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Letter Collection (page 15)

Background imageLetter Collection: Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840)

Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Artist: James Boswell
Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Letter from James Boswell, the diarist and biographer of Samuel Johnson to the actor David Garrick

Background imageLetter Collection: A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840)

A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840). A letter from George Villiers, 2nd Duke of Buckingham

Background imageLetter Collection: A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840)

A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840). Artist: James Boswell
A letter from Dr Samuel Johnson, on his finishing the Lives of the Most Eminent English Poets, c1781, (1840). Illustration from Historical

Background imageLetter Collection: A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840)

A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). Artist: John Howard
Part of a letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). View of the philanthropist and prison reformers birthplace at Clapton, Middlesex

Background imageLetter Collection: A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840)

A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). Artist: Edward Young
A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). A letter from Edward Young, author of Night Thoughts, addressed to Dodsley the bookseller

Background imageLetter Collection: Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840)

Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Artist: James Beattie
Extract of a letter from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Extract of a letter from Dr Beattie to Garrick, presenting his poem of The Minstrel

Background imageLetter Collection: A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840)

A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Artist: James Granger
A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Extract of a letter from Granger to the Reverend Mr Cole, on the mania for collecting English portraits

Background imageLetter Collection: Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840)

Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840). Artist: John Boyle, Earl of Corke and Orrery
Extract of a letter from Lord Orrery to Dr Birch, on the character of the English nation, 1746, (1840). Illustration from Historical

Background imageLetter Collection: Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840)

Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Artist: Charles Montague
Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageLetter Collection: A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840)

A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840). Artist: William Cowper
A letter in rhyme from William Cowper the poet, to the Reverend John Newton, 1771, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageLetter Collection: A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840)

A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840). Artist: Joseph Addison
A letter from Addison, and a view of his birthplace at Milston, Wiltshire, late 17th-early 18th century, (1840). A letter from Joseph Addison (1672-1719), respecting a passage in the work of Statius

Background imageLetter Collection: A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham

A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham
Facsimile of a letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). The letter was written upon his arrival at Glasgow, immediately after the fight at Drumclog

Background imageLetter Collection: A letter and portrait of Francis Grose, 1772, (1840). Artist: Francis Grose

A letter and portrait of Francis Grose, 1772, (1840). Artist: Francis Grose
A letter and portrait of Francis Grose, 1772, (1840). A letter from Grose to Mr Gough, the antiquary, requesting information about Corfe Castle

Background imageLetter Collection: A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)

A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)
A letter from Sir Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840). Fac-simile extract from Sir Isaac Newtons letter to Dr Briggs

Background imageLetter Collection: A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840)

A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840). Artist: Richard Steele
A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageLetter Collection: Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840)

Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury
Part of a letter from John Potter, Bishop of Oxford, to Francis Atterbury and from Atterbury to Jonathan Trelawny, 3rd Baronet, 1722, (1840)

Background imageLetter Collection: A letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840)

A letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840). Artist: Miles Coverdale
Copy of a letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840). A letter regarding his annotations on the bible

Background imageLetter Collection: Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840)

Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840). Artist: John Locke
Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840). View of the birthplace of John Locke, at Wrington, Somerset

Background imageLetter Collection: Portrait of Thomas Howard, 4th Duke of Norfolk, 1572, (1840)

Portrait of Thomas Howard, 4th Duke of Norfolk, 1572, (1840)
Portrait of Thomas Howard, 4th Duke of Norfolk, and copies of letters written by him in 1572, (1840). The farewell papers were written immediately before Howards execution in 1572

Background imageLetter Collection: Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840)

Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840). Artist: William Robertson
Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageLetter Collection: Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840)

Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840). Artist: William Warburton
Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageLetter Collection: A note from Sterne to Garrick, and a view of Sternes house in Yorkshire, 18th century, (1840)

A note from Sterne to Garrick, and a view of Sternes house in Yorkshire, 18th century, (1840)
A note from Sterne to Garrick, and a view of Sternes house at Coxwold, Yorkshire, 18th century, (1840). Request by the writer Laurence Sterne for the loan of £ 20 from the actor David Garrick

Background imageLetter Collection: Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay

Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay
Part of a letter from John Gay to Jonathan Dean Swift, describing the success of the Beggars Opera, c1728, (1840). Illustration from Historical

Background imageLetter Collection: A letter from Samuel Richardson to Dr Smollett, 1756, (1840). Artist: Samuel Richardson

A letter from Samuel Richardson to Dr Smollett, 1756, (1840). Artist: Samuel Richardson
A letter from Samuel Richardson to Dr Smollett, 1756, (1840). The letter is reply to a letter by Smollett denying that he was the author of an article in the Critical Review

Background imageLetter Collection: A letter from Dr Smollett to Samuel Richardson, 1756, (1840). Artist: Tobias George Smollett

A letter from Dr Smollett to Samuel Richardson, 1756, (1840). Artist: Tobias George Smollett
A letter from Dr Smollett to Samuel Richardson, 1756, (1840). View of Monmouth House at Chelsea, in which Smollett wrote his Roderick Random

Background imageLetter Collection: Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole

Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole
Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). The letter is regarding the genius of Thomas Chatterton, and his pretended poems by Rowley

Background imageLetter Collection: Letter from Alfonso XIII to Tomas Estrada Palma, c1910. Artist: King Alfonso XIII

