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Literature Collection

Background imageLiterature Collection: Christmas Eve, c1915. Artist: Stanhope A Forbes

Christmas Eve, c1915. Artist: Stanhope A Forbes
Christmas Eve, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageLiterature Collection: The Darley Arabian, c1720, (1922)

The Darley Arabian, c1720, (1922). After John Wootton (c 1682?1764). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Background imageLiterature Collection: Initial page from the Lindisfarne Gospels, late 7th or early 8th century

Initial page from the Lindisfarne Gospels, late 7th or early 8th century. Gospel of St John the Evangelist, originally produced in Lindisfarne, North East England

Background imageLiterature Collection: Bowman Field, Municipal Airport, 1942. Artist: Caufield & Shook

Bowman Field, Municipal Airport, 1942. Artist: Caufield & Shook
Bowman Field, Municipal Airport, 1942. From Souvenir of Louisville Ky.. [Curt Teich & Co. Inc. Chicago, 1942]

Background imageLiterature Collection: Beer Street, 1751. Artist: William Hogarth

Beer Street, 1751. Artist: William Hogarth
Beer Street, 1751. Working people enjoying a tankard of beer outside the Barley Mow public house. The figures include two women with baskets of fish and a butcher holding a joint of meat

Background imageLiterature Collection: The Hereford Mappa Mundi, (c1285), 1912. Artist: Richard de Bello

The Hereford Mappa Mundi, (c1285), 1912. Artist: Richard de Bello
The Hereford Mappa Mundi c1285. The Hereford Mappa Mundi is currently on display at Hereford Cathedral in Hereford, England. It is the largest medieval map known to still exist

Background imageLiterature Collection: Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis

Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis
Chatterton (The Death of Chatterton), 1856. Thomas Chatterton (1752-1770) was an unsuccessful poet whose suicide became a symbol of blighted artistic genius

Background imageLiterature Collection: Alice looking at a small door behind a curtain, 1889. Artist: John Tenniel

Alice looking at a small door behind a curtain, 1889. Artist: John Tenniel
Alice looking at a small door behind a curtain, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914). From Alices Adventures in Wonderland by Lewis Carroll

Background imageLiterature Collection: Fyodor Dostoevsky (1821-1881), Russian novelist, early 20th century

Fyodor Dostoevsky (1821-1881), Russian novelist, early 20th century

Background imageLiterature Collection: Rally Round the Flag: Every Fit Man Wanted, 1914, (1935). Creator: Unknown

Rally Round the Flag: Every Fit Man Wanted, 1914, (1935). Creator: Unknown
Rally Round the Flag: Every Fit Man Wanted, 1914, (1935). Recruiting poster appealing to British men to join up and fight in the First World War

Background imageLiterature Collection: Henley Regatta, c1896. Artist: Marsh Brothers

Henley Regatta, c1896. Artist: Marsh Brothers
Henley Regatta, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Background imageLiterature Collection: Alice and the Cheshire Cat, 1889. Artist: John Tenniel

Alice and the Cheshire Cat, 1889. Artist: John Tenniel
Alice and the Cheshire Cat, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914). From Alices Adventures in Wonderland by Lewis Carroll. [Macmillan & Co

Background imageLiterature Collection: Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci

Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci
Head of a Bear, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLiterature Collection: Attack of the Ulster Division, 1 July 1916, (c1930). Creator: James Prinsep Beadle

Attack of the Ulster Division, 1 July 1916, (c1930). Creator: James Prinsep Beadle
Attack of the Ulster Division, 1 July 1916, (c1930). Scene from the Battle of the Somme in northern France during the First World War

Background imageLiterature Collection: King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). Artist: Edwin Henry Landseer

King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). Artist: Edwin Henry Landseer
King Charles Spaniels (The Cavaliers Pets), 1845, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

Background imageLiterature Collection: Benjamin Lay, c. 1750-1758. Creator: William Williams

Benjamin Lay, c. 1750-1758. Creator: William Williams
Benjamin Lay, c. 1750-1758

Background imageLiterature Collection: Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465

Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465. Artist: Domenico di Michelino
Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465. From the Basilica of Santa Maria del Fiore, Florence

Background imageLiterature Collection: The Coming of Spring, 1899, (c1930). Creator: Edward Atkinson Hornel

