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John William Collection

Background imageJohn William Collection: I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Artist: John William Waterhouse
I am half sick of shadows, c1911. Illustration of Tennysons poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving

Background imageJohn William Collection: The Charmer, 1911. Artist: John William Waterhouse

The Charmer, 1911. Artist: John William Waterhouse
The Charmer, 1911. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

Background imageJohn William Collection: The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse

The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse
The Lady of Shalott Looking at Lancelot, 1894, (c1930). Illustration to Tennysons poem, " The Lady of Shalott" : the Lady sees bold Sir Launcelot in her mirror: she goes to the window

Background imageJohn William Collection: Destiny, 1900, (c1930). Creator: John William Waterhouse

Destiny, 1900, (c1930). Creator: John William Waterhouse
Destiny, 1900, (c1930). Woman holding a glass bowl, with ships reflected in a large mirror behind; allegorical scene with spatial and temporal inconsistencies

Background imageJohn William Collection: Music, . Creator: Godward, John William

Music, . Creator: Godward, John William
Music. Private Collection

Background imageJohn William Collection: Hylas and the Nymphs, 1896, (c1902). Creator: Unknown

Hylas and the Nymphs, 1896, (c1902). Creator: Unknown
Hylas and the Nymphs, 1896, (c1902). After a painting in the Manchester Art Gallery. Mythological scene showing Hylas being tempted to his death by naked water nymphs surrounded by water lilies

Background imageJohn William Collection: The Lady of Shalott, 1888 (1923). Artist: John William Waterhouse

The Lady of Shalott, 1888 (1923). Artist: John William Waterhouse
The Lady of Shalott, 1888 (1923). From The Outline of Literature, by John Drinkwater, London, 1923

Background imageJohn William Collection: The Palisades, ca. 1870. Creator: John William Hill

The Palisades, ca. 1870. Creator: John William Hill
The Palisades, ca. 1870

Background imageJohn William Collection: The Sleeping Beauty or Tellers Catching a Stray Vote, 1833. Creator: John Doyle

The Sleeping Beauty or Tellers Catching a Stray Vote, 1833. Creator: John Doyle
The Sleeping Beauty or Tellers Catching a Stray Vote, 1833. John William Ponsonby, 4th Earl of Bessborough; Sir George de Lacy Evans; Thomas Spring Rice, 1st Baron Monteagle of Brandon

Background imageJohn William Collection: The Betrothed, 1892. Artist: John William Godward

The Betrothed, 1892. Artist: John William Godward
The Betrothed, 1892; showing a woman lying on a cushion and leopard skin viewing a ring on her left hand

Background imageJohn William Collection: Isabella of France (1295-1358), queen consort of King Edward II, 1851. Artist: H Austin

Isabella of France (1295-1358), queen consort of King Edward II, 1851. Artist: H Austin
Isabella of France (1295-1358), queen consort of King Edward II, 1851. From Biographical Sketches of the Queens of Great Britain, from the Norman Conquest to the Reign of Victoria

Background imageJohn William Collection: Eleanor of Castile (1244-1290), queen consort of King Edward I, 1851. Artist: WH Egleton

Eleanor of Castile (1244-1290), queen consort of King Edward I, 1851. Artist: WH Egleton
Eleanor of Castile (1244-1290), queen consort of King Edward I, 1851. From Biographical Sketches of the Queens of Great Britain, from the Norman Conquest to the Reign of Victoria

Background imageJohn William Collection: In the Tepidarium, 1913. Creator: Godward, John William

In the Tepidarium, 1913. Creator: Godward, John William
In the Tepidarium, 1913. Private Collection

Background imageJohn William Collection: Ionian, 1890s. Creator: Godward, John William

Ionian, 1890s. Creator: Godward, John William
Ionian, 1890s. Private Collection

Background imageJohn William Collection: Springtime in Spain, near Gordella, c1869. Creator: John William Inchbold

Springtime in Spain, near Gordella, c1869. Creator: John William Inchbold
Springtime in Spain, near Gordella, c1869

Background imageJohn William Collection: Hi! Ho-o-o! He Done Come. Jumboloro Tell you Fust (The Galaxy, An Illustrated Magazin

Hi! Ho-o-o! He Done Come. Jumboloro Tell you Fust (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VII), June 1869

Background imageJohn William Collection: Scene from 'My Aunt Margarets Mirror'(Keepsake Story by Sir Walter Scott), ca

Scene from "My Aunt Margarets Mirror"(Keepsake Story by Sir Walter Scott), ca
Scene from " My Aunt Margarets Mirror" (Keepsake Story by Sir Walter Scott), ca. 1828

