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Oval portrait of George I, King of Great Britain, c1700. Artist: J ChereauOval portrait of George I, King of Great Britain, c1700. Wearing a long wig and state robes over plate armour, with a description, crown and coat of arms in the surround below
Oval portrait of George I, King of Great Britain, 1718. Artist: George VertueOval portrait of George I, King of Great Britain, 1718. Wearing a long wig and garter robes, with a crown, shield, sword, helmet and orb in the lower border
Lord Mayor of London, John Thomas Thorp, dressed for a royal coronation, 1821. ArtistLord Mayor of London, John Thomas Thorp, dressed in his coronation robe, ostrich feather hat and mace for the coronation of King George IV, 1821
King George IVs Coronation Procession, London, 1821. Panoramic view of the royal procession from Westminster Hall to Westminster Abbey for King George IVs coronation
A_d_n Cur_it_is. a Trifle from Ramsgate, (Alderman Curtis), c1821. Showing a profile view of Sir William Curtis, later Lord Mayor of London
King George IV riding through Hyde Park, London, 1831. Artist: Matthew DubourgKing George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage
The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper
Visit of the Prince of Wales to Shoreditch, London, 18th October 1927. The future King Edward VIII visits Windsor House, a council estate in Wenlock Road, Shoreditch, London
George III, on horseback, reviewing volunteers, City Road, Finsbury, Islington, London, 1800George III, on horseback, reviewing volunteers on the Artillery Ground, City Road, Finsbury, on 4th of June 1800. On horseback
George III feeding himself on guineas, London, 1787Monstrous craws, at a new coalition feast, London, 1787; showing King George III, Queen Charlotte and the Prince of Wales seated outside the treasury round a bowl of guineas
Monument to George IV, Battle Bridge (now Kings Cross), London, 1835View of the octagonal monument to King George IV at Battle Bridge, London, 1835. The monument was erected in 1836 and the area of Battle Bridge was subsequently re-named Kings Cross
George III presenting a Sword to Admiral Earl Howe, c1794. Artist: Isaac CruikshankGeorge III presenting a Sword to Admiral Earl Howe, c1794; King George III is presenting the sword to a kneeling Admiral Earl Howe, in front of a group of spectators
View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. ArtistView of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to
Re-opening of St Pauls Cathedral, London, 1930. View of King George V and Queen Mary, consort of the King, processing down Ludgate Hill, following the re-opening of St Pauls Cathedral on 5th June
King George V and Queen Marys Jubilee at the Guildhall, London, 1935The reception of Their Majesties King George V and Queen Mary in Guildhall, London, on the occasion of their Jubilee, 22 May, 1935
The Guildhall, London, 1911. View of the Coronation luncheon for King George V and Queen Mary consort in the Guildhall. All present are standing
Queen Caroline travelling to St Pauls Cathedral, London, 20th November 1820 (1821). Panoramic view of Caroline, Queen Consort of George IV travelling in state to St Pauls Cathedral to give thanks for
A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)
How to get un-married, ay, theres the rub!, 1820. Artist: JL MarksHow to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is
The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by
King Henry VIII, act II, scene iv, c1820. ArtistKing Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon
Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness
St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window
Mother Wood, the popular procuress!, 1820. Artist: Isaac Robert CruikshankMother Wood, the popular procuress!, 1820. Alderman Wood, dressed as an elderly woman, stands in the porch of his house in South Audley Street holding a bottle inscribed Popularity; the allusion is
Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert CruikshankFracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath
Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre
The loyal banker or Old Georgy taking Ransom, 1836. Artist: A DucotesThe loyal banker or Old Georgy taking Ransom, 1836. The equestrian statue of George III, in Cockspur Street, grasps Mr Williams of the firm of Ransom and Co, bankers, by the scruff of the neck
The City carriers, 1769. a procession consisting of City officials approaches the entrance to St Jamess Palace in order to present the Petition of the Livery
The Battle of Cornhill, 1769. Interior of room in the Kings Arms Inn, Cornhill, during a meeting to sign an address to King George III; Mr Reynolds has knocked down Mr Dingley
The Battle of Temple Bar, 1769. A procession from the City to St Jamess Palace with an address by the City merchants to King George III in support of his government, has arrived at Temple Bar
The addressers, 1769. Interior of a room in the Kings Arms Inn, Cornhill, and the disturbance which occurred on March 8, 1769 during a meeting of London merchants to sign an address to King George
Sequel to the battle of Temple Bar, 1769. A procession of City merchants with an address to the King in support of his government has arrived at St Jamess Palace
The Regents Hack, 1812. The Prince Regent riding a horse, with the head of Sheridan, along a street which is strewn with large stones on which are heads of members of the opposition
Specimens of Liberality towards Self!!, 1809. A Common Council meeting in the Guildhall Council Chamber. Members eagerly agree to celebrate George IIIs Jubilee on 25th October, 1809
Petitioners before George IIIA Hint to Ministers, or a Gracious Answer to Grievous Petitions, 1808. George III dismissing petitioners from the City of London opposed to the Convention of Cintra
Demolition of the monument to George IV, Kings Cross, London, 1845
The Lord Mayor presenting the City Sword to King George III at Temple Bar, London, 1789 (1791). The king on his procession to St Pauls Cathedral
Proclaimation of George IVs accession to the throne at the Royal Exchange, London, 1820 (1827). George IV is seated in a coach with a crowd raising their hats to him as he receives a fanfare
Sir Francis Burdetts imprisonment in the Tower of London, 1810. Interior view of the Tower of London, with Sir Francis Burdett behind bars clutching a copy of the Magna Carta
Banquet at the Guildhall, City of London, 1814. ArtistBanquet at the Guildhall, City of London, 1814. Banquet at Guildhall to the Prince Regent, the Czar of Russia and the King of Prussia, June 18
Knight of the Garter in ceremonial costume, 1824. Artist: William BondKnight of the Garter in ceremonial costume, 1824. Charles William Stewart, Marquis of Londonderry, is in ceremonial costume for the coronation of King George IV, 19 July 1821
Treasurer in ceremonial costume, 1826. Artist: Edward ScrivenTreasurer in ceremonial costume, 1826. The Treasurer of the Kings household, the Right Honourable Lord Charles Bentinck, is in full ceremonial costume
Gentleman in ceremonial costume, 1824. Artist: Edward ScrivenGentleman in ceremonial costume, 1824. The gentleman, a member of the Kings Privy Council, is in full ceremonial costume for the coronation of King George IV, 19 July 1821
Frederick Augustus, Duke of York in the coronation dress and robes of estate, 1824. He is being attended by his trainbearer, Lieutenant Henry Frederick Cookes for the coronation of King George IV
Gentleman in cerimonial costume, 1826. Artist: Henry MeyerGentleman in cerimonial costume, 1826. The gentleman of the Kings Privy Chamber is in full ceremonial costume for the coronation of King George IV, 19 July 1821
Alderman Sir Matthew Wood and King George IVThe Modern Belshazzers Feast; Alderman Sir Matthew Wood presents an envelope marked the Queens letter to the Prince Regents dinner table which falls into disarray
Scene at Horse Guards Parade, London, 1816. The Prince Regent (later King George IV) is portrayed as the mortar known as the Regents Bomb
King George IV in his royal robes wearing a cap of estate, 1826. Artist: Edward ScrivenKing George IV in his royal robes wearing a cap of estate. His train is being held by eight eldest sons of peers assisted by the Master of the Robes, Lord Francis Conyngham