The Coming of Spring, 1899, (c1930). Creator: Edward Atkinson Hornel
The Coming of Spring, 1899, (c1930). A group of girls celebrate the coming of Spring, indicated by the snowdrops in the foreground

Background imageLiterature Collection: The Garden of Eden, 1901, (1911). Artist: Hugh Goldwin Riviere

The Garden of Eden, 1901, (1911). Artist: Hugh Goldwin Riviere
The Garden of Eden, 1901, (1911). Painting held at the Guildhall Art Gallery, City of London. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Background imageLiterature Collection: I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Artist: John William Waterhouse
I am half sick of shadows, c1911. Illustration of Tennysons poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving

Background imageLiterature Collection: Ulysses Deriding Polyphemus, 1829, (1904). Artist: JMW Turner

Ulysses Deriding Polyphemus, 1829, (1904). Artist: JMW Turner
Ulysses Deriding Polyphemus, 1829, (1904). From the collection of the National Gallery, London. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Background imageLiterature Collection: Daniel in the Lions Den, 1872, (1917). Artist: Briton Riviere

Daniel in the Lions Den, 1872, (1917). Artist: Briton Riviere
Daniel in the Lions Den, 1872, (1917). Painting held at the Walker Art Gallery, Liverpool. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageLiterature Collection: The Lutine Bell in the Underwriting Room at Lloyds of London, 1933, (1935). Creator: Unknown

The Lutine Bell in the Underwriting Room at Lloyds of London, 1933, (1935). Creator: Unknown
The Lutine Bell in the Underwriting Room at Lloyds of London, 1933, (1935). The SS L Atlantique was insured by Lloyds for almost £ 1, 000, 000

Background imageLiterature Collection: The Hypaethral Temple at Philae, called the Bed of Pharaoh, Egypt, 1849

The Hypaethral Temple at Philae, called the Bed of Pharaoh, Egypt, 1849. From Egypt and Nubia, Vol 2, by David Roberts

Background imageLiterature Collection: The King and Queen of Hearts in Court, 1889. Artist: John Tenniel

The King and Queen of Hearts in Court, 1889. Artist: John Tenniel
The King and Queen of Hearts in Court, 1889. Lewis Carrolls (1832-1898) Alice in Wonderland as illustrated by John Tenniel (1820-1914). From Alices Adventures in Wonderland by Lewis Carroll

Background imageLiterature Collection: Orpheus and His Lute, late 19th-early 20th century, (1914). Creator: John Charles Dollman

Orpheus and His Lute, late 19th-early 20th century, (1914). Creator: John Charles Dollman
Orpheus and His Lute, late 19th-early 20th century, (1914). Depiction of the ancient Greek legend of Orpheus, (who played a lyre, not a lute)

Background imageLiterature Collection: Et in Arcadia ego (Les bergers d Arcadie or The Arcadian Shepherds), 1637-1638, (1911)

Et in Arcadia ego (Les bergers d Arcadie or The Arcadian Shepherds), 1637-1638, (1911). Artist: Nicolas Poussin
Et in Arcadia ego (Les bergers d Arcadie or The Arcadian Shepherds), 1637-38, (1911). Painting held at the Musee du Louvre, Paris. From The French Genius by Haldane Macfall. [T. C. and E. C

Background imageLiterature Collection: A Select Committee, 1891, (c1930). Creator: Henry Stacy Marks

A Select Committee, 1891, (c1930). Creator: Henry Stacy Marks
A Select Committee, 1891, (c1930). Anthropomorphic depiction of exotic birds including macaws, parrots, and sulphur-crested cockatoos. Painting in the Walker Art Gallery, Liverpool

Background imageLiterature Collection: A Celtic Chieftainess (Boadicea), 1924. Creator: Herbert Norris

A Celtic Chieftainess (Boadicea), 1924. Creator: Herbert Norris
A Celtic Chieftainess (Boadicea), 1924. From " Costume & Fashion - The Evolution of European Dress Through the Earlier Ages", by Herbert Norris. [J. M. Dent and Sons Ltd, E. P

Background imageLiterature Collection: A Feast. Detail from the Bayeux Tapestry, late 11th century, (1944). Creator: Unknown