Background imageJohn William Collection: Circular Mill, King Street, New York, 1830. Creator: John William Hill

Circular Mill, King Street, New York, 1830. Creator: John William Hill
Circular Mill, King Street, New York, 1830

Background imageJohn William Collection: Lake George, 1857. Creator: John William Casilear

Lake George, 1857. Creator: John William Casilear
Lake George, 1857

Background imageJohn William Collection: Landscape: View on Catskill Creek, 1867. Creator: John William Hill

Landscape: View on Catskill Creek, 1867. Creator: John William Hill
Landscape: View on Catskill Creek, 1867

Background imageJohn William Collection: Still Life with Fruit, 1876. Creator: John William Hill

Still Life with Fruit, 1876. Creator: John William Hill
Still Life with Fruit, 1876

Background imageJohn William Collection: Plums, 1870. Creator: John William Hill

Plums, 1870. Creator: John William Hill
Plums, 1870

Background imageJohn William Collection: The New Pasha of Egypt. Not by Horace Vernet, 1840. Creator: John Doyle

The New Pasha of Egypt. Not by Horace Vernet, 1840. Creator: John Doyle
The New Pasha of Egypt. Not by Horace Vernet, 1840. A parody on Vernets lithograph; Lord Palmerston, dressed in oriental costume and riding on horseback, in the character of Pasha Mohamed Ali

Background imageJohn William Collection: Seconding a Motion or The Party of the Movement, 1833. Creator: John Doyle

Seconding a Motion or The Party of the Movement, 1833. Creator: John Doyle
Seconding a Motion or The Party of the Movement. 1833. John William Ponsonby, 4th Earl of Bessborough; Charles Manners Sutton, 1st Viscount Canterbury; Edward Smith Stanley

Background imageJohn William Collection: Lake George, 1874. Creator: Robert Hinshelwood

Lake George, 1874. Creator: Robert Hinshelwood
Lake George, 1874. View of Lake George and the Adirondack Mountains, New York State, USA. It is thirty-four miles long, from one to four miles wide, and is said to have a depth, at places

Background imageJohn William Collection: A Grecian Flower Market, c1880, (c1930). Creator: John William Waterhouse

A Grecian Flower Market, c1880, (c1930). Creator: John William Waterhouse
A Grecian Flower Market, c1880, (c1930). Scene in Ancient Greece: women at a stall selling flowers. Painting in the Laing Art Gallery, Newcastle upon Tyne, Tyne & Wear

Background imageJohn William Collection: J. W. Hearne (Middlesex), 1928. Creator: Unknown

J. W. Hearne (Middlesex), 1928. Creator: Unknown
J. W. Hearne (Middlesex), 1928. From " Willss Cigarettes - A Series of 50 Cricketers, 1928", [W. D. & H. O. Wills, London, 1928]

Background imageJohn William Collection: Valentines Day, mid 19th century. Creator: J Brain

Valentines Day, mid 19th century. Creator: J Brain
Valentines Day, mid 19th century. A young man is revealed behind a curtain, reading a letter, while his sisters giggle and point

Background imageJohn William Collection: The Irish Tutor, 1836. Creator: John Doyle

The Irish Tutor, 1836. Creator: John Doyle
The Irish Tutor, 1836. Satirical caricature of British politicians: John William Ponsonby, Earl of Bessborough; George William Frederick Howard, Earl of Carlisle; Henry Petty-Fitzmaurice

Background imageJohn William Collection: Riverbank view of Wandsworth, London, c1798. Artist: John William Edy

Riverbank view of Wandsworth, London, c1798. Artist: John William Edy
Riverbank view of Wandsworth, London, c1798. Scene showing figures in front of a windmill and a boat on the River Thames

Background imageJohn William Collection: View of the Church of St John Horsleydown, Bermondsey, London, 1799

View of the Church of St John Horsleydown, Bermondsey, London, 1799

Background imageJohn William Collection: The Weigh House Chapel, Eastcheap, City of London, 1834. Artist

The Weigh House Chapel, Eastcheap, City of London, 1834. Artist
The Weigh House Chapel, Eastcheap, City of London, 1834

Background imageJohn William Collection: City of London from Blackfriars Bridge, 1795. Artist: John William Edy

City of London from Blackfriars Bridge, 1795. Artist: John William Edy
City of London from Blackfriars Bridge, 1795. View of the City of London seen through an arch of Blackfriars Bridge, with St Pauls Cathedral on the left, and church spires

Background imageJohn William Collection: Albion Place, Southwark, London, 1791. Artist: John William Edy

