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John Tenniel Collection (page 10)

Background imageJohn Tenniel Collection: Disinterested Advisers, 1875. Artist: Joseph Swain

Disinterested Advisers, 1875. Artist: Joseph Swain
Disinterested Advisers, 1875. Turkey is surrounded by Disinterested Advisers in the shape of the Russian Bear and the Eagles representing Austria and Germany

Background imageJohn Tenniel Collection: Neptunes Warning, 1875. Artist: Joseph Swain

Neptunes Warning, 1875. Artist: Joseph Swain
Neptunes Warning, 1875. Neptune sits on a small raft, with Britannia held safely on his knee. Recently, two of the new iron-clad men of war ships

Background imageJohn Tenniel Collection: The Golden Wedding, 1875. Artist: Joseph Swain

The Golden Wedding, 1875. Artist: Joseph Swain
The Golden Wedding, 1875. Iron, represented by Vulcan, and steam, represented by Vapour, are congratulated by Mr Punch on their 50 harmonious years

Background imageJohn Tenniel Collection: The Flag of Freedom, 1875. Artist: Joseph Swain

The Flag of Freedom, 1875. Artist: Joseph Swain
The Flag of Freedom, 1875. An escaped slave clings to Britains flagpole as John Bull argues the toss with the First Lord of the Admiralty, G Ward Hunt

Background imageJohn Tenniel Collection: Whos to Blame?, 1875. Artist: Joseph Swain

Whos to Blame?, 1875. Artist: Joseph Swain
Whos to Blame?, 1875. Vulcan makes no excuse to Britannia as she shows him the bill for the loss of the iron-clad man-of-war vessel that sank after a collision off the coast of Ireland

Background imageJohn Tenniel Collection: Approaching Dissolution, 1875. Artist: Joseph Swain

Approaching Dissolution, 1875. Artist: Joseph Swain
Approaching Dissolution, 1875. Mrs Disraeli on the right runs a Baby Farm. Huddled in the corner behind her are all the Baby Bills

Background imageJohn Tenniel Collection: Loss and Gain, 1875. Artist: Joseph Swain

Loss and Gain, 1875. Artist: Joseph Swain
Loss and Gain, 1875. John Bull, the representative of the British people, stands with Mr Punch on the coast of Ireland and looks into the gloom

Background imageJohn Tenniel Collection: Waiting to be Won, 1875. Artist: Joseph Swain

Waiting to be Won, 1875. Artist: Joseph Swain
Waiting to be Won, 1875. The Queen of the Arctic is perched on an iceberg with two polar bears at her feet. This relates to the New Arctic Expedition at the start of which two ships

Background imageJohn Tenniel Collection: O, Lovely Peace, 1875. Artist: Joseph Swain

O, Lovely Peace, 1875. Artist: Joseph Swain
O, Lovely Peace, 1875. Bismarck plays a penny whistle and the Russian Bear dances. The German Emperor dances along happily

Background imageJohn Tenniel Collection: Cremation, 1875. Artist: Joseph Swain

Cremation, 1875. Artist: Joseph Swain
Cremation, 1875. A young man is dismayed to find his uncle helping himself to some snuff that he found in an urn on the mantelpiece of his nephews lodgings

Background imageJohn Tenniel Collection: A Red Study, 1875. Artist: Joseph Swain

A Red Study, 1875. Artist: Joseph Swain
A Red Study, 1875. This cartoon shows Dr Henry Edward Manning gazing into the fire. Manning had in fact been one of the leaders of the Oxford Movement, but converted to Roman Catholicism in 1851

Background imageJohn Tenniel Collection: Deserted !, 1875. Artist: Joseph Swain

Deserted !, 1875. Artist: Joseph Swain
Deserted !, 1875. Mr Disraeli, the Conservative Prime Minister, stands on the right with his Lord Chancellor, Hugh McCalmont Cairns, 1st Earl Cairns

Background imageJohn Tenniel Collection: A Nice Distinction, 1875. Artist: Joseph Swain

A Nice Distinction, 1875. Artist: Joseph Swain
A Nice Distinction, 1875. This cartoon shows Dr Edward Kenealy on the right preventing John Mitchell from entering the House of Commons

Background imageJohn Tenniel Collection: The Bow of Ulysses, 1875. Artist: Joseph Swain

The Bow of Ulysses, 1875. Artist: Joseph Swain
The Bow of Ulysses, 1875. The Liberal opposition had to choose a new leader following Mr Gladstones resignation from office following the Liberal defeat in the General Election of 1874

