on the Barrier, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

Full Moon in the Winter, c1908, (1909). Artist: George Marston
Full Moon in the Winter, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

Marston Trying to Revive Memories of Other Days, c1908, (1909). George Marston (1882-1940) the expedition artist, entertains his colleagues

Marston in his Bed, c1908, (1909). George Marston (1882-1940) the expedition artist, reading with a candle balanced on the side of his head

The Nimrod Returns, c1908, (1909). Artist: George Marston
The Nimrod Returns, c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

The Aurora Australis. c1908, (1909). Artist: George Marston
The Aurora Australis. c1908, (1909). Anglo-Irish explorer Ernest Shackleton (1874-1922) made three expeditions to the Antarctic

Exercising the Dogs, 1936. George Marston leading the dogs down on to the floe from the Endurance. Shackleton is standing on the platform overlooking the gangway

Shackletons ship, the Nimrod, in McMurdo Sound, (1909), 1912. Artist: George Marston
Shackletons ship, the nimrod, among the ice in McMurdo Sound, the winter land quarters of the British Antarctic Expedition. Ernest Shackleton (1874-1922), British explorer, Antarctica, 1909

All Professionally Made to Order for Quick Shipping