Albion Place, Southwark, London, 1791. Artist: John William Edy
View of the fire at Albion Mills, Blackfriars Bridge, Southwark, London, 1791; which took place on 2 March 1791. Blackfriars Bridge can be seen to the right

Background imageJohn William Collection: Portrait of John William, Duke of Julich-Cleves-Berg (1562-1609), 17th century. Artist: Anonymous

Portrait of John William, Duke of Julich-Cleves-Berg (1562-1609), 17th century. Artist: Anonymous
Portrait of John William, Duke of Julich-Cleves-Berg (1562-1609), 17th century. Found in the collection of Stadtmuseum Dusseldorf

Background imageJohn William Collection: Jane Seymour (1509-1537), the third wife of King Henry VIII, 1851. Artist: B Eyles

Jane Seymour (1509-1537), the third wife of King Henry VIII, 1851. Artist: B Eyles
Jane Seymour (1509-1537), the third wife of King Henry VIII, 1851. From Biographical Sketches of the Queens of Great Britain, from the Norman Conquest to the Reign of Victoria

Background imageJohn William Collection: Lieut. Bell, R. N. R. captain of the Thordis, being presented by the Lord Mayor of London with the r

Lieut. Bell, R. N. R. captain of the Thordis, being presented by the Lord Mayor of London with the r
Lieut. Bell, RNR captain of the Thordis, being presented by the Lord Mayor of London with a reward, 1915. Offered to the captain and crew of the first British merchantman to sink a German submarine

Background imageJohn William Collection: Capture of the Reunion, c1794. Artist: John William Edy

Capture of the Reunion, c1794. Artist: John William Edy
Capture of the Reunion, c1794. A naval battle between the British frigate HMS Crescent and the French frigate Reunion on 20 October 1793

Background imageJohn William Collection: Study for Phyllis and Demophoon, c1907. Artist: John William Waterhouse

Study for Phyllis and Demophoon, c1907. Artist: John William Waterhouse
Study for Phyllis and Demophoon, c1907. From The Studio Volume 53. [London Offices of the Studio, London, 1911]

Background imageJohn William Collection: The Gamekeepers Cottage, Somerset, 1904. Artist: John William North

The Gamekeepers Cottage, Somerset, 1904. Artist: John William North
The Gamekeepers Cottage, Somerset, 1904. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageJohn William Collection: Phyllis and Demophoon Study, c1897. Artist: John William Waterhouse

Phyllis and Demophoon Study, c1897. Artist: John William Waterhouse
Phyllis and Demophoon Study, c1897. A study for Phyllis. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Background imageJohn William Collection: Study for The Nymphs Finding the Head of Orpheus, c1899 Artist: John William Waterhouse

Study for The Nymphs Finding the Head of Orpheus, c1899 Artist: John William Waterhouse
Study for The Nymphs Finding the Head of Orpheus, c1899. A Pencil study in the sketch books held in the Victoria and Albert Museum, London. From The Studio Volume 71

Background imageJohn William Collection: Vanity, c1910. Artist: John William Waterhouse

Vanity, c1910. Artist: John William Waterhouse
Vanity, c1910. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

Background imageJohn William Collection: From a study in sanguine, c1899. Artist: John William Waterhouse

From a study in sanguine, c1899. Artist: John William Waterhouse
From a study in sanguine, c1899. From The Studio Volume 44. [London Offices of the Studio, London, 1908]

Background imageJohn William Collection: Study of a Head, c1899. Artist: John William Waterhouse

Study of a Head, c1899. Artist: John William Waterhouse
Study of a Head, c1899. From The Studio Volume 18 by Ralph Nevill. [The Offices of the Studio, London, 1899-1900]

Background imageJohn William Collection: Ophelia, 1895. Artist: James Dobie

Ophelia, 1895. Artist: James Dobie
Ophelia, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageJohn William Collection: John William Colenso, Bishop of Natal, 1875

John William Colenso, Bishop of Natal, 1875. Colenso (1814-1883) became the first Anglican Bishop of Natal in 1853. He became a controversial figure amongst the church hierarchy in Southern Africa

Background imageJohn William Collection: Caroline of Brandenburg-Ansbach (1683-1737), queen consort of King George II, 1851

Caroline of Brandenburg-Ansbach (1683-1737), queen consort of King George II, 1851. Artist: John Brown
Caroline of Brandenburg-Ansbach (1683-1737), queen consort of King George II, 1851. From Biographical Sketches of the Queens of Great Britain, from the Norman Conquest to the Reign of Victoria



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