Letter from Alfonso XIII to Tomas Estrada Palma, c1910. Artist: King Alfonso XIII
Letter from Alfonso XIII, King of Spain, to Tomas Estrada Palma, first President of Cuba, c1910. Cigar card from the History of Cuba, Geografico Universal

Background imageLetter Collection: Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840)

Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840). Artist: Thomas Chatterton
Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840). The letter is an account of his pretended discovery of Rowleys poems

Background imageLetter Collection: Part of a letter written by Nelson just before the Battle of Trafalgar, 1805 (1894)

Part of a letter written by Nelson just before the Battle of Trafalgar, 1805 (1894). Fround in the collection of the Royal Naval College, Greenwich

Background imageLetter Collection: Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift

Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift
Letter by William III King of England, 1695 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865)

Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865). Wellington and Beresford fought together in the Peninsular War

Background imageLetter Collection: Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865)

Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c

Background imageLetter Collection: Letter by Cardinal Richelieu, to Monsieur de la Motte, 17th century (1865)

Letter by Cardinal Richelieu, to Monsieur de la Motte, 17th century (1865). Artist: Frederick George Netherclift
Letter by Cardinal Richelieu to Monsieur de la Motte, 17th century (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by William Pitt to the Duke of Portland, 1796 (1865). Artist: Frederick George Netherclift

Letter by William Pitt to the Duke of Portland, 1796 (1865). Artist: Frederick George Netherclift
Letter by William Pitt to the Duke of Portland, 1796 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). Artist: Frederick George Netherclift

Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). Artist: Frederick George Netherclift
Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by Paul I, Emperor of Russia, to General Numsen, 1799 (1865)

Letter by Paul I, Emperor of Russia, to General Numsen, 1799 (1865). Artist: Frederick George Netherclift
Letter from Paul I, Emperor of Russia, to General Numsen 1799 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Artist: Frederick George Netherclift

Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Artist: Frederick George Netherclift
Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Oates was a perjurer who fabricated a Catholic plot to assassinate King Charles II

Background imageLetter Collection: Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). Artist: Frederick George Netherclift

Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). Artist: Frederick George Netherclift
Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). The last part of the letter is in the hand writing of Lady Hamilton: Oh miserable and wretched Emma, oh glorious and happy Nelson

Background imageLetter Collection: Letter by Marie de Medici to the Duke of Savoy, late 16th - early 17th century (1865)

Letter by Marie de Medici to the Duke of Savoy, late 16th - early 17th century (1865). Marie de Medici was the daughter of Francesco I de Medici, Grand Duke of Tuscany

Background imageLetter Collection: Letter by Wolfgang Amadeus Mozart, 1791 (1865). Artist: Frederick George Netherclift

Letter by Wolfgang Amadeus Mozart, 1791 (1865). Artist: Frederick George Netherclift
Letter by Wolfgang Amadeus Mozart, 1791 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by Mary Queen of Scots to Sir Francis Knollys, 1568 (1865)

Letter by Mary Queen of Scots to Sir Francis Knollys, 1568 (1865). Artist: Frederick George Netherclift
Letter by Mary Queen of Scots to Sir Francis Knollys, 1568 (1865). Her first English letter. Knollys was one of the people made responsible for taking charge of Mary after she fled Scotland

Background imageLetter Collection: Letter by Robert Dudley, Earl of Leicester, to Lord Burghley and Sir Walter Mildmay, 1576 (1856)

Letter by Robert Dudley, Earl of Leicester, to Lord Burghley and Sir Walter Mildmay, 1576 (1856). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c

Background imageLetter Collection: Letter by William Laud, Archbishop of Canterbury, 1640 (1865). Artist: Frederick George Netherclift

Letter by William Laud, Archbishop of Canterbury, 1640 (1865). Artist: Frederick George Netherclift
Letter by William Laud, Archbishop of Canterbury, 1640 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Dedication written by William Hogarth, 1745 (1865). Artist: Frederick George Netherclift

Dedication written by William Hogarth, 1745 (1865). Artist: Frederick George Netherclift
Dedication written by William Hogarth, 1745 (1865). A dedication written for a History of the Arts&c, which he intended publishing as a supplement to theAnalysis of Beauty- also a receipt

Background imageLetter Collection: Letter by Henry Frederick, Prince of Wales, to King Henry IV of France, 1606 (1865)

Letter by Henry Frederick, Prince of Wales, to King Henry IV of France, 1606 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c

Background imageLetter Collection: Letter by Henrietta Maria, Queen of Charles I, 17th century (1865)

Letter by Henrietta Maria, Queen of Charles I, 17th century (1865). Artist: Frederick George Netherclift
Letter by Henrietta Maria, Queen of Charles I, 17th century (1865). Letter from the Queen to her brother Gaston, Duke of Orleans

Background imageLetter Collection: Letter by Francis Joseph Haydn to Herr von Griesinger, 1803 (1865)

Letter by Francis Joseph Haydn to Herr von Griesinger, 1803 (1865). Artist: Frederick George Netherclift
Letter by Francis Joseph Haydn to Herr von Griesinger, 1803 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageLetter Collection: Letter by George Frideric Handel, 1750 (1865). Artist: Frederick George Netherclift

Letter by George Frideric Handel, 1750 (1865). Artist: Frederick George Netherclift
Letter by George Frideric Handel, 1750 (1865). Letter to Johann Gottfried Taust, Master of the Gymnasium of Halle. A print from The Autograph Souvenir, A collection of Autograph Letters



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