John Hamilton Mortimer Collection (page 2)

Successful Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778

Tragedy (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778

Comedy (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778

Pastoral (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778

Duke of York (Twelve Characters from Shakespeare), March 15, 1776

Shylock (Twelve Characters from Shakespeare), March 15, 1776

Bardolph (Twelve Characters from Shakespeare), May 20, 1775

Frontispiece (Fifteen Etchings Dedicated to Sir Joshua Reynolds), 1778

Banditti at Market, November 9, 1780. Creator: John Hall
Banditti at Market, November 9, 1780

The Coke and Perkin (The Cooks Tale, Chaucers Canterbury Tales), late 18th century. After John Hamilton Mortimer

Three Putti Dancing to a Piper, March 1, 1780. Creator: Charles Reuben Ryley
Three Putti Dancing to a Piper, March 1, 1780. After John Hamilton Mortimer

Woman at Her Toilet, March 1, 1780. Creator: Charles Reuben Ryley
Woman at Her Toilet, March 1, 1780. After John Hamilton Mortimer

Oriental Head, ca. 1803. Creator: Charles Theodosius Heath
Oriental Head, ca. 1803. After John Hamilton Mortimer

Sancho Panza, from Don Quixote, ca. 1776. ca. 1776. Creator: Thomas Rowlandson
Sancho Panza, from Don Quixote, ca. 1776

Richard II, 1775. Creator: John Hamilton Mortimer (British, 1740-1779)
Richard II, 1775. John Hamilton Mortimer supported the prevailing academic doctrine which located history painting at the top of the hierarchy of subject matter

Jealous Monster, 1778. Artist: John Hamilton Mortimer
Jealous Monster, 1778. One of a series of six, showing monsters seducing or struggling with beautiful sea nymphs

Departure of the Canterbury Pilgrims, Borough High Street, Southwark, London, 1787. An 18th century illustration of Chaucers Canterbury Tales

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