Background imageJohn Tenniel Collection: Good-Bye !, 1875. Artist: Joseph Swain

Good-Bye !, 1875. Artist: Joseph Swain
Good-Bye !, 1875. Mr Gladstone on the right shakes hands with Prime Minister Disraeli. In the previous year, Mr Gladstones Liberal government had lost the General Election to Disraelis Conservative

Background imageJohn Tenniel Collection: Between Two Fires, 1875. Artist: Joseph Swain

Between Two Fires, 1875. Artist: Joseph Swain
Between Two Fires, 1875. Pope Pius IX is on the left of this cartoon and Bismarck of Germany on the right. In the middle is the young son of the abdicated Queen Isabella of Spain

Background imageJohn Tenniel Collection: The North-West Passage, 1874. Artist: Joseph Swain

The North-West Passage, 1874. Artist: Joseph Swain
The North-West Passage, 1874. Mr Disraeli, the Conservative Prime Minister, looks thoughtfully into the distance. Charts and maps are spread out around him

Background imageJohn Tenniel Collection: The Voice of the Turtle, 1874. Artist: Joseph Swain

The Voice of the Turtle, 1874. Artist: Joseph Swain
The Voice of the Turtle, 1874. Gog and Magog represent the City of London in this cartoon which relates to the proposal to enlarge the Corporation

Background imageJohn Tenniel Collection: Our Merchant Navy, 1874. Artist: Joseph Swain

Our Merchant Navy, 1874. Artist: Joseph Swain
Our Merchant Navy, 1874. Alfred, Duke of Edinburgh refers to Britains need for fit and ready sailors. Mr Samuel Plimsoll was pursuing his fight against the often deliberate overloading

Background imageJohn Tenniel Collection: The Demon Rough, 1874. Artist: Joseph Swain

The Demon Rough, 1874. Artist: Joseph Swain
The Demon Rough, 1874. A bestial labourer crouches over the limp body of his wife whilst Justice stands over him, her scales and sword on her belt, and the cat o nine tails in her hand

Background imageJohn Tenniel Collection: Railway Responsability, 1874. Artist: Joseph Swain

Railway Responsability, 1874. Artist: Joseph Swain
Railway Responsability, 1874. Mr Punch tells a fat railway director that his train operators - seen in the background amidst the buffers

Background imageJohn Tenniel Collection: A Pleasure Excursion - First-Class!, 1824. Artist: Joseph Swain

A Pleasure Excursion - First-Class!, 1824. Artist: Joseph Swain
A Pleasure Excursion - First-Class!, 1824. A mixed group of passengers enjoy the comforts of first-class railway travel. The large gentleman in the top hat claims to be a director

Background imageJohn Tenniel Collection: Home-(Rule)-Opathy, 1874. Artist: Joseph Swain

Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside

Background imageJohn Tenniel Collection: Womans Wrongs, 1874. Artist: Joseph Swain

Womans Wrongs, 1874. Artist: Joseph Swain
Womans Wrongs, 1874. A brutish working-class husband prepares to beat his wife who still bears the insignia of previous violence

Background imageJohn Tenniel Collection: Black Sheep, 1874. Artist: Joseph Swain

Black Sheep, 1874. Artist: Joseph Swain
Black Sheep, 1874. This cartoon shows the Archbishop of Canterbury rooting out the black sheep from amongst his flock and sending them back towards Rome

Background imageJohn Tenniel Collection: The Good Little Vitler, 1874. Artist: Joseph Swain

The Good Little Vitler, 1874. Artist: Joseph Swain
The Good Little Vitler, 1874. The little victualler is rewarded by the new Conservative Home Secretary, RA Cross. The previous Home Secretary, HA Bruce

Background imageJohn Tenniel Collection: Dearly Bought, 1874. Artist: Joseph Swain

Dearly Bought, 1874. Artist: Joseph Swain
Dearly Bought, 1874. Sir Garnet Wolseley is depicted presenting Britannia with King King Coffees state umbrella. British troops in the background stand guard over the dejected native King

Background imageJohn Tenniel Collection: The Levee of the Season, 1874. Artist: Joseph Swain

The Levee of the Season, 1874. Artist: Joseph Swain
The Levee of the Season, 1874. Queen Victoria reviews her troops. These were the men who had fought in the Ashanti Campaign recently under the leadership of Sir Garnet Wolseley

Background imageJohn Tenniel Collection: Paradise and the Peri, 1874. Artist: Joseph Swain

Paradise and the Peri, 1874. Artist: Joseph Swain
Paradise and the Peri, 1874. Mr Disraeli is taken by the wings of happiness. The General Election of the 5th March 1874 had seen the Conservatives, under the leadership of Mr Disraeli