A Feast. Detail from the Bayeux Tapestry, late 11th century, (1944). Creator: Unknown
A Feast. Detail from the Bayeux Tapestry, late 11th century, (1944). Scene from the embroidery depicting the Norman Invasion of England in 1066

Background imageLiterature Collection: Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist

Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist: Felix Henri Emmanuel Philippoteaux
Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney

Background imageLiterature Collection: Diana of the Uplands, 1903-1904, (c1915). Artist: Charles Wellington Furse

Diana of the Uplands, 1903-1904, (c1915). Artist: Charles Wellington Furse
Diana of the Uplands, 1903-1904, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageLiterature Collection: Mother Julian, 1912

Mother Julian, 1912. Julian of Norwich (c8 November 1342-c1416) was an English anchoress and an important Christian mystic and theologian. From The Mighty Army, by W. M

Background imageLiterature Collection: The Song of the Mad Prince, c1917. Artist: Harry Clarke

The Song of the Mad Prince, c1917. Artist: Harry Clarke
The Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name

Background imageLiterature Collection: The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820. Artist: William Blake

The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820. Artist: William Blake
The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820

Background imageLiterature Collection: Oleanders, 1888. Creator: Vincent van Gogh

Oleanders, 1888. Creator: Vincent van Gogh
Oleanders, 1888

Background imageLiterature Collection: Napoleon, (1769-1821), c1894-95, (1936). Creator: James Sant

Napoleon, (1769-1821), c1894-95, (1936). Creator: James Sant
Napoleon, (1769-1821), c1894-95, (1936). Last portrait of Napoleon Bonaparte (1769-1821) commissioned to James Sant (1820-1916)

Background imageLiterature Collection: A Factoryscape in the Potteries, (1938)

A Factoryscape in the Potteries, (1938). Smoke from chimneys in the industrial area known as the Staffordshire Potteries, Stoke-on-Trent

Background imageLiterature Collection: The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas

The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas
The Armada in sight, Plymouth hoe, 1880, (1911). A depiction of the apocryphal story that Sir Francis Drake (c1540-1596) played a game of bowls in Plymouth Hoe in 1588 while waiting for the tide to

Background imageLiterature Collection: Isolde, c1895, (1896). Artist: Aubrey Beardsley

Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Background imageLiterature Collection: A March to the Bank, 1787. Artist: James Gillray

A March to the Bank, 1787. Artist: James Gillray
A March to the Bank, 1787. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Background imageLiterature Collection: Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech

Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech
Scene from A Christmas Carol by Charles Dickens, 1843. The irascible, curmudgeonly Ebenezer Scrooge, sitting alone on Christmas Eve, is visited by the ghost of Marley, his late business partner

Background imageLiterature Collection: Pomona, 1872. Creator: Julia Margaret Cameron

Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. The twenty-year-old Alice Liddell (1852-1934) as the embodiment of fruitful abundance, Pomona, Roman goddess of gardens and fruit trees

Background imageLiterature Collection: Bamboo in the Wind, early 17th century. Creator: Yi Jeong (Korean, 1541-1626)

Bamboo in the Wind, early 17th century. Creator: Yi Jeong (Korean, 1541-1626)
Bamboo in the Wind, early 17th century

Background imageLiterature Collection: Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90. Creator: Jean Bourdichon

Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90. Creator: Jean Bourdichon
Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90

Background imageLiterature Collection: General Map of British South Africa, 1900. Creator: Unknown

General Map of British South Africa, 1900. Creator: Unknown
General Map of British South Africa, 1900. From " South Africa and the Transvaal War, Vol. I", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900]

Background imageLiterature Collection: The Kitchen-God, 1922. Creator: Unknown

The Kitchen-God, 1922. Creator: Unknown
The Kitchen-God, 1922. The Kitchen God is the most important of Chinese domestic gods who protect the hearth and family, recognised in Chinese folk religion, Chinese mythology, and Taoism

Background imageLiterature Collection: Galway Gossips, c1887, (c1930). Creator: Sir Ernest Albert Waterlow

Galway Gossips, c1887, (c1930). Creator: Sir Ernest Albert Waterlow
Galway Gossips, c1887, (c1930). Rural scene in the west of Ireland: a woman on a horse stops to chat to a man leaning on a low wall



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