Background imageJohn Tenniel Collection: Degenerate Days!!, 1874. Artist: Joseph Swain

Degenerate Days!!, 1874. Artist: Joseph Swain
Degenerate Days!!, 1874. A publican and his customer discuss the forthcoming General Election. After being in power since 1868, the Liberal Prime Minister, Gladstone

Background imageJohn Tenniel Collection: General election, (1874?). Artist: Joseph Swain

General election, (1874?). Artist: Joseph Swain
General election, (1874?). A shrouded figure holds up the ballot box whilst, in the mists and gloom at the figures feet, the Liberal Prime Minister, Gladstone

Background imageJohn Tenniel Collection: The Latest in Russia Bonds, 1874. Artist: Joseph Swain

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground

Background imageJohn Tenniel Collection: The Vatican Hatter, 1874. Artist: Joseph Swain

The Vatican Hatter, 1874. Artist: Joseph Swain
The Vatican Hatter, 1874 - who looks very like Pope Pius IX - shows the new Archbishop of Westminster a cardinals hat and apologises that he hasn t got one to fit Dr Manning

Background imageJohn Tenniel Collection: Low(e) art and whitewash, 1873. Artist: Joseph Swain

Low(e) art and whitewash, 1873. Artist: Joseph Swain
Low(e) art and whitewash, 1873. Mr Robert Lowe slaps whitewash onto the sturdy figure of a policeman. The British police had been under fire in recent years following various scandals both in London

Background imageJohn Tenniel Collection: Neighbours In Council, 1869. Artist: John Tenniel

Neighbours In Council, 1869. Artist: John Tenniel
Neighbours In Council, 1869. France and Britannia were each facing their problems, although, as is often the case, France is depicted as a weaker version of Britannia

Background imageJohn Tenniel Collection: The Irish Treason Shop, 1869. Artist: Joseph Swain

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageJohn Tenniel Collection: From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869

From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869. Artist: Joseph Swain
From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences.), 1869. In November 1869 the Suez Canal was formally opened

Background imageJohn Tenniel Collection: A Perilous Passage, 1869. Artist: Joseph Swain

A Perilous Passage, 1869. Artist: Joseph Swain
A Perilous Passage, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time. He had introduced a number of measures to try and calm the situation

Background imageJohn Tenniel Collection: How Not To Do It, 1869. Artist: Joseph Swain

How Not To Do It, 1869. Artist: Joseph Swain
How Not To Do It, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageJohn Tenniel Collection: Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

Background imageJohn Tenniel Collection: Big Bogey in Ireland, 1869. Artist: Joseph Swain

Big Bogey in Ireland, 1869. Artist: Joseph Swain
Big Bogey in Ireland, 1869. The Cardinal forbids his little catholic children from joining their Protestant friends in the National School

Background imageJohn Tenniel Collection: Well Rowed All!, 1869. Artist: Joseph Swain

Well Rowed All!, 1869. Artist: Joseph Swain
Well Rowed All!, 1869. This cartoon refers to the development of a special relationship between Britain and the United States

Background imageJohn Tenniel Collection: Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain

Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain
Destiny and Fete, Or Time Works Wonders, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time

Background imageJohn Tenniel Collection: A Change for The Better, 1869. Artist: Joseph Swain

A Change for The Better, 1869. Artist: Joseph Swain
A Change for The Better, 1869. After his success in the 1868 General Election, Mr Gladstone became the new Prime Minister

Background imageJohn Tenniel Collection: Easing The Curb, 1869. Artist: John Tenniel

Easing The Curb, 1869. Artist: John Tenniel
Easing The Curb, 1869. This cartoon depicts Napoleon easing the curb on the horse to allow its smoother handling and easier passage. Emperor Napoleon III was having difficulties at home

Background imageJohn Tenniel Collection: The Rival Con jurors, 1869. Artist: John Tenniel

The Rival Con jurors, 1869. Artist: John Tenniel
The Rival Con jurors, 1869. The new Liberal Chancellor for the Exchequer introduced his first Budget. Income tax was reduced by 1penny in the pound and the duty on foreign corn was abolished

Background imageJohn Tenniel Collection: Humble Pie (?), 1869. Artist: John Tenniel

Humble Pie (?), 1869. Artist: John Tenniel
Humble Pie (?), 1869. After the American Civil War, the US government claimed compensation was due from Britain in respect of the damage done by the Alabama

Background imageJohn Tenniel Collection: The Sunday Question, 1869. Artist: John Tenniel

The Sunday Question, 1869. Artist: John Tenniel
The Sunday Question, 1869. The drinking habits of the working classes was always a cause for concern amongst their social superiors



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